Painting Mineral King

In the summer, the Silver City Store, 4 miles below Mineral King, sells original oil paintings for me. (For them too, because obviously they have to make money. Duh.)

The subject has to be Mineral King, (more duh, thank you Captain Obvious) and I paint the same scene over and over and over. Sometimes I paint Timber Gap, Sawtooth, or maybe a bridge or a trail. But most people just want this view, what I think of as the classic Mineral King scene:

1529 FG XVIII
Farewell Gap XVIII, 8×10, oil on wrapped canvas, $125
1563 FG XX
Farewell Gap XX, 6×6″, oil on wrapped canvas, $60

It sells, I paint more. It sells again, I paint it again. Lucky you, if you bought it recently, because I’ve had lots of practice. This one is #20, but I didn’t always number my paintings, so I feel fairly confident in guessing that I’ve painted it 50 times. It’s on the doors of my painting studio, on the cover of the new coloring book (drawn in ink, not painted), and on the cover of The Cabins of Mineral King (in pencil, not oil paint).

 

 

More Paintings in Place

“Painting” singular, in place, is more accurate. Yesterday I showed you paintings hanging in friends’ homes, friends who collect my art specifically, or collect the art of local artists in general. Some buy it because they love my work and then they become friends, some buy it because they love me.

It’s nice to be loved, and it is nice to have my work loved.

Now, the reason for today’s post:

Before:IMG_2854

After: IMG_2856

Beautiful room, pretty cool painting!IMG_2858

There was a photo of me standing on the hearth next to the painting, but I looked fat, wrinkled, and slightly overwrought. So, we’ll settle for the painting in place.

This is the commissioned oil painting of a Three Rivers home. It was privilege to be chosen to paint this. It was a little bit too hard for me, but it is good to be challenged and to push through the difficulties. The homeowners were a delight to work with.

Thank you, C & S!!

Paintings in Place

Art marketing gurus tell artists that we need to have photos of our artwork hanging in customers’ homes.

Customers or clients? The marketing gurus say “collectors”. I think “client” sounds pretentious, “collector” sounds presumptuous, and “customer” sounds like good plain English.

However, around here, the word that usually fits is “friends”.

Paintings at LB's house

I think this looks stunning on a red wall!

B's wall

I think these look stunning here! And this friend has more of my paintings than anyone else, but I still don’t think of her as a “collector”. She’s a friend!

framed paintingframed closer

And isn’t this a creative way to emphasize a little painting?

BUT WAIT! THERE’S MORE!

Nope, not going to make a TLDR* blog, so come back tomorrow.

 

*Too Long, Didn’t Read

Three Rivers House Commission, Finished?

Is the oil painting commission of a Three Rivers house finished yet?

These are some close photos of detail that I added to the painting.

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Step back a bit for the whole view, including the beginning of sycamore leaves. “The beginning” meaning the start of the leafing out of the tree. When all these other things are in bloom, the sycamore is barely showing. That’s why we can peek through its branches and see poppies on the hillsides.

IMG_2803Now I have turned it on its side so I can paint both the bottom and the top of the canvas.

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Am I finished with this painting? Is the painting finished with me?

Time will tell. . . that’s how my dad used to say it. I like “more will be revealed in the fullness of time”.

And if I am finished, then it needs a signature, a really good official photo, and a coat of spray varnish.

 

Who is the Boss of this Painting?

Can you see any changes or improvements in this oil painting, a commission of a house in Three Rivers?

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I keep painting, but I don’t know if it is making any noticeable improvements. A little dab here, a little lighter there, make this darker, straighten out that edge. . . am I just licking the canvas??

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A dear friend suggested a few changes in the hills and background trees. She was right. The changes are an improvement. More may be required.

A window now has a frame.

The gravel path on the right has changed color.

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Here is what I think remains to be done:

  1. the right end of the house
  2. grow the sycamore
  3. put texture into the gravel path on the right, just some in the closest areas in the sunlight
  4. build the archway
  5. push the hills back farther
  6. lighten the porch post on the left
  7. tighten up the rocks near the archway and add growies
  8. add another umbrella

Sometimes I make these lists, begin an area, and then discover a whole new place to work on.

I thought I was the boss of this painting, but it seems to be the boss of me.

Three Rivers House In Spring Oil Painting

The saga of the commissioned oil painting of a house in Three Rivers in spring continues. (I know that was too many prepositional phrases but how else can I ‘splain this??)

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I made progress on the landscaping last time. This is an immensely satisfying project, because there are so many different areas, colors, shapes and textures.

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Weird, but true. Sometimes I have to turn the painting so my hand can move the correct direction. I haven’t learned to use a maul stick and am not interested as long as I can rotate the canvas (it’s a bit of a problem on a mural).

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More tightening up of the architecture was needed. Those windows! They will need to be revisited a few more times before we are finished here. “We”? ‘Twould be nice to have a little help on those more difficult parts, but I’m speaking in the royal We here.

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Can you see any improvement? The gravel walkway is looking more gravely, although in person it still resembles a stream.

