A Word From Captain Obvious

The blog series “How I Designed a Logo” is temporarily postponed while I keep you updated about the show, “IMAGES OF HOME” at Exeter’s Courthouse Gallery. We will resume the story tomorrow (unless something show-related happens that cannot wait.)

I am painting as if I have a deadline because I do. One of the customers at Images of Home wanted to take his painting with him rather than wait for the show’s indeterminate ending. This left a blank space on the wall. 

Since it was a 12×12″ orange grove scene which sold, I wanted to replace it with something similar. (We didn’t just arbitrarily tack paintings and drawings to the wall, but instead, we grouped them somewhat by subject matter.)

This painting was already started:

I spent an afternoon refining it, doing the forbidden and frowned-upon (by The Art World) drawing with my paintbrush. (That is my preferred method of painting, and clearly, the attendees of the art show agree with me, so take that, Art World!)You can see that I ignored the eucalpytus trees in the background in the photo and substituted my favorite foothills and snow-covered Sierra.

The painting is too wet to scan (Captain Obvious speaking here), so I photographed it, carefully carried it into the somewhat warmer house (we’ve been having very mild weather this week) to get a bit drier, and then will deliver it still somewhat wet to the gallery. Since the gallery isn’t open again until Saturday, the degree of dryness doesn’t matter. I will put a “Wet Paint” sign near it.

The title is “Picking Time”, the size is 10×10″, the price is $150, and the medium is slow-to-dry oil paint.

Because I fully anticipate further sales in the next weeks building up to Christmas, I am working on these other 2 paintings to fill holes on the walls.

First, this one has been troubling me. I keep studying it to figure out how to make it better.

Okay, bye-bye stump. Yes, it tells me where I am on which trail, but it doesn’t enhance the painting. In case you are wondering, I like deer in Mineral King; I dislike them eating my plants in Three Rivers. 

This is better, but I am still not convinced that it is finished. These little adjustments are probably only discernible to me. 

Okay, enough of this painting that feels too hard for me. Time to work on something I know how to paint.

When this stage is dry, I will start the detailing that I so dearly love to do. This is the classic Mineral King scene; this time it is titled Mineral King Dusk, because it is dusk in Mineral King. (This is your captain speaking). It is 6×12″, and the price will be $125.

Do you think I should raise my prices? What would Captain Obvious say?

Never mind. Here is an updated flyer about Images of Home; both of the pieces shown have sold. (Sawtooth on the left sold four times, which I already told you, but again, this is your captain speaking).

 

Special Painting for a Special Person

Remember when I painted a Farewell Gap oil painting and wouldn’t tell you why? I said it had to be the very best painting I had ever done. The Best Version of the Classic Mineral King Scene

The painting was commissioned by the Mineral King Preservation Society and the Mineral King District Association to be a gift for Louise, someone who has been very instrumental in both preserving the history of Mineral King and developing a good relationship between the cabin owners and Sequoia National Park. 

She also happens to be one of my dearest friends, someone who coached me through my first murals, got me my first paid public mural, and has been more encouraging than anyone I have ever known. She is also an author, and I had the privilege of editing and publishing two books for her: Trail of Promises and The Visalia Electric Railroad. We work together like a well-oiled machine, one that laughs a lot while producing good results.

Here are some photos of the presentation of the painting.

I love this lady.

P.S. These came via email:

1. What a beautiful post, beautiful painting, and beautiful lady.  How is Louise doing?  She looks well. – Jon S.

2. Your “Louise gift” in this morning’s post brought tears. what a touching tribute to my very special cousin.
three cheers for a beautiful exhibit! – Bev

Oil Paintings Sold in August

This is Labor Day, so this is about some completed labors. Today I will share some oil paintings of Mineral King that sold as of mid-August at the Silver City Resort/Store.

I can’t decide if the sales are unusually high, or if I am simply thrilled because much of life seems less than thrilling these days. So, in the spirit of celebrating things for which to be thankful, rejoice with me.

