Architecture at Asilomar

Many of the buildings at Asilomar were designed by Julia Morgan, the architect best known for designing the Hearst Castle in San Simeon. She is also known for many fine buildings in Berkeley, AND a building at the Springville Hospital (for TB) here in Tulare County, now torn down due to earthquake standards.

Pencil drawing of Wayside at the Springville Hospital

Roomie and I were assigned a room in The Stuck-up Inn.

Our room was shockingly small for two people and all the painting gear. The room assignments were a mystery, because some of the people who paid for a single room had rooms that were much larger. Weird.

It had rooms around a central courtyard, where I sat to paint one afternoon after I had a fight with my easel.

I thoroughly enjoyed the living room each morning before the sun came up. It was a place to be alone (so thankful no one else thought of hanging out there!), to stretch, to read, and to experience some solitude before taking a pre-breakfast walk at (or on) the beach and joining the teeming mass of painters.

In spite of the space limitations, I was completely charmed by the age and the details of the building. As Roomie said, it forced us to spend more time out painting. I was very thankful for the fact that we were so compatible.

Crocker Dining Hall
Main building/lodge/office/etc.

Next time, I will show you photos of the sunrises and other things that caught my attention in this week of painting in Monterey.

Meanwhile, back to reality:

Big Oak Tree

Did you know that Tulare County is home to the largest oaks in the country? The valley oak, quercus lobata is not what this big oak tree is. I found this tree somewhere along Dry Creek Road. I didn’t get close enough to know what kind, but I can tell by the shape that this isn’t a valley oak. It is unusually perfect, almost symmetrical, and all without ever having been pruned (except when cattle chew on the lower leaves.)

Sky and distant ridge.
Distant waves of wildflowers, closer blades of grass.
Added wildflowers, a rock, more blades of grass and a few limbs because I couldn’t wait to get to that tree.
Details in the grass, another rock, and details in the dirt.
Finally started on the tree.
Am I finished? Time will tell.

Once it is dry, I will sign it, paint the edges, and either photograph or scan it, so you can see it with its brighter and more accurate colors.

One of Tulare County’s Pretty Places

Remember seeing this 16×20″ mess first layer?

I think it will be a good one. I combined about 4 photos on Photoshop Junior* to see if my version of this scene was better than reality and concluded that yes, indeedy it is, or it will be if I can execute it with excellence.

Let’s go!

I am choosing to not show the beginning photos for a couple of reasons.

  1. I don’t want any input as to whether or not I have chosen the correct elements in the correct sizes and placements. Sometimes I do want input; this time I do not; that could change. . .
  2. I want you all to judge the painting on its own merits rather than whether or not I can accurately copy a photograph.

Phooey. I can see 3 shapes that look wrong right now. “Wrong” in that they don’t look fully natural or believable, because I am only judging this painting of one of Tulare County’s pretty places on its own merits, not while looking at any photos.

*Photoshop Elements is the “easy” version of Photoshop.

Best or Worst Critic?

“You are your own worst critic” is something I hear from time to time. That is actually a positive trait, because who else is going to be completely honest to help me improve my work?

Today’s post is one to help me think about how to make this painting be the best possible. This painting is a conglomeration of a stack of many photos, in an attempt to make it the most colorful that I can.

These are my thoughts as I study the painting:

  1. The two pomegranates look good, which makes sense because I’ve painted many pomegranates.
  2. The orange needs a bit more brightening.
  3. The tangerine is a good idea, but doesn’t look quite right; maybe it is Sumo, maybe a mineola tangelo. (Are those even grown anymore?)
  4. The hidden plum is a little weird with that highlight–maybe it should just go dark.
  5. The upper left plum looks almost finished, only lacking some highlighting on the left side.
  6. The grapes need more variety in their color, along with highlights on the left edges.
  7. The lemon needs better color, highlights on the left, detail in the stem. (I took away the shading from a previous iteration because the light source was on the wrong side.)
  8. The persimmon looks too red here, but that might be the way it photographed. Worth checking. It needs detail in the green thingie, called a “sepal”, and the green is wrong.
  9. Both pears need detail; the yellow one has been shrunk and only has a base coat, and the green one lost its freckles.
  10. The peach needs fuzz and it needs those ghost grapes to get buried.
  11. It won’t take long to finish the apple.
  12. The background needs the glow to be more subtle so it doesn’t look like a halo around the plum and grapes.

