Aren’t these corners great?
And have a look at the plaques of the title and the sponsors (fabulous people, each one!):
Day Two on the Mural
The mountains are being formed from the top to the bottom (which is the same as from the back to the front) and from left to right. Notice the wall’s shadow – that is around 1:30 and it is too hot to paint the minute the sun hits that lift (and instantly dries my palette.) Love that handy little electric lift! Today Michael stopped by and showed me a few operating tricks; in addition, the lift owners removed the head-banger and extended the platform. Yea! Michael signed the projection list too:
Day One on the Mural, continued
I loaded the most pertinent supplies onto the lift, remembered how to turn it on and drive it, got it into position and couldn’t figure out how to raise it up. I was so desperate that I actually referred to the useless manual. It should have had a simple sentence reading “Move the yellow toggle switch to the left and use the same control that drives the machine to raise and lower it”. It didn’t say that. I called Keith and he talked me through. When I got as high as I needed to be, I began the sky. It took about 3 hours to cover it and here are the results:
It needs to be a lighter color and the mountains need to be raised. So, I got the new mountain level drawn on:
After that, the lift stopped lifting, so I moved to a lower section and began scribbling. Since painting is supposed to happen from back to front, this is out of order and will have to simply serve as a base coat.
Next, I went home to mix some colors – new sky, 2 shades of mountain and dirt.
Day One on the Mural
In life, I am pretty good at about 2 things (drawing and teaching drawing), pretty average at most things, and really bad at 2 things for sure: team sports and morning. Today, I got up at 5, left at 6, and was at the mural site at 6:30. 6:30 is a reasonable time; it is the preceding hour and 1/2 that really bite. When I got to the site I was greeted by this little guy:
Back in the early ’80s, my friend Stacy got a new Taurus, and we used to joke about all the push-button devices being like an electric wheelchair. (At the time I had a stick shift with crank windows and without a/c.) This electric lift is like the Taurus compared to the scaffolding I used last time!
I was also greeted by this list of names, a happy reminder of all the help I had on Thursday night. (but Michael forgot to sign!)
The wall looked like this with all the outlines:
You can see it didn’t fit all that well – there is extra space on either end. (Maybe projecting murals should get added to my list of team sports and morning.)
Okay, I am way too sleepy to continue this posting. Guess I’ll have to show you the morning’s work tomorrow. And no, I’m not going to take a nap because there is NO WAY I’m going to experience morning twice in one day!
Finishing up
Exeter’s murals are really special, and it is due to a very dedicated team of volunteers. They do extra things that keep Exeter ahead of the pack. Last night the finishing touches were added to Mineral King: In Our Back Yard that really set it off. Look at these fabulous, over-sized, three-dimensional photo corners!
Now, when visitors ask me, “How’dju git them pichers on there?” I will simply say “With them there corner thingies!” 😎
Projecting the Project!
Thursday, June 3 was the date of projecting the latest Exeter mural onto the wall. Wow, was that ever a project! (Isn’t that an odd word in its various meanings?) There was a nice group of people there to celebrate Bill Sario’s birthday and that of his grandson. Bill fixed wonderful sandwiches for everyone, and Betsy baked a fabulous cake. There were a few local dignitaries and sponsors of the first Mineral King mural present, along with the mural team, other friends and interested folks.
I had to have a brief lift-operating lesson, and then it was (wisely) decided that my personal practice time should happen later. Keith became the lift operator for the big job ahead, which was that of aligning and tracing 16 (yes, SIXTEEN) transparencies. There must be a better way to do this! Ed Kesterson suggested a method using a laptop that was way over my equipment and experience level. (If I get another opportunity to do a huge mural, I will call him for help!) There are so many variables using an overhead projector – it has to be centered vertically and horizontally and MUST be perfectly parallel to the wall. The math needs to be accurate so there isn’t either too much mural or too much wall. Since I knew there wasn’t much chance of the math being accurate, we began toward the center and worked outward. This allowed there to be minimal slop on either end instead of a spare 10 feet (last mural had about 20 extra feet to contend with!) Larry Lee (of Larry Lee Photography) was present with his years of wisdom and helped tremendously with the calculations. He directed the order of slide projection and told me the parts most crucial to accuracy and success. Then, the fun began! First we did the 8 top transparencies, measuring and marking critical points. This was mostly done from ladders, and there are so many photos that I will keep them small so you can enlarge them if you choose.