Maybe it is showing off. Nah. I am just trying to be businesslike, reminding you all that:

I use pencils, oil paint, and murals to create art that you can understand of places and things you love for prices that won’t scare you.

More Completed Mineral King Paintings

These Mineral King oil paintings are now ready to be displayed and sold.

Mineral King Aspens, 6×6″, oil on wrapped canvas, $65 INCLUDING TAX! (If you live out of state, that extra $5 can go toward mailing).
Mineral King Trail, 6×6″, oil on wrapped canvas, $65 INCLUDING TAX! (What I already said).

Paintings always look better in person (and I almost always tell you that). I was studying the paintings on the studio wall, and decided that this one, painted en plein air (fancy talk for on location), just wasn’t good enough.I brightened and lightened it; now it is for sale at the Mural Gallery in Exeter.

Always learning, striving to. . .

. . . make art you understand, about places and things you love, for prices that won’t scare you.

 

 

Cranking them out

Doesn’t that sound careless? It is meant to convey a sense of methodically completing oil paintings, standing in front of the easels without mercy, focusing relentlessly on the job at hand in order to have time in Mineral King, or to work on some pencil drawings, or maybe just park my tookus and read.

Here are some in progress photos:

These are now completed, signed, with painted edges, all drying in the workshop.

These weren’t hard because they had base coats, with all the shapes and darks and lights blocked in. All I had to do was mix the right colors, find obedient brushes, and systematically make them the best they could become without getting caught up in unnecessary extraneous details (as I define “unnecessary detail”, not as the folks who tell me to stop drawing with my paintbrushes). Pencils require tight details; oils require great color; both require great contrast.

Now I have 3 more to paint: a commission (although it is still in the conversation stage I feel fairly confident that it will become a real job), something for a friend in trade for some iris rhizomes to share, and one more small Mineral King painting, because I ran out of daylight on my marathon painting day.

 

Classic Mineral King 3

Stunningly mild summer weather made it a pleasure to paint this large classic Mineral King scene. Normally it is uncomfortable to paint in the summer with the swamp cooler roaring and blowing things around while doing its best to help me focus on work.

For some reason I found it easier to work from the bottom up, from front to back, the opposite of my usual path across a canvas.

Because it was so nice out, the big doors were open, and some vacationers across the street came up the driveway to see what I was doing. Wow, what a fun visit with this family from Ventura! Questions, so much interest and curiosity, lots of questions. Young Landon wanted to know the “very hardest thing in art – how do you draw a nose?” I said, “You don’t draw it, you shade it, because it doesn’t have any hard edges”. By then we were all in the studio, Landon, parents Christine and Lawrence, and granddad John. I “drew” Landon’s nose for him. (It might have been awful because I wasn’t wearing my cheater glasses, but he thought it was fantastic.) We all had an enjoyable visit, and I sent them to Mineral King for the next day’s excursion, because it is the best part of Sequoia front country. 

When one works in solitude day in and day out, it is a thrill to meet people who are both interested and interesting. If you are reading this, thank you for coming up my driveway, Ventura family!

Remember, I use pencils, oil paint, and murals to make art people understand, of places and things they love, for prices that won’t scare them.

Classic Mineral King, oil on wrapped canvas, 18×36″, $1200 (Yes there is tax, there is always tax in California)

P.S. They didn’t make it to Mineral King but will aim for that in a return visit this fall. We had further conversation and learned that we have many important things in common, which might explain our immediate comfort with one another.

Classic Mineral King

When people think of Mineral King,  a certain scene usually comes to mind. It is the view of Farewell Gap, looking upstream while standing on the bridge at the end of the road, with the Crowley family cabin and the stream in the foreground. This is the most popular scene that I paint of Mineral King.

Recently a large oil painting of this scene sold at Kaweah Arts.