Good thing there is no deadline on this. It’s a great exercise in making things up and keeping them believable. It is also a great exercise in patience, in reining in my natural bent to git-‘er-dun. So much in life is better when we see it as an opportunity to learn rather than a nuisance.

Here you can see I improved the background, light on the upper plum and grapes, the tangerine, persimmon sepal, the flower ends of the pomegranates (in spite of thinking they were finished), the green apple. Of course, it is wet and shiny so doesn’t photograph well.

Perhaps I am my own best critic, rather than worst critic?

A Little Painting on a Big Painting

 

English is a strange language. In the title, the first “painting” is a verb; the second one is a noun. This makes for a fun title, and perhaps it incites a bit of curiosity on the part of you, O Blog Reader.

I painted “Yokohl Oak” in 2020 and showed it in two separate solo gallery shows. People liked it, particular local bike riders, who told me, “Hey, that’s the Bike Tree!” To me it was simply a beautiful oak tree along Yokohl Drive, and I wasn’t even sure I’d be able to recognize it if I drove past it again.

Alas, it didn’t sell. I put it in the 3 other galleries that regularly and steadily sell my work, and it didn’t sell. One astute friend told me it was lacking in my normal amount of detail. Really?? This looks excessively well-detailed to me.

Oh. He meant on the tree itself. It is too smooth for an oak tree. My drawing students agreed when I took it back home for a touch-up. I often run things past them, because they always tell me the truth. Besides, it lets me know if I am teaching them to be discerning, to truly see things accurately.

This got called “The Bike Tree” by a few different people, so I figured I’d just go with that theme.

Then I started adding more texture to the bark on the tree.

After that, I tried to photograph it.

The light was wrong, making shiny spots and making the color wrong. I rotated it multiple ways, cropped it, edited it with the photo program on the laptop, and finally decided it will have to wait to be photographed another time. 

In the meantime, this is the new and improved “Yokohl Oak”, after I did a little painting on this big (24×24″) painting.

P.S. Yokohl is the name of a valley in the foothills just east of Exeter in Tulare County. For awhile, there were big plans to turn the area into a self-contained town, but the combination of local protests and drought shut that down.

If you came here for Mineral King news and are disappointed, you can check the Mineral King website to see if anything new has been posted.

 

Painting a Frugal Pear

For awhile I had a link in these emails of my daily blog post to take you to the site on the internet so you could see the photos. Now there is some tomfoolery happening with my blog, so I am not putting the link in until it gets sorted out. If you would like to see the pictures, go to jana botkin dot net (written this way to confound the evil robots who are messing things up.)

What is a “frugal pear”?

So glad you asked.

I regularly read a blog titled The Frugal Girl. In April she posted a beautiful photo of a perfect pear. I asked her permission to paint it, which she graciously granted. 

Even though I often tell you that this is an art business and I have to paint the things that customers and potential customers will be interested in, occasionally there is an irresistible picture or subject, and I cave in.

One layer of paint would be very frugal, but I can do better. I signed it prematurely, but I was able to add another layer and preserve the signature.

Frugal Pear, 6×6″, oil on wrapped canvas, $65 (plus sales tax if you live in CA and shipping if we aren’t traveling in the same circles.)

Seven More Photos of Progression

If you receive these posts in email and the pictures in the post don’t show for you, tap here janabotkin.net. It will take you to the blog on the internet.

The session began with the commissioned oil painting in an odd size on Masonite board looking like this. 

I planted a tree on the left and indicated where 2 small trees would go next to the larger one.

The distant shrubs got a bit more details. Maybe. Maybe I was just licking the painting with the brush at this point.

The pair of smaller trees has some form now. Trees are growing in the distance on the right side.

Now there are definitely trees with definition on the right side, definitively.

