Whoa. That was a sprint. Three new orange oil paintings in a week’s time, begun and completed.
It is a privilege to be thought of when local businesses have Art Emergencies; it is a thrill to be able to handle those situations. I’m very happy to be able to help, and particularly happy to help out in ag and especially in citrus.
Lovies,
Your happy orange painter
It’s my blog, I’m 58 and I can make up words if I want to. Any questions?
Oh. What does “oranging” mean?
It means painting oranges, although I was just painting greens that day. Because this commission job was for 3 oil paintings in 2 weeks, I had to plan the most efficient method of delivering mostly dry paintings.
Day one: get the first layer down, all the canvas covered, the basic shapes and colors in place and the edges with one coat.
Day two: Perfect the background greens so that on. . .
Day three: sign on the green area after perfecting the orange area. Finally, put a second layer on the edges, which may or may not show. I don’t know what the framer has in mind and won’t get to see the final product.
This gives the paintings a week to dry. Would have been better to know about this job sooner, both for more time to work and also for summer’s heat, which makes for quicker drying. They might be a little tacky (in the tactile sense of the word, not the quality of the job.) But, a little pressure is sometimes a good catalyst for action.
Speaking of Samson, he is pretty tired. He’s been working the night shift lately.
These paintings sold through the Silver City Store* over the summer. Most were 6×6″; a few were 8×8″, 8×10″, and 10×10″. (It is probable that I was slightly careless in my record keeping, because all of these are square – where is that 8×10″??)
It is possible I could have sold more, if I had stayed home and painted instead of being out on the trails, chasing down wildflower names.
Choices and consequences.
*4 miles below the Mineral King valley
Two weeks to paint three oranges, but really, only one because of a planned 2 days off and because of drying time.
No problem. . . just get outta my way! They don’t have to be truly identical, because each one will end up in a different home.
That sounded weird. If they were all in the same home, they really wouldn’t have to be identical. Never mind.
They will all be presented at the same time, so they need to be close. That way, no one says, “But I like his better!”
This is how it looked over the course of Day One at the easels.
The last step of Day One was painting layer #1 on the edges. When I return to the project in two days, they will be dry enough to put on the next layer. The second day of painting will be when I perfect all the details.
Two days isn’t some formula; it is because I teach drawing lessons on the second day and have a prescheduled appointment on the third. On day four I can continue.
They most certainly need more work. . .
A yearly customer emailed me to ask for a painting she saw on my website, but she didn’t just want that painting. She wanted four of that painting.
Well, oops. My paintings don’t get reproduced by machines; my paintings get reproduced by a paintbrush in my hand.
But wait! There’s more! She wanted them in two weeks time.
Ahem. I paint in oils. They take awhile to dry (unless it is July or August). This could be a tricky assignment.
First, I found the original painting and got in touch with the gallery showing it to set it aside for me to retrieve. This meant that I had to paint “only” three. That helps.
Second, did I even have blank canvases the right size? Yeppers, I did.
I know, you are just dying to see what painting she wants.
Tomorrow, I’ll show you what happens next.
I was working on the Sawtooth oil painting. This is the first time I had painted in a few weeks, so I started over with fresh paint on my palette.
White, 2 yellows, 2 reds, 2 blues, and a mixture of the darkest blue with the darkest red. All that the Sawtooth oil painting required was a brown and about 3 greens. No need to waste all that paint once Sawtooth was finished. What to do?
I could have covered it and put it in the freezer. Eventually, I did that. But first, do you remember the hot peppers that I painted for a friend’s kitchen?
Now I get to paint a tomato for her. There is no deadline, but I started it now because the paint was just itching to be used.
The photo is to help me know how to place the darks and lights. Because it is a tomato and they aren’t supposed to be identical, I don’t care if the shape is exactly the same. Because I like brightly colored tomatoes, I am relying on my memory for the best colors. Because this is the first layer, it will get better as I go.
It’s good to get a thing started.
The layers continue to build on Sawtooth Peak, an oil painting.
