What sort of stupid-sounding blog post title is that?
An honest one. I paint better when I am not overheated, and in spite of the calendar having turned to autumn, the swamp cooler in the painting workshop is still in use. I painted better this session than the last one because I was more comfortable.
Several of these still need a signature. That is easier when the paint is dry.
It was still hot last week. I painted awhile in the workshop but didn’t turn on the swamp cooler. Probably should have. Painted slowly, quit early.
I retreated to the studio and turned on the air conditioner. While listening to interviews with the very smart and entertaining Mike Rowe, I began this pencil commission.
I love to draw.
Isn’t that title redundant? Probably. Every time I begin, it is on a new project.
A thoughtful mom bought a painting of an iris for her daughter named Iris.
She has another daughter named Camille and requested a camellia for her. Luckily, I have a good photo of a camellia in bloom, remembered the month it blooms, and only had to look through the February photos of 10 years to find it. Maybe it is even more lucky that Customer Mom liked the color and lighting and angle!
This will dry and then I’ll be able to detail it, my favorite part.
Today is a round-up of several topics, including Mineral King.
The 2019 calendars are selling steadily – $15 includes sales tax, and I am willing to eat the mailing costs, yum yum. (The Three Rivers Post Office is actually a pleasure to visit.) Yes, that is Sawtooth Peak on the cover, one of the most prominent landscape features in Mineral King. (“Features”, as if it is landscaped? Good grief.)
Ever try to type on a laptop with two purring teenage cats on your lap at the same time? Tucker kept a paw and his chin on the keyboard area, while Scout kept climbing around and slobbering a little. Not a very productive time, but it is a pleasure to have kitties around (except for the slobber part).
A friend wanted to ride her new Harley to Mineral King. She has good sense, and instead, chose to ride it to the Mineral King mural in Exeter.
Louise Jackson gave a talk at the Three Rivers library about why the Disney plan for a ski area in Mineral King failed and how it tied into the larger world. It didn’t fail for one reason but for a combination of reasons:
The avalanche of 1969 crushed the store and rental cabins; Disney sent people in to burn all the rubble. The only little cabin that survived was the Honeymoon Cabin, also known as the Point Cabin.
And finally, I have been working on a new book! Nope, I’ll tell you about it next week. . . see you on Monday!
These Mineral King oil paintings began as four little messes. After the second pass over the canvas, they dried outside in the sun for 24 hours. That was all it took for them to be ready to scan and move up the hill to the Silver City Store for sale.
They NEVER look as good on the screen as in person. (Feel like taking a drive up a long and winding road?)
Each one is 4×6″, oil on wrapped canvas, ready to hang without a frame or to set on a shelf, $54 includes California sales tax.
Mineral King oil paintings have been selling steadily this summer at the Silver City Store/Resort.
The popularity of subjects has changed a bit. The Honeymoon Cabin is this year’s favorite, the Crowley cabin/Farewell Gap (view from the bridge at the end of the road) is second, and only one Sawtooth painting has sold. All the other paintings are in the category of Everything Else, which includes back country, trails, streams, and general scenery of the area.
The most popular size remains 6×6″ (perhaps because I paint more of that size than any other) with the second most popular size 4×6″. The large paintings look good in the store, but most people just want a bargain.
There are a couple more on the list of solds, but I didn’t keep close enough track and can’t find the scans of those paintings. (There are drawbacks to living in 2 places, one of them without the internet, but I bravely soldier on.)
Maybe for next year I should just do 6×6″ Honeymoon Cabin oil paintings. Wait, that won’t work because the market for those may be saturated. But wait. . . are the customers one-time visitors, repeat guests, or cabin community members?
The business of art is full of by-guess-and-by-golly. There is so much more to being an artist than just painting. . . all the thinking and planning in the world is still just an intuitive guess.
My four little messes from last week have become paintings. This 4×6″ size is tricky to paint. I hold them in my left hand, often ending up wearing paint in addition to applying it, and always wishing for smaller and smaller brushes. They retail for $50 (plus 8% tax, welcome to California) each, and the place that sells them takes a bite out of the $50, so I have to be careful to not pour too many hours into them.
In other words, I have to “settle”. Two passes over the canvas is all they get, and rather than focus on precision, I focus on pleasing colors and contrast. That’s not natural to this Central California artist whose specialty is detail in pencil.
But, I bravely soldier on. . .
But wait! There’s more!
It has been a few weeks since I oil painted. Little paintings are selling steadily at the Silver City Resort/Store 4 miles below Mineral King, and in this final push of summer before the season shuts down after Labor Day, it seems wise to load up their shelves.
How in the world do people complete a painting in only one pass over the canvas? I’ve done it, but right now it seems like a foreign language that I have never heard before.
It was easy to choose the subjects to paint, and goodness knows, I have hundreds of photos of the same scenes in Mineral King, all in different lights.
Here are four little messes. By “little”, I mean 4×6″. By “messes”, I mean OH NO HAVE I FORGOTTEN HOW TO PAINT??
Each year, summer comes and Mineral King opens at the same time. This year I felt very prepared, having completed 30-40 paintings of Mineral King, many of which sold as I was working on them. Small paintings sell at the Silver City Store Resort, and that is my main place to sell during the summer.
In July, I decided that I still didn’t have enough. There were too many Sawtooths, not enough general subjects, and definitely not enough bears. Because of the difficulty of getting photos of bears, I don’t have much reference material. However, the one bear painting I did sold immediately, so I decided to paint from some of my other bear photos, even though they aren’t that good. After all, if I can draw horses that I can’t see, certainly I can paint bears that I can’t see.
All that was hanging in the painting workshop was the 10×10″ sold bridge and a retouched “Leaving Monarch”.
After a little self talk (Who cares if you don’t want to paint bears from photos that don’t offer enough detail? Would you rather wait tables somewhere? Be a nanny? Pack fruit? Come on, let’s move it, hubba hubba hubba!!), I began two 6×6″ bears, and prepared to do another painting of the famous view from the bridge of Farewell Gap with the Crowley Cabin.
Turning things sideways helps me see the shapes more accurately.
Then I slapped out the 6×6″ painting of the most photographed, painted, drawn and recognizable scene in Mineral King. Very few people notice that the tallest tree, the red fir on the left is no longer there. A shorter red fir is now in that position, but I have a collection of “old” photos that I don’t want to waste. So I paint it and people buy it. (Thank you, Buying People!)
(Lest you worry about my attitude, I actually enjoyed the painting session in spite of the rattling swamp cooler and excessive heat. It helped to listen to The Recappery, where the History Chicks gave a thorough account of an episode of “Anne With An E”. They are so much fun, and they bleep their cuss words.)
After doing the 10×10″ oil painting Oak Grove Bridge XXIV, I felt ready to return to the commissioned oil painting that combines the Oak Grove Bridge with Homer’s Nose (AKA Snozz Rock).
It was engrossing work. There were more design changes to be made, and I was eager to see if they made it more appealing, both in the execution and in the viewing.
There is still much work ahead, but now I feel capable, thanks to my little guide buddy, Oak Grove Bridge XXIV.
P.S. Tonight is a public information meeting about the bridge’s future at the Three Rivers Veterans Memorial Building at 6 p.m. The plan is to “rehabilitate the bridge” to “correct seismic and structural deficiencies”. Maybe They will explain how, or more importantly, when and how long.