Five Steps Closer on this One

If you receive this in your email and want to see the photos, click on the title.

This painting was waiting patiently for some attention. I gave it an entire afternoon, photographing it at 5 stages.

First, I put in some sky patches in the upper left.

Next, I strengthened the trees. They are all sort of skinny in the photo, so I will probably choose a few to fatten up. Later.

I mixed several greens and just danced around all over the canvas without a real plan.

Then I worked on the road, along with a bit more specificity in the greens.

Finally, I paid attention to the details in the closer things off the shoulders of the road.

In conclusion, the photo is mostly a suggestion of shapes and light. The details are murky, so I am just winging it, pantsing it, trying this and that with an occasional peek at the photo. Photos. I have several, and yet have no memory of taking these pictures.

Two titles are under consideration: “Take Me Home. . .” and “Somewhere in Three Rivers”.

Improving One, Fixing Two

If you receive this in your email and want to see the photos, click on the title “Improving One, Fixing Two”.

When a painting doesn’t sell for awhile, I evaluate it, trying to figure out what isn’t resonating with possible customers. Yarn and Dutch iris are two things I love, but something was preventing the sale of these two paintings. Never mind that I kept them in the house instead of putting them out in the public—they started in the public and when they weren’t purchased, I took them home.

The yarn on the left is a favorite color combination of mine. (Doesn’t it remind you of the beach?) Apparently, it isn’t a favorite combination of other knitters. So, I added red and yellow. The teal is still teal, not blue, but the painting doesn’t photograph as well as it scans, and it was wet. I will add some green and some purple next, maybe orange and blue too. People love color. Me too, especially if it is brown with teal.

Before
After

Dutch Iris might be my favorite domestic flower. I’ve sold several of these, but not this particular painting. I studied it awhile and decided it needed a darker background. And as with the yarn, it will scan more accurately than it photographed in low light while wet.

Before
After

Those two paintings were a warm-up session before returning to this painting.

The plan was to detail the ferns, and as I was getting into it, I decided to fill in more in the greenery, improve the distant trees, just dance all over the canvas as I saw things to fix.

It’s better, but not finished yet. For some reason, the paint was misbehaving, making precision more difficult than normal. The paint was either clumping off the brush, or it wouldn’t come off at all. Walnut oil (this is my choice instead of linseed) didn’t seem to make a difference. So, this will need to just dry for awhile before I continue detailing.

The Most Popular Mineral King Oil Painting Subject

Five steps closer to completing a new painting of the classic Mineral King view, but still about 60 steps from actual completion.

Remember this?

It is 30″ high, and I can’t reach the top very well. That’s okay, because it is movable.

The cabin is too wide.

Better.

I’m not trying to be exactly true to the photo. I am trying to make it look believable, and after looking at it for 39 years, drawing it about a dozen times in pencil and painting it at least 64 times*, I can recognize when things aren’t quite right.

However, I am making free with the locations of the rocks in the river.

Now there is a base coat on almost everything. Maybe two more layers will do the trick: one to fill out and finish covering the shapes and another to detail it. But then I’ll have to detail it more. And then it will need more correcting. After I show it to my most discerning critics, I’ll need to correct it even further. (See? 60 more steps ahead)

Changing the sizes, the lighting, the cropping—these things keep me interested when I continue to paint the same scenes over and over.

*Really! I counted my photos of the completed paintings, so I know this is true, and there might even be more that I didn’t photograph. Curious? Here they are up through 2016, when the count was at 32.

Same Mineral King Scene

More Farewell Gap Mineral King Oil Paintings

Mineral King Oil Paintings, Continued

Still Oil Painting in Mineral King

And Yet More Mineral King Oil Paintings

The Last Oil Paintings in Mineral King

One More Mineral King Oil Painting?

Finished and Unfinished

Yesterday we saw two brand new paintings on the easels, looking like they’ll never get finished. Eventually most paintings do. Layer after layer, keep studying, figuring out what to do next and how to improve it every time I pick up the brushes.

