Familiarity Breeds Comfort

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

“Familiarity breeds contempt” in some cases; in the context of my oil painting endeavors, familiarity breeds comfort. “Sawtooth Near Sunnypoint #8” is signed, sealed, and delivered, another commissioned oil painting in the archives.

This means I can move into another comforting subject, one that I love to paint, although this one has its own challenges. This oil painting commission came with much freedom. The customer didn’t care what orchard as long as it is oranges, wasn’t concerned about the foothills, and after much conversation (“Really, you must care about something specific here!”), he decided that Sawtooth and Homer’s Nose made the most sense for the visible peaks. His focus is the children, and he provided good photos.

If I were a loosey-goosey painter, this would be close to finished. Alas, I am a painter who loves detail and when this dries, I will begin drawing with my paintbrushes on this Tulare County classic view.

 

Oh, Those Red Carnations

The carnations were last seen at this stage. The coaster, vase with stems, bows, vase-base, roses, and even the curly willow weren’t up to the level that Mr. and Mrs. Fifty Years deserve.

What’s a Central California artist to do?

Well, just keep licking the canvas, of course. (Don’t get your knickers in a twist–it is only a figure of speech.)

When an item is complicated with subtle angles that matter, I turn it upside down and copy exactly what I see. Okay, not EXACTLY, but as close as I am able on the angles and proportions that matter. The coaster beneath the vase is a real bugger-bear, to quote my friend Ft. Worth Jim. (who pronounces his name “Jee-im” as if it has 2 syllables). 

(Hi Gnat!)

Where was I?

The upside down coaster, while looking at the upside down photo on the laptop screen.

There are many details to it, details that can be ignored because it is not the reason for the painting.

The roses are Very Important to the painting. Carnations have their own happy prettiness, but roses are pure elegance.

Can I be finished now?

Nope. Here is some self-talk: Study the photo of the painting, evaluate the things that matter, speculate on what could be better, touch up those little items, strengthen the contrast, soften the irrelevant parts, and don’t sign it until you have taken it to the nth degree.

Yes, I know, the painting has come a very long distance from its humble beginning of red blobs, seen here. But the fat lady has not sung. (Someone bring her another cookie, please.)

 

Back to Sawtooth

Remember all those oil paintings of Sawtooth Near Sunnypoint? Sunnypoint was a Forest Service campground in Mineral King closed in the 1970s (or was it the 1960s? I wasn’t there then.)

The view that has been so popular is a bit made up. When you are standing where I have stood to take so many photos, year after year, of the same scene, your eyes tell you that the barest tip of Sawtooth shows. When you leave the exact spot, you remember it as a place where Sawtooth, Black Wolf Falls, the stream, and wildflowers are all coexisting in beautiful harmony.

It is my job to gather up all those pieces of reality and combine them into a believable fantasy for you. This beautiful fantasy, which matches up with peoples’ memories, has brought me back to the easel once again.

After a week of messing around, taking walks, editing 2 books, and staying away from the painting workshop, I finally went back to work.

The work that remains after this dries:

  1. Add the wildflowers
  2. Fix whatever is wrong that I have noticed during the drying process
  3. Sign
  4. Let dry again
  5. Scan
  6. Varnish
  7. DELIVER!

There is more to the story of multiple iterations of the Sawtooth Near Sunnypoint paintings. Mañana. . .

Department of Redundancy Dept.

I have become a (temporary) Sawtooth painting factory.

First, sky and clouds on all three.

Second, Sawtooth on all three.

Third, trees on distant ridges on all three.

Fourth, work on the distant trees that are somewhat distinct.

Fifth, scribble in some layers of green on all three, because it is getting too dark to see, there is green paint on the palette that can be used to add another layer to the canvases, and that’s all I can take today of the repetition of these custom Mineral King oil paintings. 

Next painting session: figure out the confusing rocks in the stream on one painting, and then use it as a guide for the other two. This will be more effective than repeating a rock three times and then realizing it is in the wrong place. Who cares if a rock is in the wrong place? If it makes the stream flow look unbelievable, all three customers might care.

Jumping the Gun With Paint

Do you ever wonder about the origins of sayings such as “jumping the gun”? That is an easy one – it refers to racers (horses? people?) who take off before the starting gun.

In commissions, the “starting gun” is when the customer pays 1/2 down and we decide exactly what she wants. A conversation alone is not the starting gun.

I have had a recent wonderful reunion with an old friend (we are actually middle-aged, not old, and think we met in 4th grade but can’t remember). She expressed an interest in some fruit paintings. We didn’t decide anything for sure, and I didn’t even have the right sized canvases.