At the same time, Silver City Resort asked me for a large vertical painting to hang in a highly visible space inside the store/restaurant. Last year a painting of sequoia trees filled that space; this summer it is hanging (for sale, of course) at Kaweah Arts.

Clearly, I need to paint a new large canvas of this classic Mineral King scene.

This is the first time I have painted the scene in these proportions. 

I wonder how quickly I can get it done, because the summer selling season is a short little blip on the calendar.

Mineral King, Opening Weekend

WELCOME BACK TO FRIDAYS ARE FOR MINERAL KING!

Memorial Day weekend is the traditional weekend that Mineral King opens up – gates, campgrounds (only Cold Springs this year), cabins.

  1. ROAD OBSERVATIONS: The road was well-pruned on the lower 6.5 miles, thanks to fire crews. The flowers weren’t very good until the mid elevations where the bush poppy, flannel bush, and blazing star showed up (all yellow, all kind of look alike). Drivers coming down were uncommonly courteous, but a couple heading up didn’t know the mountain courtesy custom of pulling over if someone catches up to you. (BECAUSE THEY ARE ALWAYS GOING FASTER THAN YOU, DOOFUS!) 
  2. It took 2 axes to tackle the low level of the woodpile. Trail Guy has been up the hill when the weather is cold, and he graciously leaves the splitting to me because he knows I love to do it.
  3. I walked the Nature Trail (down the road, up the trail) with my neighbor. We saw a shrub that has always seemed sort of like a currant – turns out it is a Sierra Currant, rather than the Wax Currant that is more common  in our neck of the woods.We also saw yellow violets (called Mountain Violets)and regular violets (called Violets in my book Mineral King Wildflowers)
  4. Trail Guy and I walked to the parking lot, where the 2 trees are marked for removal. (Who knows when it will happen?)
  5. We also walked to Crystal Creek, which is low and spread out, and then meandered our way back where I found a new-to-me yellow flower. The dandelions were out in large numbers too.

 

 

One Inch Too Big

Here are the three dry Mineral King oil paintings that are one inch too long to fit on the flatbed scanner, which I now have to connect to the old laptop in order to use. This is because when I “upgraded” my operating system, it caused my current laptop to no longer communicate with the scanner. 

What passes for old in this world is just hard to comprehend. Merle Haggard had a line in a song, “Wish a Ford and a Chevy could still last ten years, like they should” – how about a printer or a scanner?

I now also have to do some shenanigans with a flash drive in between the old and new laptops in order to fix the unsightly black edges around some of the paintings because of that blasted “upgrade”. If I hadn’t said anything, you probably would not have noticed.

Never mind, let’s move on, shall we?

The Honeymoon Cabin (which is a museum for the Mineral King Preservation Society)
Farewell Gap (well, oops, I hadn’t signed that one and now have to retake the photo.)
The Oak Grove Bridge, #32 (I’ve probably painted it more than 32 times – sometimes I just lose track of numbers).

Each one of these is oil on wrapped canvas, ready for hanging, 6×18″, $165 plus California sales tax, which is 7.75% here in the foothills of Tulare County, deep in the heart of California’s fly-over country. (But we feed the world, and don’t you forget it.)

Guess I’d better gird my loins, find my inner warrior, be a brave soldier, and return to Forrest’s Dream Cabin.

Painting Mineral King Like Nobody’s Business

Forrest’s Dream Cabin still feels a bit daunting, too hard, too challenging. Maybe I am just lazy. Or the hateful time change still has me dragging. Or too many trips down the hill in one week threw me off my stride. 

Excuses, excuses. Even when I am in a diminished state of mental energy and toughness, I can paint Mineral King like nobody’s business*. 

When these are dry, I will hook up my old computer to the old scanner and scan them so you can get a better look. Tomorrow I will show you the ones that I photographed because they are too large for the scanner by ONE LOUSY INCH. (Who decided that 17″ was a good dimension for a scanner??)

*Such a strange cliché but I am not interested enough to look it up.