Today we will see some finished and some unfinished paintings.

This is how the bright fruit painting has settled into its new home.

This is a good showing of the progression of my colored art: First I worked in colored pencil, then I practiced mixing colors by painting many pomegranates. Now I get a real kick out of mixing all colors, combining lots of photos, and just pantsing it on the canvas.

The new fruit painting for my friend/customer is completed, signed, and moved into the house for drying.

This is in the painting workshop just before I moved it into the house. I am very happy with this one and glad I did a new painting for my friend rather than just messing with the older one by changing some of the fruits.

There are three unfinished pieces waiting for attention.

I was hoping to keep this when it is finished, but I will put it in the 2024 show and it WILL be for sale. (I can always paint another one of my favorite type of subject.)
This one has had several do-overs and a very long time-out; I’m still not convinced that I can do the subject justice but I will continue to try.
First, the wire needs to be moved. Then I will commence to draw lots of golden colored ferns.

All of these paintings started out as the same sort of vague mess as the ones we looked at yesterday. Nevuh nevuh nevuh give up.

Beginning Two New Paintings

Here is a look at two new paintings, begun for the solo show in October of 2024. Seems very far away, but it takes awhile to paint enough pieces to fill a gallery on one’s own. I have about 30 available (several unfinished but in progress which I will show you tomorrow) so I need to paint another 10-20 pieces. I’m thinking 20 is better, because I paint small. Even when I think it is HUGE, such as 18×24 which feels ENORMOUS and takes FOREVER, it looks like a postage stamp in a gallery.

This one is 16×20. I can’t find the photo on my computer, don’t remember where or when I took this, and can’t really discern the details on the little photograph.

So why bother? It has wonderful light and the road pulls the viewer in.

It will involve some “artistic license”, and I will focus on the contrast between light and shadow. Slow layer after slow layer, lots of thinking and evaluating—that will be the process on this one.

I decided to do something different with something familiar, using a 10×30″ canvas that I had on hand. The sizes of canvas on hand often dictates what I paint. If it isn’t a tried and true subject, I keep the painting small. This is a tried and true subject, even if you can’t tell what it is at this early stage.

Can you recognize what this mess is?

Lots of painting ahead for your Central California artist as she plans the best way to show off the parts of Tulare County that keep her from moving to the beach. (As if she could afford that; besides, she’d miss Trail Guy.)

Practicing Painting

Practice Painting? Painting Practice? Paint Practicing?

Never mind. Doctors practice medicine, attorneys practice law, and this artist practices painting. Some days I feel as if I am brand new, with no idea how to tackle a subject. Some days I think I’m figuring it out. Only once in awhile does the process feel easy.

I have a solo show coming up a year from now, and I want to be ready. No last-minute panic painting, just a well-planned body of work that is cohesive, looks good together, represents my best efforts, and most of all, represents the best parts of Central California, specifically Tulare County. Or perhaps is the best representation of Tulare County, a place of superlatives, both great and terrible.

Hey Central California, stop your bloviations and show us some work.

Ahem. Would you like to see what I was practicing on?

About time.

I started with more detailing on the trees.

Then it was time to work on the background. All those vague and messy branches and clumps of needles were a bit confounding, but that’s okay, because I was just practicing. It helped to put in the sunlit strips of ground.

I had to turn the canvas sideways in order to place the tip of my brush WHICH I WAS DRAWING WITH, SO THERE, in the right place to get accuracy. In order to paint those ferns in detail, I DRAW WITH MY PAINTBRUSH.

Finally, I hung it on the wall to dry, and that’s when I realized I had begun the scene upside down but hadn’t actually reversed the canvas. Oh well. A wire is easy to move.

Two Outings

Private collection, 12×36″

In 2023, I participated in exactly one art boutique/fair/bazaar. ONE. It was in Exeter on a Saturday at the history museum/art gallery, CACHE. This was the inaugural event, the reviews are mixed, and I am guessing it won’t become an annual event.

However, I had a good day! One painting sold (Citrus Row) and many smaller items too, all adding up to YES IT WAS WORTH IT.

