Beginning an Oil Painting Commission

Every commissioned oil painting begins with a conversation. From there, it progresses to photographs. After photographs, there is an editing session. Then, a decision, which requires more conversation. Eventually money changes hands, and the job begins.

In the olden days, nothing began until money exchanged hands. Now, I don’t have to pay for film or developing up front, so sometimes the order of things gets a little scrambled. With friends and locals, I’m flexible. If you are a stranger, things are more structured.

A friend asked me to paint her house. Being a smart-aleck, I told her that wouldn’t be possible, since I hadn’t finished painting my workshop and garage yet. She is a lovely person with a great sense of humor, so no harm was done by my buffoonery.

I took photos in the morning, and again in the afternoon. She chose the afternoon light, the size of the painting, and we discussed some details.

After ordering the canvas, I began waiting for the photos to arrive. Silly girl, you have a printer! Who cares if the colors are wrong when you first have to get the shapes on the canvas?

Remember that the beginning stages of an oil painting are rough and scary and may shake your confidence in my abilities.

beginning oil painting

Oooo-eeeey. This is rough. It is 24×30″, larger than I usually paint (unless it is a mural). I painted this, let it rest a few days, and then realized that I can paint the sky too.

(Got a bit thrown off by the coloring books, which are still coming, this time printed on ONE side of the paper only. Ouch. Expensive mistake. No, I won’t pass that on to you.)

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That’s enough for today. Thanks for reading along. Try not to be scared that I’ve lost my ability to paint, and thank you for your concern. Please forgive the visual assault.

Painting While I Am Waiting

While I am waiting for photographs from which to paint a commission of a house, I have to paint something.

Redbud Festival is coming, May 7-8, so I need paintings to sell. Small paintings, bright paintings: these sell well.

Sounds like fruit and poppies to me.

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This is 6×6″ and went fairly quickly. Now, a little citrus art. Orange oil paintings are always popular.

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That first poppy was fun. I’ll do another.

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If 2 poppies are good, 3 poppies will be great!

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An orange oil painting, 3 poppy oil paintings, but no photos yet. Stay tuned. . .

Sequoia Trees and Navel Oranges

Sequoia trees and navel oranges are specialties of Central California, right here in Tulare County where I live and work as an artist (and now as an editor too).

So, I paint Sequoia trees and navel oranges. Often.

When these are dry, I’ll scan them and put them on my website for sale. Maybe I’ll put them on the blog too.

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Another Bridge Oil Painting in Progress

That is another Oak Grove Bridge oil painting in progress, but there is a character limit on the title.

This is the 24×30″ painting, also without a deadline. It has the same goal as the 11×14″ painting: make it the best possible no matter how long it takes.IMG_2203

Instead of figuring out the exact size and shapes as I paint, I first drew this on the canvas, using a pencil, ruler, calculator and straight edge. Painting this is hard enough without bumbling along with the proportions.

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Very little difference between this and the previous photo, but after studying it awhile, I saw a slight addition. Can you?

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Have I done anything new besides move the photo?? It looks less squishy than the first version. I worked on the bridge. That’s me – civil engineer with a paint brush.

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This is going to take a very long time. It is a little bit above my ability. The overly bright colors are fun, and may influence the final painting. They are a way to get layers and shapes on canvas while using up paint from my palette.

Oak Grove Bridge Painting in Progress

HAPPY BIRTHDAY, Gordon!

Scroll to the bottom of this post for an update on The Bridge’s future.

As I work on this 11×14″ oil painting of The Oak Grove Bridge, I am thankful that there is no deadline. The idea is to take as long as necessary to make the painting as good as possible. And the hope is that in another 2 years (or maybe less), I’ll be saying “That old thing? Oh my, I paint so much better now!”

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The cliffs on the left, the rocks beneath, and the shrubs on the right, AND the bridge railing are all challenging.

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Cliffs, rocks, and shrubs looking better. The railing will have to wait.

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Is this improved? hard to see, hard to say.

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The railing is better, the rocks are better, and the ones that aren’t so hot? Cover with branches and leaves!

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This might be the most difficult corner. Too ambiguous.

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Any improvement now? Keep layering, keep looking for ways to improve and finish. Nevuh, nevuh, nevuh give up.

At a meeting on February 8, we learned that there are 3 alternatives for making The Oak Grove Bridge safe. Tearing it down is not on the list. The three alternatives will be explained at another meeting on February 23, 6 p.m. at the Three Rivers Memorial Building. After public input, which DOES affect the outcome, a choice will be made.

