How Many Hours a Day Do You Paint?

An old friend asked me this last week. We only see each other once a year or so, so we aren’t close. I think he thinks that art is my hobby that I sort of fit in around my life. When I told him what all I do, he was very surprised. This means a couple of things: we really don’t know each other very well, and I’m not getting the word out very effectively that I am a full time professional artist.

Marketing, you say? Nope. I’m too busy working right now.

Check out this list from the other day:

  1. I posted to my blog. While in the house on the puter, the phone rang. My neighbor/friend works at a local motel. She was calling to say some people from New York were stopping by the studio in 10 minutes.
  2. Raced to the studio (after brushing my hair – sort of forgot to do that or figured it didn’t matter). The New Yorkers were a no-show.
  3. While in the studio I put together a bank deposit and read the mail.
  4. The mail included a Call For Entries form for an Ag Art Show. It has been 4 years since I last entered, and the rules have changed. It seems worth considering again.
  5. Went through my photos and compared them to the categories of the Ag Art Show. Calculated the cost. (entry fees, mailing or driving 200 miles round trip to deliver the pieces, returning to Madera to see the show, returning again to retrieve any unsold pieces) Got some good ideas, decided to do the show.
  6. Painted three 4×4″ oil paintings.
  7. Remembered I was supposed to go to the Sierra Lodge to get another bear to paint. This one had to be delivered to my studio and I was supposed to show them the way, so I walked/jogged over.
  8. Upon returning with the bear delivery guy, I painted a fourth 4×4″ oil painting.
  9. Chose the sizes for each of the paintings to enter into Madera, added them to my inventory list, put the wires on the back.
  10. Remembered the bank deposit, trotted to the house for my keys, remembered the keys were hanging in the studio door, trotted back to the studio to lock up and then back to the house to lock it, and then drove to the bank. Figured I might as well hit the Post Office and the grocery store while I was out. Tried not to run in the aisles. Tried not to make eye contact with anyone who might want to have a lengthy conversation.
  11. Returned home to photograph some completed work and some works in progress.
  12. Began working on the (in)famous Paint-My-Parents oil painting commission.
  13. Wrote 3 more blog posts in my head while painting.
  14. Suddenly it was almost dark, so I had to photograph Paint-My-Parents, close up the workshop, and go home.
  15. Wrote those blog posts on the computer before I forgot them while something that could sort of pass for dinner was burning on the stove.

Apparently, I’m too busy to paint or do marketing. (the kind that gets the word out about business, not the kind that puts groceries in the frig so I can burn them for dinner while I work on the puter.)

Preparing canvases for 5 paintings for the Ag Art Show

A California Artist Goes to Washington and Gets Inspired

When I went to Washington (state) in April, the tulips were in bloom. That is the reason I chose April for my visit. They were stunning.

While at the Redbud Festival in Three Rivers, I saw a lady wearing a skirt with a tulip print. The tulips were progressively larger as they got closer to the hem.

It gave me the idea to paint the tulip fields as a triptych. Triptych is Artspeak for three paintings that are meant to be seen as one scene. I have no earthly idea why this looks so cool, but it does. (It is pronounced “trip-tick”)

Turn your head sideways, squint a bit, and imagine these as a triptych. The top piece has more layers than the other two, but you probably figured that out all by yourself. And pay no attention to the gingko leaf in the upper left.

Occasionally this California artist has to take a trip. On this one she got a tych. But not a tick.

Ever seen an entire field of the same flower in bloom at once time? You can share it here.

Is There An Echo In Here??

What is the visual equivalent of an echo? A shadow? A reflection, perhaps. . .

Is there a reflection in this studio? A reflection of Mineral King, to be exact? Because I see an awful lot of Mineral King Oil Paintings drying on your wall!

Seems that way. Mineral King is de ja vu all over again.

Same scene, different viewpoints.

Same bridge twice, different paint jobs, different directions.

Same cabin, different times of day, different times of year.