Being sort of accidentally semi-retired this year*, I decided that a good day of work deserved a good day of hanging out with friends. Because I still live in the same area where I was reared (children are reared, vegetables are raised), when long-time friends return to the area, they often request a get-together. This isn’t always practical, but it is usually a real treat.

I left the house at 10:30 AM and got home at 5:30 PM, just to “go have lunch”. This is why I often turn down such requests, unless I have recently had a good day of work and don’t have any looming deadlines.

The drive was interesting (I actually left Tulare County!), the company stellar, and lunch was delicious.

Our post-lunch walk was exactly up my alley.

The dead tree was interesting, but I won’t paint it.
I will probably paint this. If I really squint, I can see the mountains. We were too far north to be looking at Alta Peak.
I will paint this, minus the white spots (whitewash against thrip?) and pokey little twigs. I’ll probably fake in a navel.
My friend had to help me with these: pistachios! She said that the crop was left to fall on the ground this year. What a terrible waste.
Of course I will be painting a version of this. Shall I make the hill green?

Two outings: one work, one semi-work related, both social, one closer but more taxing (talking to people all day makes me tired), the other far but entirely up my alley with 2 close and long-time friends in the country surrounded by foothills and oranges.

“The Best View”, 10×20″, $400, currently my favorite subject matter

*Because I had no work this summer I may have forgotten how to work.

Bright Fruit and Sequoia Trees on the Easels

After a chunk of time away from the easels, I was very happy to return.

First I got to finish the fruit painting that will be a gift. (I will be GIVING it, not “gifting” it.)

This is wet, photographed here in the box I used to carry it into the house to dry.

I started this quite awhile ago, working from a photo shared with me by one of my drawing students. The ferns had been nipped by frost, turning them golden.

Although I am working from a photo, I am rearranging the trees. Here is a photo of the photo, which I am looking at on my laptop while painting.

My hope is to make those ferns perfect. Just perfect. But there is lots to be painted before I get there.

The new paintings won’t be at the Gift Fair but there will be plenty of merchandise to choose from.

Great Western Divide

The Great Western Divide is the name given to the ridge of peaks seen from the top of Moro Rock in the Sierra Nevada. On this side, water drains west and on the other side, it drains east .

I haven’t painted this before, at least not from this view. The mountains show in the distance of many of my citrus/foothills/mountain scenes, but only once did I try to make them perfect. And that was tricky, because I worked from many photos, piecing the range together, and then faking the hills.

Why did I fake the hills? Because they were different in every single photo, because each photo was taken from a different place. There is no place besides an aircraft where you can see the entire width of the Sierra Nevada.

Here we go. . .

At the end of the painting session, the light was a bit too low to be accurate on both the colors and the shapes.

So, I photographed it the next morning in the bright sunlight. Looks washed out because the wet paint is reflective.

When it is dry, I will scan it, and then, as always, I will tell you it looks better in person.

The Great Western Divide, oil on wrapped canvas, 6×12″, $125.

Land of Fruit and (no) Nuts

Yesterday you learned the term “glazing” for building a painting in layers.

Now let’s look at glazing some fruit.

This was a little tricky. I started with a photo, then started rearranging and adding more fruit so that there was more color. I kept gathering more photos, trying to make this look believable but also full of variety and vibrance.

The color varies from photo to photo here because of the light differences in the painting workshop, depending on the angle and the time of day.

It needed an orange, and obviously the orange will need some brightening up.

At the end of the painting session I realized that the light on the fruit was not consistent. So, I lifted off the lemon and will paint another one over the top. The orange needs to be brighter. The apple was a good way to calm down that giant yellow pear. The persimmon needs detailing on its green top. A tangerine will be a good addition where the red circle is. Obviously the pomegranate, yellow pear, and peach need to be finished.

Then, everything will need to be tightened up even more. Since this painting is a gift, I can spend as much time as I want without paying attention to whether or not the price is right.

The next morning, I had a few hours to make a little more progress.

This is really fun!