Paul of the Exeter Sun-Gazette placed the first mark. 
Mickey is right-handed and Michael is left-handed – a perfect team!
Michael was awesome in his focus and bravery on a rickety antique ladder.
Samantha, a brand new engineer, is one of my most cherished former drawing students. We bonded initially over our Cat Disorders.
Nice group of folks here, included the soon to be born Otis/Emily.
Betsy was a real trooper as always, and stuck with us until the end at 10:15 p.m.
Designing a mural, part 2
After I recovered from the enormous overload of photographic input, I sorted the photos by lake. Then, I realized the only historical photo of a dam that I had readily available (thanks, Louise!) was of Franklin. That caused the decision to be easy. The mural team requested the addition of mules, so I had to chase down an old photo from which to paint. I know many resourceful people with lots of history in Mineral King, so finding a photo wasn’t too hard. (thanks, Cathy!)
Planning a mural
The new mural has been in the planning phase for over a year. It was requested that a mural be painted to the correct scale so that a person can stand in front of it and appear to be at the actual scene. To do that, I had to have people with me each time I visited a lake with a dam. There are 4 lakes with dams out of Mineral King. I knew that Eagle Lake most likely would not make a good candidate, so I only visited the other 3. My friends and family know that I am always working – thinking, planning and designing – so they have become accustomed to participating in rather unorthodox ways upon request. Here is Phoebe at Crystal Lake:
It is a fabulously beautiful place, and it might have worked for a mural. The dam is on the lower of the 2 lakes, and we all (Michael, Phoebe and I) prefer upper Crystal.
Here is Michael on upper Monarch Lake:
This lake is sort of hard to get to since there isn’t an exact trail. It would be good to know how the mules carrying all those sacks of cement got there!
This is the other JB at Franklin Lake. We were there in late August, and by then, I knew this would probably be the best candidate for a mural that could meet the specifications. It has a trail leading directly to the dam and there was a great photo available of the building process in 1904.
NEW MURAL!
Finally, I can tell you about my upcoming big project! It is Exeter’s next mural and will be located directly across from my other mural. This one is about 1/3 of the length of the other. The subject is Franklin Lake and the Mount Whitney Power Company, which was the precursor to Southern California Edison and had an office in Exeter. (It is now the Exeter History Museum.) Our projected projection date (tee hee hee) is Thursday, June 3. Stay tuned for further details. . .
Mount Whitney Power Company dam under construction at Franklin Lake, Mineral King, California, 1904. Thousands of pounds of cement, sand, rock, wood forms and construction supplies were hauled by mules to early 1900s power company dam projects. (from The Mule Men by Louise Jackson)
Winter, continued
I’m writing blog entries when I should be painting. Painting is supposed to be my first priority now, so anything else produces guilt. But, I feel compelled to stay in touch, and tell you about another trip into Mineral King. As usual, it provided more inspiration, recreation and good times with Michael in the snow.
There has been avalanche activity in the valley. First, a slide came down off spud mountain. The real name is Potato Hill because it reminded the Irish miners of rows of potatoes in the fields of home. Those rows are avalanche chutes. Here is one result:
This is a little shed that prolly needed rebuilding anyway. . . out of respect for my friends and neighbors, I will leave this without identification, and will also not show the cabin that got knocked off its posts. (It doesn’t look nearly as dramatic in the photos as real life anyway!)
Another slide came down Chihuahua, which is the drainage across the valley from Spring Creek (about 1/2 mile before Crystal).
It is all snowy, so how do you know this is a slide instead of just snowfall? It is fan shaped, like an alluvial fan but made of snow instead of dirt. And, it covered the creek that is exposed in other parts of the valley:
There are also broken branches and other debris, but it isn’t that pretty in a photo, so I skipped that part of today’s lesson in Mineral King Winter. (There won’t be a test or any homework, no worries!)