Building Bridges

I build bridges with oil paint. They aren’t safe to drive over, but mine are only meant to be walked across in your brain.

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When I see a photo of the the photo next to the painting, the weak areas and wrong places appear. Yikes. Just try to be polite, ‘k?

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I drew this in pencil so I could bypass the Weak Areas Stage of painting. Isn’t it fun to see all these weird bright colors? It is beginning to be correct in the farthest away places.

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Keep layering, Central California Artist. You’ll get there, eventually.

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Okay, everyone gather in close for a family snapshot! (Yes, I know you aren’t fully dressed yet, and that you don’t have your make-up on, and that you forgot your earrings. We are recording real life here, not having a formal studio portrait, so just calm down.)

Remember, there will be a meeting on Monday, February 8, 6 p.m. at the Three Rivers Memorial Building to discuss the future of this bridge. There is conflicting info about the time and place of the meeting – for the real info, call Jason Vivian at 624-7135.

The Oak Grove Bridge Saga Begins

Or perhaps it continues. . .

 

 

Oak Grove Bridge XVII

This commissioned oil painting of the Oak Grove Bridge is signed, sealed and delivered.

On Monday, February 8 at 6 p.m., there will be a public meeting at the Three Rivers Memorial Building concerning the future of this bridge. A hearing? Something about the planning commission? Not sure exactly of all the bureaucratic wording, but whatever it is, I will be there. (Lord willing, the Creek, etc.)

In addition, we are invited to send “comments” (does that mean opinions? suggestions? protests?) to a Jason Vivian by February 1. Here is a link to an explanation that includes Jason’s eddress. Click this.

Next week I”ll show you what I wrote.

Meanwhile, I have 2 more bridge paintings to finish.

Happy Recipients

Here are some works of art that were done for Christmas gifts. I heard back from 3 of the 5 about the happiness of the recipients. The fourth and fifth are most likely very happy – an email and a phone call would confirm it, but I don’t like fishing for praise. So, I will assume that the recipients are happy.

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People say they love my pencil drawings, and I believe them. That’s what they choose for commissioned work.

As far as “off the shelf” work goes, the oil paintings far outsell the pencil.

Go figure. . .

Bridge Paintings

My favorite bridge is currently my favorite subject for oil painting. (Brought to you by the Department of Redundancy Dept.)

The Oak Grove Bridge crosses the East Fork of the Kaweah River, 6.5 miles up the Mineral King Road, out of Three Rivers, in Tulare County, California.

Some governmental agency has declared it to be unsafe. There is talk of rebuilding it, leaving it in place as a foot bridge and building a new driving bridge upstream, and even tearing it down. 

Better start saving $ for my bail, because I might have to chain myself to the bridge and then get arrested.

Nah. I’ll think about that tomorrow. I have some paintings to finish.

Oak Grove Bridge

The detail on the railing is the most difficult part of painting this bridge, especially when it is 8×10″. Too too tiny.

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Why is this upside down? Because every part except the top of the painting has wet paint on it. Okay, the back doesn’t have any paint, but you probably figured that out. This one is a commission, and the customer specifically requested detail around all four edges.

Too Hard, Part Three

A few years ago, my mom and I visited Blowing Rock, North Carolina. This is where her mom, my G’ma grew up. We were exploring a bit, and I took a few photos of a little creek near G’ma’s homestead. Mom expressed an interest in having me paint this for her, and I have been procrastinating for 5 years. The point of this procrastination is to acquire more skill.

I’ve been messing with this painting that is too hard for me for several days in a row. Finally, I got an idea.

Since I took the photo and it is on my computer, I pulled it onto the screen and enlarged each murky spot so I could see what I was trying to paint. It’s pretty stinkin’ hard to paint things that I can’t see, and I finally accepted and understood that I cannot see what all those dark murky things are.

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Look at that! The colors are brighter and the details appear on the laptop screen.

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Now I have lots of rocks in the closer water area.

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It’s hard to tell anything in the full sized photo, either as an 8×10″ or on the screen. But when each thing is enlarged, VOILA!

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I THINK THIS IS GOING TO BE FINE!

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Excuse me for shouting. I’m so relieved. It is too wet to photo (too shiny). It is too big for the scanner, so maybe I will get a good photo when it dries, and maybe not.

Phew. Christmas is 2 days away.