Now I have started cleaning the various greens from my paintbrush by spreading them on the lower shrubs, which I am sure are sagebrush. This place might be similar to Mineral King in elevation, because it shares many characteristics.

Now the meadow has more paint, and the log has more details.

I am starting to really like this painting, which I have decided to call “Somewhere North of Tahoe”. Too bad I didn’t get my donkey in gear earlier this morning or I could have this painting finished now.

 

 

Locals, at CACHE, Part 3

If you receive these posts in email and the pictures in the post don’t show for you, tap here janabotkin.net. It will take you to the blog on the internet.

“Locals” is the name of the current exhibit (i.e. show and sale of art) at CACHE, the new name for Exeter’s Courthouse Gallery and Museum. It stands for Center for Art, Culture, and History in Exeter. THE RECEPTION IS SUNDAY, 2-4 PM.

I began my recorded talk about this oil painting, “Groves, Hills, and Mountains” like this:

“A few years ago I became obsessed with the way that orange groves look against foothills and distant mountains. I took many photos and borrowed from friends, and began painting those scenes.”

Aaaaand. . . More Orange Groves

If you receive these posts in email and the pictures in the post don’t show for you, tap here janabotkin.net. It will take you to the blog on the internet.

(More storms predicted for today and tomorrow, and if anything exciting happens, I’ll return to my post as photojournalist for you then.)

About Painting

Back in January I started eight new oil paintings of orange groves. I added a similar painting of oak trees with distant mountains (for the show Locals), and then someone wanted a painting of the groves with hills and mountains in a different size. That brought the total to ten paintings, all similar. Five are now completed (one sold), and other than the commissioned painting, there is no urgency or deadlines.

The urgency is self-imposed on the commissioned painting. As I prepped the canvas, I realized that I didn’t know which view of the mountains my customer was interested in. So I sent her these two photos (she is the photographer but I am the painter) and then put a thin layer of paint on the canvas (too boring to photograph).

Since my palette was loaded with the right colors and I had the biggish brush in hand, it seemed like a good time to begin layering paint on the 18×36″ that I was hoping to keep for awhile.

While slopping it on, I realized that maybe I want a different scene than the one I painted for myself last time. No rush; the space in my dining room is currently occupied by a painting of redwood trees.

Next, I moved to this 6×18″ with the blocks of groves that are confusing.  I repainted the sky, distant mountains, and foothills.

The groves are confusing because I have not been following the photograph or the advice I give to my drawing students: “Draw the dog before you draw the fleas.”

This means figure out the larger parts before putting in the details. So, I covered over most of the lines of the groves, got out the photo, and started to pay attention. It isn’t that I have to follow photos because they are the only right way to paint; I have to follow them in order to understand how to make those blocks of trees look believable.

This feels like slow going, perhaps because it is. When I draw, a day flies by. When I paint, it crawls. Maybe someday with enough experience this will change. Meanwhile, tick, tock, tick, tock. . .is it lunchtime yet?

A Little Work, A Little Walk, A Little More Work

While I am waiting to begin the murals at the giant church in Visalia, I have time to paint. However, I don’t have any deadlines, no upcoming shows, no commissions (there are a couple, but they are still in the conversation stage), and it has been BEE-YOO-TEE-FULL outside.

So, I work a little, walk a little, and work a little more.

When I am thinking about walking, it is a little bit hard to focus on detail. So, the detail on this 6×18″ oil painting of Tulare County’s best will have to wait. 

Let’s make like a tree and leaf.

Nothing in particular to photograph, just the same beautiful scenes of February in my Three Rivers neighborhood.

The elephant on Alta Peak is very clear, with a shadow making an ear and a rocky place making an eye. His back leg is significantly larger than his front. And there is Moro Rock.

A neighbor’s narcissus are in bloom. Mine are too, but I don’t want you to get too bored with the repetition here.

Back to work, Central California Artist!

This is 10×20″. Sawtooth is the peak on the left, and Homer’s Nose is visible on the right. 

I photographed this at an angle so you could see a bit of the reference photo minus the glare.

Nothing is finished after today’s disjointed painting attempts, but there was progress made, and February was enjoyed. Such a short month. Sigh.