Tightening Up Plein Air Paintings

This past summer I painted plein air (on location) in Mineral King for the first time in about a dozen years. The results were mixed; I wasn’t fully satisfied with 2 of the paintings.

So, I put them back on the easels last month and tightened up the details. Can you see the difference?

Before
After – Crowley Cabin, 8×10″, oil on wrapped canvas, $125
Before
After – Empire and Cabins, 8×10″, oil on wrapped canvas, sold

There are always more things I could have done. (Time for me to stop looking at these.) And be assured, they always look better in person.

Paint On, O Painter

I recently read O Pioneers by Willa Cather. Can you tell by the title of this post? I’m glad I finally read it, enjoyed it, but wouldn’t gush about it to others or call it a “must read”.

With all the spring beauty, it is a little bit hard to keep my feet planted in front of the easel, but I press onward. Currently I’m listening for the second time to The Power of Habit by Charles Duhigg while I paint, and that helps keep me working. (Very good book)

The trees in the foreground look as if a fire has gone through the neighborhood, so I added detail.
These are all finished. Trail Guy still thought the top painting of Alta Alpenglow looked fire-ravaged, so I added more fuzzy things to resemble some foliage. Probably just looks like mistletoe now.
These are also finished. That makes 16 of 32 finished, mostly Mineral King oil paintings, halfway through my stack (in case you didn’t want to do the math).
I like this – Trail Guy and Young Trail Girl, releasing a fish back into the stream.
So very tiny. . . I’ll need to work on it further, if the 2-hair brush and my magnifying glasses hold up.
This is a relief after the tee-niny-eensy people.
None of these are finished, but they are close. Maybe I’ll be faster on my next painting day so that my mean painting boss will let me go outside.

Painting a Half Day

Isn’t that an odd title? One day last week my walking buddy and I decided to drive to a new place and walk a trail instead of heading out at dark-thirty with flashlights and walking a road. This meant that I only had a half day to paint. So, hubba hubba hubba, let’s git ‘er dun. The plan was to get the last 9 paintings covered with the basics in colors and shapes, not to detail anything. In other words, to do a job, not a good job.

2 alike, an 8×8″ and a 6×6″. This is the most popular Mineral King oil painting subject.
Another pair of look-alikes.
Five more makes nine. Now what shall I work on?
I climbed up on a ladder to get a view of a table full of paintings in progress. There are 20 here. You’re welcome (I know you were wondering whether or not to take the time to count these.)
While on the ladder, I looked out the door at my irises in bloom.
Before deciding what to work on next, I took another census. With these, I’m up to 28 paintings.
But wait! There are 5 more, for a total of 33. When I said there are 32 in progress, I was ignoring the citrus.
This one! I’ll do this one next. I might be a teensie bit bored with painting greens.
After photographing a painting, I can see the things that aren’t quite right. Why are those things more visible on a computer screen than in person? What is more important than matching the photo is deciding if the painting can stand alone.
And as a reward for being so productive, I chose to work on my favorite bridge. The colors are weird in the painting because it was actually dark outside when I took the photo, so the camera was confused.

Phew. That was a sprint. And after walking 6 miles in the morning. . . I’ll show you our walk tomorrow.

P.S. The promised update on a memorial service for The Cowboy
Bert Raymond Weldon, May 21, 1956 — January 8, 2019
CELEBRATION OF LIFE AND RECEPTION Friday, March 15, 2019, 11:00 a.m. CrossCity Christian Church, 2777 E. Nees Avenue, Fresno, California 93720

Painting Animals

No motivational quotes today, just some paintings in progress.

A little more detailing, a signature, and BaddaBing, BaddaBoom. (Cowboy Bert used to say that when he meant a thing was finished.)
Maybe these roosters could be named BaddaBing and Badda Boom.
Tucker had a few days of being under the weather and off his feed. (Any more cliches to describe this?) He’s back to normal except a bit more tired than usual.
Scout’s ready for anything.
Meanwhile, just outside the door. . .

P.S. Here is the promised info on the memorial service for The Cowboy.
Bert Raymond Weldon, May 21, 1956 — January 8, 2019
CELEBRATION OF LIFE AND RECEPTION Friday, March 15, 2019, 11:00 a.m. CrossCity Christian Church, 2777 E. Nees Avenue, Fresno, California 93720

Determined, Persistent, Responsible

“Determination gives you the resolve to keep going, in spite of the roadblocks that are before you.”—Denis Waitley

“I will persist until I succeed.”—Og Mandino

“You cannot escape the responsibility of tomorrow by evading it today.”—President Abraham Lincoln

Assembly line of Honeymoon Cabin paintings.

Listening to podcasts pulls me through painting days that feel as if I will NEVER finish ANYTHING. (This feeling may simply be a result of starting 32 paintings at the same time.)

Baby steps, back to front, the usual process.

As I worked on these paintings, I was entertained by the slightly raunchy podcast “By The Book”, where 2 women read self-help books and then live by them. I got tired of their cussing, so I switched to the fabulous motivational speaker Brian Buffini, where I heard the quotes above.

The photos have simply become guides for me as I revisit familiar subjects. This does make the process of painting easier.