Same place, favorite view, over and over and over. Mineral King oil paintings, on miles and miles of canvas. Mineral King, Farewell Gap, over and over and over. Instead of the California artist, I am the Mineral King artist. Perhaps I should change my tagline in this blog.

Nope. Oranges and poppies don’t grow in Mineral King.

Are you tired of this view yet? (that question is for you, the reader, not me, the California Artist!) Tell me about it here.

First Peek at Commissioned Oil Painting

As promised on May 24, here is the first peek at the commissioned oil painting spoken of in two previous blog posts.

Cowboy Bert told me he has a shirt that color. I said, “It’s called wheat”.

He said, “That don’t look like wheat to me.”

I said “It is wheat as viewed from the back of a fast horse.”

He said, “I’ll buy that”.

When cowboys say “I’ll buy that”, it doesn’t mean they plan to purchase an item. It means that they agree with you. It is the cowboy equivalent of city folk saying “Word”.

Aren’t you glad I am around to explain the English language to you?

My pleasure.

And, in case you are wondering about this painting, remember the commissioner/client/customer/friend/drawing student said she loved “loosiosity”.

Bet you can figure that word out all by yourself!

Any other words you’d like the California artist to ‘splain to you?

In Which The Artist Interviews Herself About a Commission

The California artist will be discussing an upcoming oil painting commission. The interviewer will be black, and The Artist will be teal, because it is her favorite color and this is her blog.

What are you working on these days?

Oh I’m so glad you asked that question! A friend/student/customer/client/all of the preceding titles told me of seeing a painting that really rocked her world. Alas! It was already sold. Being an opportunist/artist/entrepreneur, I said, “I could paint that for you.”

What was it of?

Great question – it was a wheat field with crows flying overhead.

Is it ethical to copy someone else’s painting?

Of course not! Paintings can be copyrighted (in fact the copyright is assumed in the artist’s favor) but ideas cannot. The painting she saw simply serves as the seed of the commission I will do for her.

How are you planning to make this seed grow?

She showed me a photo of it, then I looked up the subject under Google images. I saw that the most famous painting of a wheat field with crows is by Vincent Van Gogh. Next, I looked up photos of wheat fields to understand how they flow and change colors.

Will your friend/student/customer/client like it?

I believe she will love it. She chose the size that will best fit her space, which is 30×40″. She explained that she loved the “loosiosity” of the one she first saw. (Great word, yes?) Then, we discussed the proportion of sky to wheat. After that, she decided that red-tail hawks suit her more than crows.

So it is similar but different.

You got it.

Do we get to see the sketch?

Yeppers. Try to not be overly impressed with the great effort that has gone into this project so far – I know it will just render you speechless.

Have you ever seen a painting that you wanted copied for yourself?? The California artist would love to hear about it!

From Pencil Drawing to Oil Painting

During Three Rivers Artists Studio Tour Ten, some folks saw the pencil drawing of Redwood and Dogwood. They liked it, but color sells better than black and white and shades of gray, and oil paintings have a greater appeal than pencil. I LOVE PENCIL. Just sayin’.

Something new happened to me as a California artist: these people asked me if I could do an 18×24″ oil painting of the pencil drawing! What a fun challenge – not sure of which photos I used, I just decided to rely solely on the pencil drawing as my reference picture.

When the tree and background were finished, it had to dry before I began the dogwood in the foreground. I don’t have nearly as much experience painting dogwood as Sequoia trees, so I pulled out some photos for that part.

I think the flowers need to be less cultivated looking. A few stray limbs will help. It might need some growing stuff on the right. The drawing has unidentified shrubs, so I may try to make something up. If it looks fake, I can just wipe it off.  (Didn’t want you to get worried!)

The pencil drawing of Redwood & Dogwood is for sale. The shopping cart doesn’t work on my website, so you can email me for information. Sigh.

Four Benefits of Learning to Draw Before Learning to Paint

As a self-confessed color junkie, I’ve pondered the question of why pencil? Was I just a chicken? That’s all water under the bridge, and now I am just accepting the fact of 13 years of drawing with a late start to oil and mural painting.