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Hey! A tree grows in Three Rivers. Can you see the beginnings of the sycamore on the far right? I have replanted the tree since in the photos it only has these non-sequitor-heil-hitler-arm-like branches shooting into the scene. Unacceptable.

What to do When You Are Stuck

 

Ever get stuck on a project? This blog post offers a little bit of advice (or perhaps it is just common sense.)

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Return to the source. This helps you see if you have all the facts.

I took a field trip to the house to figure out the details that were hidden in the photos. I drew up some rudimentary floor plan outlines and took more photos. A bonus was that I got to visit with Mrs. Customer, a truly delightful person. She is giving me so much leeway on this painting – an artist’s dream for a commissioned painting.

(The photos I took are boring unless you are the one doing the painting, so I’ll spare you.)

Immediately apply any new information you just learned. (‘Fo’ you forget it!)

After some careful consideration, I moved the chimney over some more. Then I made a few scooting changes on the house – subtle but necessary. The paint was still wet in those areas from the previous session, so I took my own advice about what to do when I feel stuck.

Find a new area to work on.

When I feel stuck, I look at the project carefully to determine if there is any area in which I can make progress. (When I had lots of kids in drawing lessons who all needed help at the same time, I would tell them to sharpen their pencils or erase their smeary margins while they waited.)

LANDSCAPING! I can do this!

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I raised up the easel in order to reach the bottom edge, and then proceeded to break the rules of painting furthest to closest. Since I’m the boss of my painting, no one yelled at me. I hate being yelled at.

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This now required a bunch of different greens and two colors that I only use for redbud and lupine. It was really fun.

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It looks so much better in person that I considered not posting this last photo. When the paint is wet, the camera sees the reflective shine and it makes the color fade away on the camera.

Guess you’ll have to trust me.

Maybe in the next painting session the house areas will be dry enough so I can untangle it one little section at a time, the same way I handled the landscaping. If not, there’s plenty more landscaping to work on.

Orange is the Color of Tulare County

One might think that this Central California artist’s favorite color is orange. One would be wrong, but one would be forgiven for making that assumption.

Due to her continual paintings of oranges and poppies, this would be a logical guess. But, if one thinks about Central California and what we are known for here in Tulare County, then one would come to an understanding of the apparent excessive use of the color orange.

Here are the latest oil paintings in the continuing saga of this Central California artist’s representation of the best of Tulare County.

1611 poppy 46
Poppy #46, 6×6″, oil on wrapped canvas, $60

 

1610 Poppy 45
Poppy #45, 6×6″, oil on wrapped canvas, $60

 

1609 Poppy 44
Poppy #44, 6×6″, oil on wrapped canvas, $60

 

1608 Oranges 126
Orange #126, 10×10″, oil on wrapped canvas, $175

These paintings are all available through this link: oils

Oil Painting a House

This oil painting of a house is beginning to get fun. Heh heh, heehee, I’m a house painter.

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The hills in the background are looking good, but I’m still not quite sure about Comb Rocks.

No worries. I’ll just step out of the studio and look at them. “Comb Rocks” – as in the shape of a rooster’s comb. The photo doesn’t begin to show the beautiful colors, both in my yard and to the right of Comb Rocks. Can you pick out the patch of poppies? It is now April, and the poppies began in February!

The light is completely different from how it will be appear in the painting, but I can see the shapes, which are obscured in my photos.

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Better. More detail and better shadows .

Now I am feeling a little bit stuck again, so I’ll tinker with the roofline and parts of the house, along with some of the shrubbery in the front.

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I’m not sure what I’m doing here . . . just keep adding paint, layering, tightening up the shapes, fiddling with color, adding detail to the parts that seem to have enough paint on them. . . “scruffling” is what my English friend calls this approach.

I call it “oil painting”. Someday, if I live long enough, I’ll tackle this sort of painting with the same confident one-two-three approach that I have with pencils.

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At the end of the day, I wanted to do something that comes a little easier for me. So, I finished both of the pomegranate paintings. I hope you can see the difference in detailing from the top two paintings to the bottom four.

I remember when that sort of painting was hard. Growth is good (unless you are a cancer cell.)

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Still Painting While Waiting for the Photo

A painter has got to paint. An artist has to art.

That didn’t work. An artist has to make art. Wait. Does a painter make paint? Nope, a painter makes paintings.

English is weird. I’ll stick to painting. Oil painting. Fruit oil paintings. These keep me busy while I am waiting for the photos for the oil painting commission.

Here are four. You saw the orange 2 days ago. fruit oil paintings

Here are five. I added a pomegranate. IMG_2669

Now there are six. The persimmon is the newest. A little hard to see these all over-exposed in the morning light. IMG_2672

These are still in the early stages. More detail is needed, and the edges will have to be painted, and they need signatures.

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I have to paint oranges. Otherwise, every painting would begin with the letter P.

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Better add another orange. With that shadow and minus the textured skin, this looks like a peach. Whoa. Another P.

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Come on, photos! I have a house to paint!