In spite of not finishing any paintings, it was a productive day. I WILL get to the fun parts of drawing with my paintbrush, putting in the details that make me like to paint, and then signing the paintings. Why? Because I am determined, persistent, and responsible and because I have podcasts to listen to while I push ahead.

These are not finished, but finishing them will be the fun part.

Thanks, Brian Buffini.

Painting a Poinsettia

After showing you the poinsettia painting, I discovered the photos of it in progress on my camera. (Camera?? Yep. Not a phone.)

Not sure why I had these available because I mostly ignored them.

2 photos, looking at them a little, but it doesn’t matter if I don’t get it right.

Painting back to front, making things up, check with the real plant to see if it passes.

Almost finished.

It took about a week to dry before I could incorporate it into my fakey Instagram life photo.

This is my best attempt at having an Instagram type of life. Too bad about that bead thing hanging in front of the photo in back.

This is what my real life looks like.

Scout and Tucker are not invited into the house.

These guys are not invited into the house either.

This dude is really bright.

But what’s up with the neckties?

Finished

A little unfinished business here on The Blog: finished pieces you haven’t yet seen in their official photographic documented form.

This little 8×8″ oil painting is titled “My Geraniums”, because it is my geraniums, although they are actually pelargoniums, (but I’m guessing no one cares). Anyway, this is hanging in my kitchen. Ever listen to Bruce Williams on the radio? He used to say, “Everything is for sale if the price is right”, and I guess if you really really like this, you may offer a high price which I may consider. Otherwise, it remains mine.

This is a commissioned pencil drawing of a Silver City cabin, a Christmas surprise which I could only tell you about but not show you. Christmas 2018 is now history, and this drawing was given and received. Hence, you get to see it now. (“Hence”? Who uses that word? The Central California blogging artist, that’s who, but only while blogging.)

Sometimes I draw simply because I can, want to, and love to draw. Besides, it is always good to keep up the practice and to keep up my inventory. This is 9×12″, unframed. It could be for sale. . . And yes, it is the Honeymoon Cabin, a little one room museum in Mineral King.

Normally it takes about 10 minutes for me to decorate for Christmas. This year it took several days, because oil paint dries very slowly. This little 8×8″painting was begun to demonstrate some techniques for the secret oil painting workshop; I brought it home and finished it because I realized my decorating efforts could use a boost. I could have photographed it in the entryway of my house, but that feels like a fakey Instagram sort of thing to do. Fakey isn’t my style, as you may have discerned (although occasionally my vocabulary gets a little stuffy).

This finally feels finished. It was dry enough to photograph on a sunny day. Still mulling over a good title – Citrus Queue, perhaps? It is 18×6″, $175.

Starting and Ending

I started a new citrus painting, much like a recent one (that is still too wet to photograph well.)

Really, it is different from the other one. . . see?

Almost finished. needs a couple more layers on some of the do-over parts.

Citrus sells steadily in Exeter at the Mural Gallery, so it is good to always have another one ready to go.

Finished and delivered this one: SHHHH, IT IS A SURPRISE! And yes, I know the scene is cobbled together from places that aren’t together in real life.

 

Secret Painting Class, Day Two

The poinsettia as an oil painting subject was challenging. One of my students requested that I demonstrate rather than just explain. That was a big “duh” moment for me. I should have thought of that myself!

I’ve been in workshops before where it seemed as if the demonstration was a waste of time. This is because the demonstrator/teacher/artist didn’t say why he was doing each thing. He would forget to explain, so I’d watch with no idea of how to make my own decisions. I did my best to explain how I mixed each color and why I added how much of which primary or white.

My demo painting is lying on the table on the left, with just a corner painted. It was enough help for this painter to approach her painting with more confidence than the previous session.

Good progress made, color mixing learned, shapes refined, blending techniques successfully used.

 

The color got corrected on 2 petals to a more satisfactory match to the photo. Matching the photo wasn’t necessary for believability, but it is great practice.

Great progress made on this one – petal shapes refined, color mixing and blending learned a bit more.

This one is closest to being finished, but knowing the painter, she’ll probably want to keep layering and perfecting. (She is the most experienced painter in the group and a quick study.) It looks a little pale because it is wet and shiny.

Maybe next year we’ll just finish all the incomplete paintings from previous years’ workshops.

 

 

 

 

Secret Painting Class

Sometimes, in spite of feeling highly unqualified, I show a few of my drawing students what I know about oil painting. I’ve been oil painting since March 8, 2006, and yet I feel green as grass.

But, they want to learn and practice, and I want to share what I know.

This year they all worked on a poinsettia. I provided a stack of different photos, and every participant chose the same photo. What??

The flower shape was a bit confounding, although mostly forgivable. After all, who cares exactly how many petals (which are actually leaves, but who cares about that either?) are on a poinsettia?

I thought this would be an easy-ish subject because we worked mostly in shades of red. Because, who cares if the color is exactly the same as the photo or if it is a red that the painter finds more pleasing?

Nothing is easy when you are new to painting (or drawing or knitting or driving or playing golf or playing a flute . . .)

Wow. That session went quickly. Tune in tomorrow to see the process and the results of day 2.