It ain’t all bad!

Drawing in pencil helped me develop several areas of skill. The subject has been covered very thoroughly here and here. Since I like lists, here is a list of the benefits of learning to draw well before learning to paint.

  1. Drawing teaches perspective. That is how things look distant or close.
  2. Drawing teaches proportion. That is how one size relates to another.
  3. Drawing forces an understanding of values. That is the darks and lights.
  4. Drawing teaches composition. That is the way things are arranged on a page or canvas

If I hadn’t learned to draw first, it would have taken me much longer to learn how to paint. Not saying I know how to paint well, just saying that I’m grateful to have had all those years of drawing first!

If you would like to learn about drawing lessons, you can read this blog post or check the lessons page on my website. Or both.

Meanwhile, have a look at this California artist’s pencil and oil renderings of oranges. You can see that the pencil picture has more precision and detail – needs it, because there is no color. Someone said recently “Values do all the work, but color gets all the credit!” True, but I think detail does a ton of work too.

Washington Navels, graphite, sold

One of the 100+ oil paintings of oranges so far, sold

Sources of Inspiration

Because I just began year #5 of blogging, I’m reposting some of my older articles for my newer readers.

Hidden Garden 5, oil on canvas, 8×10, $90

Sometimes people ask what my sources of inspiration are. Most are probably asking about what gives me ideas for drawing or painting. It is an easy question to answer.

My life experiences give me ideas. When I was a kid, a teen and even a young adult, it was a challenge to decide what to draw. As I aged, the number of choices grew. Now, by the time I have sorted through all my ideas, there is hardly any time left to draw or paint!!

So often I have read biographies and artist’s statements that say “I have always been fascinated by light and shadow” or perhaps by “reflection” or “movement” or “textures” or “shapes”. (My inner cynic responds with “Duh, what artist isn’t?” It is a continual challenge to keep her from talking too much.)

My main source of inspiration is BEAUTY! Sometimes it is natural and other times man-made, sometimes it is rustic simplicity, the way colors look together or the patina of age. Most often it is the way sunlight makes a normal object look beautiful. Once I had a job in a kitchen at a summer camp, and my coworkers would laugh at me when I would notice the beautiful color of iced tea, or the way the colors in the salad complimented one another. (But I am not scarred by the ridicule. Thanks for your concern.)

Now I think back to how I noticed colors, and wonder why I chose graphite pencil as my medium? My very wise Dad used to say (often!), “Life is full of surprises”. Well Dad, my life is full of questions. Perhaps I’ll tackle that graphite question in another blog post.

Committing Commissions

 

This is not a commission. It is a do-over. I painted this when I was new to oil painting, and recently I figured out how to do it better. I painted right over the top, so I didn’t have to figure out any shapes or placement.  (Three Rivers is gorgeous in the spring. I know I keep saying that. But, really, the unemployment is terribly high, the air is nasty in the fall, and we are all fat, so don’t move here, ‘kay?)

This sequoia oil painting has better detail than the previous view. Why am I painting a sequoia in the snow when it is spring? Because CS wants it! And this California artist accepts commissions in oil. Pencil too.

Committing more Commissions

I painted three pomegranates for a nice lady of impeccable taste that came to my studio during Studio Tour Ten. She asked for one, and I painted three so that she would have choices and I would have more to sell at the Redbud Festival.

I also began this sequoia in snow for someone else. This is 2 layers of paint. A third layer is coming with more detail.

And this is the beginning of a new experience for me – painting in oil from a pencil drawing! I am purposely not looking for the reference photos, because I want to stay true to the drawing. That is what the customers requested, so that is what I will deliver!

Notice the California poppies in the background. They now have another layer of brilliant color on their little butterfly-like petals.

Isn’t this California artist-like? Sequoias, pomegranates, poppies. I like it here. 😎 (But you’d probably hate it because  there is no Trader Joe’s or Whole Foods. Maybe that’s why we’re all fat.)