Painting Mineral King

In anticipation of a busy selling season this summer at the Silver City Store, I am painting like fury to have inventory. If I can get enough small pieces finished ahead of time, then I can return to painting larger Tulare County scenes for the solo show in the fall at CACHE in Exeter.

The most popular scene, assembly-line style for the base coats. Fret not: they will be detailed individually, and I won’t have all of them on display at the same time.

All of these are in various stages of completion, contributing to a sense of chaos and indecision as to how to proceed. It’s just part of the process when one chooses to be a factory, churning out many paintings of the same scenes.

These 6×6″ will be ready to go, once dried, scanned, and varnished.

Clockwise from upper left: White Chief, Alpenglow on Farewell Gap, View from the Bridge, Sawtooth.

This one was easier the second time I painted the scene. I’m a little reluctant to look at it side-by-side with the first version in case I decide this one is A. better or B. needs more work.

Finally, I started a 20×24″ painting of a scene shared with me by a drawing student. It looks like a weird abstract in the first pass over the canvas, but you trust me, yes? And you probably recognize the scene in the second photo here.

This one is going to be challenging but very satisfying. I messed with the photo to make it look more like we want to remember the scene rather than just accepting what the camera says. It really is a classic Tulare County vista.

First Mineral King Stay of 2024

On the drive up the hill, I was just astonished by the abundance of yellow flowers, particularly bush poppies, covering the areas that burned in 2021. There were also blazing stars, common madia, flannel bush, and monkey flowers, all yellow. There were some other colors too, but yellow dominated.

This is actually looking back downhill.

I have been working on a painting of a scene, incorporating every cabin below Timber Gap and Empire’s outcropping, in spite of there being no actual place to see everything at once. So, this was a good opportunity to really observe each cabin before all the foliage had leafed out.

I spent several sessions standing in various locations, sketching how each cabin might look in relation to its neighbors.

But I bet you didn’t come to this post to see me go on about my work.

View looking uphill from Lookout Point. The tip of Sawtooth is barely visible, but you can see that Sawtooth is still snow-covered.
Farewell Gap is also very snow-covered.
This is the stream by the Honeymoon Cabin.
The Nature Trail has some snow drifts.
The Spring Creek bridge is not in, but someone went snooping around and found a metal plank and placed it below where the stream divides.

The Mineral King road is still under construction with a fluctuating schedule of closures. As soon as I think I know when it will be open and when it will be closed, the schedule gets rearranged. There were many pieces of equipment parked along the shoulders (such as “shoulders” exist on this road), many piles of dirt, and many places of dropping down to gravel where sections will be repaved. But compared to last summer, it isn’t scary.

Let the summer begin!

A One-Person Oil Painting Factory

After the Redbud Festival, it took awhile to rearrange everything in the studio and the painting workshop. I returned many of the paintings to Kaweah Arts, but not all that I had “borrowed”.

While sitting in my booth at the Redbud Festival, I had a lot of time to assess my paintings. I made lists of what to change, correct, or improve on eight of them.

It didn’t take long to do those little improvements. I’m not showing you the before and after because they are too wet to scan; besides, why would it be advantageous to point out all my errors? It was just a small matter of darken this, lighten that, brighten something else, add a branch or two, adjust some color for greater realism or to make it more appealing.

Feeling much better about those “old” paintings, I returned to the small sequoia paintings. The goal is to complete enough so that Kaweah Arts has some back stock. So far, sequoia paintings are the most popular subject, and I am happy to keep producing them.

6×12, untitled at the time of this post
both 6×18″, both untitled

Next, I will return to painting pieces for the Silver City Store (on the Mineral King road, four miles below the actual Mineral King valley) to sell this summer. I have great high hopes, because the resort was closed last summer, along with the entire area. However, the road will be under reconstruction and there will be some closures. In theory, it will open for Memorial weekend. In reality, we shall see what they actually choose to do. There is supposed to be a schedule, but it changes almost daily.

6×12″ along the Nature Trail, 11×14″ some of the cabins

I’m running a one-person factory of oil paintings of scenes local to Tulare County

Mineral King in September

Yes, I know it is still April. Before I left for Texas, I painted this view of the Mineral King valley as it looks from the Timber Gap trail in September. The first layer was done a few days earlier, but I didn’t take any pictures.

Sky first.
Clouds second
Upper edges of peaks to get the shapes right.
Moving forward.
Skipped photographing a few steps because I didn’t want you to fall asleep.

I left it wet on the easel to put branches and greenery on the tree and sign it after I get back home.

Tomorrow: Things I Learned in April.

Speedy Quick Like Lightning

After spending most of the winter working on difficult subjects that took much thought, revision, and enormous amounts of time, painting familiar small Mineral King oil paintings to sell in the upcoming summer months feels speedy quick like lightning.

