Second Most Popular Mineral King Painting

The second most popular scene I do as a Mineral King painting or drawing is the Honeymoon Cabin.

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Bottom canvas is the beginnings of another oil painting of the Honeymoon Cabin in Mineral King.

This is the one remaining cabin from the resort days in Mineral King. The resort was owned by Ray and Gem Buckman, and they sold to Disney, thinking that the ski resort was an inevitable next step in Mineral King.

It wasn’t. No ski resort, but Disney ended up owning property. This is the only structure remaining, and the Mineral King Preservation Society turned it into a little museum.

It is quaint. It is scenic. It is paintable.

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Working from 2 photos, pulling the best features from each one to make the painting as appealing as possible.
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Reshaped the top-right of Vandever (the mountain), began adding greenery to the juniper tree on the left and the red fir on the right. (I think it is a red fir – I should know after painting and drawing it multiple times!)
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Now it is looking like something I might be willing to sign with my name (as opposed to Mickey Mouse’s name?)

 

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This just needs to dry so I can scan it. Photos taken while wet usually have this weird sheen. . . that’s why the gable end of the cabin looks sort of faded here.

Honeymoon Cabin #?, 8×10″, oil on wrapped canvas, $100. Use the contact button underneath the About The Artist tab if you’d like to buy this before it sells at the Silver City Resort.

Painting on a Bungee Cord

 

No, my painting isn’t suspended from a bridge. It just returned to me for a minor detail.

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Mrs. Customer asked if I would put the tiny white lines in the windows because her husband wanted them there. I sighed, and said, “I was hoping you wouldn’t notice!” Then I told her to smack her husband with the back of her hand for me. After that, I added the little lines.

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I like happy customers, and didn’t mind at all once it stopped being 108 degrees out. The swamp cooler in the painting workshop can’t cope with that sort of temperature.

Neither can I.

P.S. I may have added a few more details, brightened up a rock or two, straightened an edge, added a blade of grass. . . 

 

 

Half-Solved Mystery

Last year I did a little oil painting of a backcountry scene whose location was a mystery. I didn’t know who lent me the photo, and I didn’t know where the scene was.

Since last September, I have been working with Louise Jackson on her upcoming book, Trail of Promises. I edited about 200 photos, and later she and the subjects of the book pointed out that I was partial to a particular peak.

Last week I was looking through photos of completed paintings, and recognized one that stopped me up so short that I almost flew over the handlebars. It was that same peak that I kept choosing to use in Trail of Promises!

Have a look at the painting:

1504 Backcountry Lake

Now have a look at a photo of Banner Peak by Mike McGinnis :

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Well, saw off my legs and call me Shorty!

I called my painting “Backcountry Lake”, but it should have been titled “Banner Peak”.

That’s half the mystery solved. The other half is Where Did I Get That Photo??

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More New Mineral King Paintings

But wait! There’s More!

Why does that always elicit a smile or a chuckle?

Because it is obnoxiously obnoxious.

Here are the other paintings I finished last week. It was very hot in Three Rivers, so they dried quickly outdoors, and I was able to scan them without getting paint on the scanner.

It is horrible to get paint on a scanner. It’s even more horrible to scratch the glass trying to remove the paint. Best to not ask me how I know this.

Five new little oil paintings of Mineral King, all for sale at the Silver City Resort (unless they already sold!)

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This week I had some special visitors to my studio. These are folks I’ve known since the 1980s, plus some extended family members. One of my old friends said, “I think your painting is improving.”

I hope so! I’ve been oil painting for 10 years, and if there has been no improvement, I need to quit.

Nope, not quitting.

New Mineral King Paintings

Last week I was a ninja-crazy painting factory, cranking out oil paintings of Mineral King. This is high season in the high country, and it is busy. Gotta get ’em done, visible, and selling.

Sounds a bit like a mercenary, an artist of fortune.

Nah. No fortunes are being made here. Just painting Mineral King.