As it was when you last saw it:
Another layer added to the sky:
Another layer added to Sawtooth:
Another layer added to the lower ridges:
And more added to the lower ridges:
Yo, Professor Layer, may I be finished with the sky and the peak and the lower ridges now? (Can you see Trail Guy’s visor in the background as he adds grommets to the Kaweah Artisans banner?)
When this dries, I’ll put in branches at the bottom edges. I think this wants greenery, or maybe it is fine as it is. . .
What do you think??
Because 6 Mineral King oil paintings sold at the Silver City Mountain Resort (AKA Silver City Store), I painted 4 new ones.
Seems like bad math or poor production to you? Labor Day is a mere 2 weeks away, and this means the season is almost finished. Part of the business of art is making tough decisions like this. That’s why I earn the Big Bucks have the freedom to spend lengths of time in Mineral King.
I could have painted more to have on hand, but I can paint more when it isn’t so hot in the painting workshop/studio.
The 2 matching paintings in different sizes were begun before summer started. They’ve been waiting their turn. I’d rather be walking on that trail than painting it.
These are the 2 most popular Mineral King subjects that I paint and sell through Silver City. The 3rd is Sawtooth, by quite a distance. The top is the Honeymoon Cabin, which serves as a little museum for the Mineral King Preservation Society The bottom one is a private family cabin with Farewell Gap in the distance, as seen from the bridge at the end of the road.
These need another layer and some wildflowers.
Alrighty then!! The top painting is 6×6″ ($60 + tax unless you live in another state) and the bottom is 8×8″ ($100 – ditto on the taxes). When they are dry enough, they’ll be for sale at Silver City.
These photos of six little Mineral King paintings represent a day with 3-4 tiny paintbrushes in motion. 6×6″ paintings are canvases that easily fall off the easel, so I hold them in my hand while painting. The detail is as accurate as I am able to achieve without running each painting into an irretrievable number of hours.
Let’s review.
Top photo, left to right: White Chief; Aspens along the Nature Trail
Trail through Atwell Mill Campground, lower end of the campground
Trail leaving Monarch Lake
Sawtooth as seen from the Nature Trail; Sawtooth as seen from the Nature Trail
Each of these paintings will look better when dry and scanned, and even better in person. Each painting is $60 (plus tax if you live in California. I round the number to $65 because simpler is better.)
One of the Sawtooth from the Nature Trail paintings is spoken for. (SD, which one do you prefer??)
The rest will be sold through the Silver City Store, unless you contact me before I take them up the hill.
A week or so ago, I showed you the very rough beginnings of 5 new Mineral King oil paintings. In spite of the scribbly appearance, a faithful blog reader claimed one of them. She knows I can paint, although at this stage there isn’t much visual evidence to back up her confidence in my abilities.
This necessitated a new painting. It is a weird mini factory assembly line situation to paint 2 of the same scene at the same time. Efficient, but like deja vu all over again.
Sawtooth is a popular subject in the Silver City Store (4 miles below Mineral King). It is visible from the seat of Tulare County, Visalia, on the days when we aren’t qualifying for the worst air in the nation. The smog funnels through the Altamont Pass and into the Central Valley, a fluke of geography. Sigh.
But I digress. Here are the other little Mineral King paintings in progress. The first one is aspen trees along the Nature Trail, the lower end of the same trail with the view of Sawtooth.
The one on the upper left is the Monarch/Sawtooth trail, heading back down to Mineral King. Upper right is White Chief (the greenish color in the sky is the result of dropping my palette on it, and it will be repaired in the next layer of paint); bottom painting is the trail leading out of Atwell Mill through the redwood trees.
Atwell Mill is the campground below Silver City in a mostly logged grove of sequoia (AKA redwood) trees. The trail below leads to the East Fork of the Kaweah, one of the best trails in the Mineral King area.
P.S. In case you think these paintings look as if I can’t paint, please be reassured that each one needs at least one more layer. That layering method is called “glazing” in Artspeak. It is what allows this pencil artist to paint without coming unglued at the inability to erase.