Tag: oil paintings

Too Hard, Part Two

When something is too hard, we go slowly. Think about a steep trail. Think about moving a heavy piece of furniture.

S L O W L Y.

The background, the part where the sunlight is brightest, and the bank to the right of that area is beginning to make sense.

Ick. This is terrible, and there are too many dark rocks. The colors are all either dark brown or something sort of greenish-brownish-gray. Why did Mom and I like this scene so much?

Best viewed from the back of a fast horse.

Hey! this is looking significantly better! I’ll tell you why tomorrow.

This scene is near Blowing Rock, North Carolina, and is significant to my Mom. I hope to finish it by Christmas AND have it dry enough to transport.

Blowing Rock North Carolina oil paintings

Too Hard

Since spending hours working on a painting that is too hard for me (i.e. “above my pay grade”), I’ve been thinking about how we handle things in life that are too hard. . . we take them S L O W L Y.

I can’t remember when I started this painting. It was many drawings, paintings and at least three murals ago. Many projects with real deadlines interfered with the progress. Finally, I decided to finish this to give to my Mom for Christmas. It’s okay – she doesn’t have a computer or know what a “blog” is.

It has been lurking in the background for months. This was last spring. I got the basic shapes on canvas and decided it was too hard.

It kept asking for attention, so I dabbed at it a bit more.

This was how it looked in July. It is also how it looked in December, when I decided it was TIME. Nope, past time.

Grandma's Creek

What’s to be afraid of? Paint slowly, one tiny area at a time. Mix the colors, dab at the canvas in the areas you know how to handle.

The areas are beginning to get defined.

Whoa. This is too hard. I have to stop and breathe.

Oh – it is near Blowing Rock, North Carolina. Don’t mention this if you see my Mom, okay?

Blowing Rock North Carolina oil paintings

Secret Oil Painting Workshop Part 2

Why “secret”? Because I don’t advertise and recruit. . . it is an insider thing for my advanced drawing students. I don’t believe I know enough to truly teach anyone how to oil paint. Instead, I view myself as one beggar showing a few other beggars how to find bread.

Let’s see how these other beggars did. . .

M wanted to paint the Tetons from a photo she snapped on one of her many road trips. I painted it first so she could see what sorts of colors and brush strokes. (Mine is slightly visible behind the photo on the little easel on the right.) Then, she was off and running, just looking at the photo and mixing her colors from the primaries. She needs another session or 2 on this canvas to complete it. Phooey – I was hoping she would buy mine from me, Just messing with you, M. I am PROUD of you!!

A chose a photo that I found a little intimidating. She wanted a black background which I knew how to help her with. She has a great eye for proportion, knows what chicks look like and is a bit perfectionistic. These are great qualities to paint in a realistic manner. This is after 2 sessions, and I think 1 more might do the trick. Isn’t this wonderful??

L is amazing. She has painted with me several times, and is off and running. She paints on her own at home, and has plans to give these second two paintings as Christmas gifts this year. The orange wants more texture, but the pear might be finished. There is no stopping this woman!!

drawing lessons lessons oil paintings

Secret Oil Painting Workshop

I’ve been oil painting since March 8, 2006, which doesn’t seem like enough experience to be teaching. However, several of my drawing students have asked me to conduct an oil painting workshop. I began doing this a few years ago, but only for my advanced students.

The participants need to understand proportion, perspective, values and my manner of teaching.. I need to understand where they are in their abilities, and how they learn.

Oil painting is much harder than pencil drawing because of the added elements of color mixing, all the ingredients to manage and the less than cooperative, wet, flippy brush, but if a student has the understanding I listed above, they can achieve impressive results in just a few painting sessions. Four of the five participants had painted with me before, and we did two sessions together this year.

We work from photos as a matter of ease and convenience. Plein air or using real life set-ups doesn’t fit our space, abilities, or level of experience. I want my students to have success and to be happy with their results rather than leave a workshop feeling as if they wasted their time and money. I am too familiar with that sort of result and want better for my students.

About 2 years ago, E asked me if she was ready to oil paint. I told her that she wasn’t. She kept working very diligently at her drawing skills, and this year she was ready to paint. We started with a simple subject – easy shape, few colors to mix. This is how it looked at the end of her second session. This photo looks a bit washed out compared to the painting because it is wet and shiny. But, still. . . pretty impressive! Her choice of background color truly complements the orange, since blue is the complement (opposite on the color wheel) of orange. Hey, Mr. Favorite Customer, aren’t you proud of your wife, and aren’t you glad she didn’t listen when you told her to give up on drawing lessons??

J pulled out this canvas she had started last year and dabbed at it without any photo reference. I dug through my cat photos on hand and couldn’t find the one I was looking for. We found one that helped with cat face proportions, and then as she was packing to leave, she flipped her canvas over and found the very photo I had been seeking! It was how she started this painting a year ago, and then we both forgot. The second session of painting was more fruitful. Lots of life in those eyes!

drawing lessons oil paintings

Mineral King Oil Paintings For Sale

This week we conclude our little run of things for sale (did you notice the pattern?) with oil paintings of Mineral King.

Fridays are for Mineral King, but I haven’t been there since October. Since this is the season when people like to buy stuff, it makes sense to show you the paintings for sale.

Please forgive me if this seems sellsy and pushy. I promise I am not wearing plaid pants, waiting to pounce with false chatty cheer. I am showing you these in case you were looking for something like this. I am here to help you (and no, I am not from the government).