I think Hiking Buddy took the reference photo with her superior iPhone, generously sent it to me, and I phoofed up the colors, making them more vivid than the real life scene. Still, it was better in real life, because everything is.

This is Farewell Gap Alpenglow, 6×12″, $125, and it will be available at the Silver City Store this summer, unless it sells before that.

Happy Birthday, Hiking Buddy! (2 days early because I don’t post on Sundays.)

Four Steps to Timber Gap

If you have ever walked to Timber Gap, you know experientially that it is far more than four steps. I don’t remember the specific mileage, but it seems to be about 2 miles.

This post is actually about painting Timber Gap, and it took more than four steps. However, I only took four photographs. (I liked the title, and I am the boss of my blog.)

The trail is not the Timber Gap trail. It is the trail that leads to Franklin Lakes and Farewell Gap, but we are headed the opposite direction here. The Timber Gap trail has terrific views of the entire Mineral King valley. The flowers are Bigelow sneezeweed.

Mineral King Road at the end of January

The end of January had some very clear days with temperatures in the 60s. We took advantage of this to check out the Mineral King Road, just as far as where the snow might become a driving problem. There was no agenda, just some friends hanging out, stopping when and where something struck our fancy.

We walked some too.
We were curious to see if there was water in the flume.
The boards on top were very slick, and we heeded this warning.
Despite recent roadwork, all drainage troubles aren’t solved.
Our guys did what they could.
Weird sausages made from straw keep the road from sloughing off down the canyon.
There was a deep hole here all summer, just below Slap Jack but now this dirt pile (in the foreground) has filled it up.
This was a CCC camp.
Trail Guy found remains of their outhouse.
Some cabin neighbors used to refer to these redwoods as Aunt Tillie and Uncle Pete. We call them “Redwood”, as if there is just one, but it is short for Redwood Creek.

We turned around at Atwell Mill, not wanting to deal with the snow.

Just above Lookout, we saw something we’ve never seen on the Mineral King Road before.

Those are rock climbers!!

Such a clear beautiful day, and we hope it is the last chance to drive up for while because there will be too much snow soon. (But not so much that the road falls apart again this year.)

Mineral King—Painting the Details

If you receive this in your email and want to see the photos, click on the title.

When we last saw this most popular Mineral King scene on the easels, it looked like this.

A little more work brought it to this stage.

That big juniper tree needed attention, as did Vandever (the peak).

Next, I worked on the shrubs and the stream bank.

It was time to make sense of the stream, starting the farthest away where it curves to the left. That’s not technically correct, because it is flowing toward us, coming from the left. You know what I mean, yes?

Now, let’s back up and see the whole picture again.

Looking good, except the stream was definitely lacking detail.

Next time I show you this painting, I will back up so you can see the whole thing. Then I will probably start adding more detail to the shrubs. Details are my favorite part, but you knew that already.

The Most Popular Mineral King Oil Painting Subject

Five steps closer to completing a new painting of the classic Mineral King view, but still about 60 steps from actual completion.

Remember this?

It is 30″ high, and I can’t reach the top very well. That’s okay, because it is movable.

The cabin is too wide.

Better.

I’m not trying to be exactly true to the photo. I am trying to make it look believable, and after looking at it for 39 years, drawing it about a dozen times in pencil and painting it at least 64 times*, I can recognize when things aren’t quite right.

However, I am making free with the locations of the rocks in the river.

Now there is a base coat on almost everything. Maybe two more layers will do the trick: one to fill out and finish covering the shapes and another to detail it. But then I’ll have to detail it more. And then it will need more correcting. After I show it to my most discerning critics, I’ll need to correct it even further. (See? 60 more steps ahead)

Changing the sizes, the lighting, the cropping—these things keep me interested when I continue to paint the same scenes over and over.

*Really! I counted my photos of the completed paintings, so I know this is true, and there might even be more that I didn’t photograph. Curious? Here they are up through 2016, when the count was at 32.

Same Mineral King Scene

More Farewell Gap Mineral King Oil Paintings

Mineral King Oil Paintings, Continued

Still Oil Painting in Mineral King

And Yet More Mineral King Oil Paintings

The Last Oil Paintings in Mineral King

One More Mineral King Oil Painting?

Quickity Peek at the Mineral King Road

Trail Guy, The Farmer, and The Supervisor (retired) worked on the Mineral King road this week, clearing culverts and cleaning gutters. This was all volunteer work, sanctioned by the Park.

The contractors repaired the damaged parts that were marked by Federal Highways; our guys did preparations for the winter, with rain predicted up to higher elevations in a few days. Their goal is to prevent the sort of troubles we had last winter.

The weather has been mild, and with all the water from last spring and summer, there are still WILDFLOWERS IN DECEMBER! (Yeppers, Trail Guy took the camera and came home with these photos).

These are bush poppies.
California poppy!
Mary Trauger’s sweet peas