 

1627 Sawtooth XVI
Sawtooth XVI, oil on wrapped canvas, 8×8″, $100
1628 Sawtooth XVII
Sawtooth XVII, oil on wrapped canvas, 8×8″, $100

Drying Mineral King

“Drying Mineral King” means drying the paintings of Mineral King.

Want to see what that looks like?

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The paintings start on the peg board in the painting workshop. Then I begin scooting them around outside. The 2 of Sawtooth are currently on the tractor-seat stool outside the studio, getting direct sun and a breeze. The goal is to have them dry enough to place face down on the flatbed scanner without smearing oil paint on the glass.

Here in Central California, we have sunshine and heat and breezes in abundance. I wonder what artists do in other places. . .

More Painting Mineral King

Much of the spring and summer so far has been spent working on coloring books (or in Israel) instead of painting. Suddenly, painting Mineral King in oils has become my main focus.

It takes some teeth-gritting intensity and, word-of-the-year, oh-so-tired-of-it, intentionality to stay focused. There is a book to reproof, a coloring book to finish, and never mind about doing laundry by hand because the washer quit (not complaining – it is 28 years old), waiting for the phone repairman (studio phone is broken – has anyone been trying to call??), a coloring book to begin, and a website to keep current during all these sales. Oh, and an art show to prepare for!

But I am not stressed (she says with a twitch). I am painting, and paintings don’t look good if done under undue stress.

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Yes, 2 of these are almost the same. I had a planning mishap. Not worried.

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The one on the upper left is almost finished. The others are only just begun. They are 8×8″ and 8×10″ and will take longer than the 6×6″.

Thank you, Captain Obvious.

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Just a little reminder to myself that I was in Israel. I’d show you a photo of me on a camel, but I looked fat.

THAT stresses me out!!

Painting Mineral King

Yesterday I took a chill-pill to recover from the emotional see-saw of selling, not selling, selling, not selling, sold, not sold, it must only be my friends and relatives who feel sorry for me, OH MY GOODNESS A STRANGER BOUGHT MY ART.

Don’t you just feel exhausted reading that last paragraphical sentence? (Anyone know a good editor??)

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These paintings have been languishing, waiting and curing while I work on coloring books. This week I am returning to my oil paints, because customers await Mineral King paintings at the Silver City Store.

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Perilously Emotional See-Saw

For the past several summers, I have sold oil paintings of Mineral King scenes at the Silver City Store.

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This summer I took up 3 6×6″ and 3 8×10″. Each time I go to Mineral King, I stop by the store (we think of it as “The Store”) to see how the paintings are selling. I missed a weekend, and then stopped by again.

Oak Grove Bridge XVIII

THEY WERE ALL SOLD!

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The reason I stopped by was that I met some great folks who wanted to talk about Israel. Then the woman asked my last name (weird, I know, but someone introduced us by first name and mentioned I had been to Israel) and was all excited to meet me.

Hunh?

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Turns out she buys a painting by me each year when she comes to her Mineral King cabin.

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It is quite a thrill to meet a stranger who buys my art, because often I wonder if it is just my friends and relatives who feel sorry for me that buy my work.

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The business of art is a perilously emotional see-saw.

Please excuse me while I go find a chill-pill and then start painting again.

More Painting Mineral King

Feeling like a factory worker or a cog in a wheel, I mixed up some sky color oil paint so I could begin painting Mineral King. Five 6×6″ paintings, on the conveyer belt. (on the stereo, if you must know. Yes, I listen to a stereo that plays CDs. I drive a manual transmission, have a flip phone, and don’t own a microwave either.)

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Okay, let’s get some other colors going. This is Farewell Gap, but not the classic scene we discussed on Monday.

(That’s the royal “we”, because as far as I know, it was a monologue rather than a dialogue.)

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Oops. Forgot to photograph the in-between stages. These 2 paintings have just the first layer, and they’ll have to dry before I continue.

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The morning sun hits that window with good intensity, so I propped them there. Meanwhile, the Oak Grove Bridge languishes in the background.

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