1535 Marmot

Mineral King Marmot, 6×6″, $60 (and no, I don’t know why it is appearing so large here).

1542 Kaw Hdwtrs

Kaweah Headwaters, 6×6″, $60

Long Way There

Long Way There, 12×16″, $275

1529 FG XVIII

Farewell Gap XVIII, 8×10″, $125

1527 Saw XV

Sawtooth XV, 6×6″, $60

005 MK Valley

Mineral King Valley, 12×16″, $275

1528 Saw XIV

Sawtooth XIV, 8×10″, $125

MK a.m.

Mineral King AM, 12×16″, $275

mineral king

Mineral King, 12×16″, $275

1441 MK Trail

Mineral King Trail, 11×14″, $250 (It isn’t this dark in real life – my poor computer skills may be misleading you on this one.)

1563 FG XX

Farewell Gap, 6×6″, $60

Eagle Lake Trail, 16×20″, $400

These are available on my website, this page: Oil Paintings, Landscapes

There are more but this post is already crazy long. Please excuse the length and enjoy the pictures.

Mineral King Mineral King oil paintings oil paintings

Four Little Poppies

“Four Little Poppies” sounds like the title of a book I loved as a kid called “Five Little Peppers (and How They Grew). It’s sort of a given that a California artist would paint California poppies.

This little 4×4” oil painting of poppies needed something more, so I added blue.

poppy oil painting

It wasn’t enough, so I added 3 more paintings.

4 poppy oil paintings

Did you know that California is called “The Golden State” because of the poppies on the hillsides? That might be a myth. The hills turn golden in the summer when the grasses dry up from the abundance of sunshine (and lack of water.), so perhaps that is the reason for the descriptive title.

California poppies oil paintings poppies

Scanned and Ready!

Here are my latest oil paintings of Central California fruits and landscapes, dry, signed, dry again, scanned, varnished and ready to sell!

1555 Pomegranates #48 — Pomegranates #48, oil on wrapped canvas, 8×10, $125

1556 Honeymoon Cabin XXIII — Honeymoon Cabin XXIII, 6×6″, oil on wrapped canvas, $55

1558 Sawtooth XVII — Sawtooth XVII, 6×6″, oil on wrapped canvas, NFS

1559 Farewell Gap IXX — Farewell Gap IXX, oil on wrapped canvas, 6×6″, $55

1562 Peach III — Peach III, oil on wrapped canvas, 6×6″, $55

1561 Persimmon IX — Persimmon IX, oil on wrapped canvas, 6×6″, $55

To buy any of these paintings, use the contact button under About The Artist in the menu bar above.

Mineral King oil paintings oil paintings

Crazy talk?

Shows are coming this month, I’m painting with hyper-focus, and there is some crazy talk going around. With the shows coming this month, these little oil paintings are almost ready to be sold. They are finished, signed and drying. When dry, I will scan, varnish and then price them.

oil paintings

Five down, 8 or 9 to go. 5 plus 8 equals 13, but I might need a couple more. 8 or 9 or 10 to go.

About the pricing stage: I am getting messages from many places which sound like crazy talk to me that my oil paintings are severely underpriced. Not only are they severely underpriced, but if I double or triple the prices, my sales will increase.

Does that sound like crazy talk to you??

Where are these folks with big money who are just hanging out, waiting to pay me more??

Crazy talk.

oil paintings

Yes, I Still Oil Paint

Thanks for asking. Were you wondering if all I do is fund-raise, read and tile?

I squoze a little painting in. Thirteen little paintings, actually. There are shows in November, craft fairs and bazaars and boutiques, all requiring that I have things to sell.

Not finished.

Finished, not signed,

Finished, not signed, and too wet to photograph well. All that shine looks messy!

Even looks messy when I step back.

Added blue to an existing poppy. Looks so good I started 3 more!

Liked the fruits for my friend so much that I began 2 more, incorporating some blue, of course.

I need to learn if adding blue makes paintings more appealing.

When these are finished, signed and dry, I’ll scan them and show them on the blog. There are 13 in progress, in spite of only showing you 7 here.

“Squoze” – did it make you smile like the word “liberry” did last week?

oil paintings

Turning Leaves

A few years ago I began painting autumn leaves. Because I often couldn’t decide which way they looked best, I would turn them around and around as I decided which end to put the hanger on and where to sign.

“Turning Leaves” seemed to be the perfect title for the subject. Sometimes I just amaze myself with my cleverness. I try not to laugh too loudly at my own jokes, but sometimes I have to repeat them because people don’t laugh hard enough. Sometimes they even look a bit baffled.

TURNING LEAVES – GET IT?? HAHAHAHAHA

Excuse me. Got carried away there.

New turning leaves this year:

1551 Turning Leaf IIXX — Turning Leaf IIXX, 6×6″, oil on wrapped canvas, $55 plus tax

1550 Turning Leaf XVII — Turning Leaf XVII, 6×6″, oil on wrapped canvas, $55 plus tax

These match a Turning Leaf from a year ago:

1437 Turning Leaf XIV — Turning Leaf XIV, 6×6″, oil on wrapped canvas, $55 plus tax

The title “Turning Leaf” doesn’t have the double meaning with these, because the stem gives the direction away.

Now I can’t decide if they are dogwood leaves or persimmon leaves!

oil paintings