But, I’m having a hard time focusing and pushing through and following up. Sometimes life is hard, and it robs one of the ability to do everything one normally would do. Sometimes when life is hard, one just takes the easiest route.

(LBWR, feel no obligation for these 3 paintings – I just felt like tackling the project even though the canvases are thicker than the ones you saw and we didn’t cement the final look. If they don’t suit you, I’ll schlep them around to my fall shows, and I will still paint yours however you would like.)

IMG_1549First pass – wow, these are thick canvases. IMG_1562Next, effort into the orange because it got short shrift last time.

IMG_1563Looks good, and the colors are easy to morph into lemon colors. IMG_1564Wow, that pomegranate looks awesome, if I do say so myself.

“If I do say so myself” – where did that ludicrous saying originate? I did say so, myself.

LBWR, what do you think of these? I will be painting the sides dark green so they won’t need frames.

Painting Mineral King

This has been a fine season for selling paintings of Mineral King scenes. Very fine! Each time I go by the Silver City Store, I stop to see what is remaining. Sometimes I bring a few new paintings along, other times I just make some notes about what to paint next.

Here are the newest 3 for you to enjoy. (You may buy them, if you beat out the others who are interested.)

Mineral King oil paintings

Honeymoon Cabin XXII, oil on wrapped canvas, 6×6″, $55 (plus tax)

1542 Kaw Hdwtrs

Kaweah Headwaters, oil on wrapped canvas, 6×6″, $55 (plus tax)

1537 OGB XV

Oak Grove Bridge, oil on wrapped canvas, 6×6″, $60 (plus tax) It was twice as hard as the others and should be considered a bargain because it doesn’t cost twice as much.

Relevant links to this post:

Landscape Oil Paintings available

Silver City Resort

Too Hot in the Painting Workshop

Because oil painting can be messy, I paint in a workshop building with a swamp cooler instead of inside my real studio with its more effective air conditioner.

We had some of those 100+ degree days, and the swamp cooler was not up to the task of keeping me comfortable. Heaven forbid that a Central California artist be uncomfortable! A hot artist is an uncomfortable artist, an uncomfortable artist doesn’t paint well, an artist who doesn’t paint well doesn’t sell well, and an artist who doesn’t sell well has to get a real job.

So, I took these barely begun paintings off the wall in the workshop and moved into the studio.

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I managed to not make an oil painting mess in my little air-conditioned studio, a room normally used for pencil drawing, private drawing lessons, and doing non-messy businessy things.

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That back wall has FIVE WET OIL PAINTINGS hanging on push-pins. It (the wall) might now be in need of a new coat of paint.

Nah. It’s a STUDIO, for cryin’ out loud!

Tune in tomorrow to see three of the paintings, finished and ready to buy.

Another Secret Oil Painting Workshop

There are benefits to taking drawing lessons from me. One of them is that I offer an occasional oil painting workshop to my drawing students.

(There are a lot of links in this post. So many things reminded me of past posts. If you click on any of them, they will open in a new window, so you won’t lose this post before you finished reading it.)

What? If someone takes lessons, they are offered the opportunity to take more lessons?

Yep. You got it in one.

Shereen is just as careful in her painting as she is in her pencil drawing. This painting will need more layers, but has a very good start. You can see Shereen’s pencil drawing of boots here.

A began this painting in December when I gave 2 other secret oil painting workshops. She thought this wasn’t looking too good, but I betcha when she lets it quietly mull in a corner and then returns to it in a week, she will be as impressed with it as you and I are.

J painted with me in the first workshop and had such great success that she ventured out into new territory for both of us. The lighthouse will happen when the water is dry. Hmmm, what is dry water? Never mind. But did you know that blue is God’s favorite color? I decided this when I was on a ship to Alaska last summer.

L is prolific and dedicated and usually gets things right the first time. I may have been a little too busy at the other table when she began this painting, but when it dries, she’ll be able to deepen the colors.  Aren’t you impressed that she can paint this just using the primary colors? (Pay no attention to the tube of brown or the tube of black – just an optical illusion or something. . .)

She almost finished this pumpkin and has plans for the Sequoia.

And Mary? She snuck out before the camera appeared! She’s painting a beautiful orange.

Sold!

The Redbud Festival was really good this year. It wasn’t hot, it combined with First Saturday in Three Rivers, it was at the Memorial Building and I had an indoor space. Look at some of the paintings that sold:

This isn’t actually the painting that sold. This one sold a few years ago, and my friend saw it in a book of my oil paintings that I use for display. So, I will paint it for her. Happily, because I think I paint better now!

A Question Artists Don’t Like

The question that most artists don’t like is this:

Will you donate a piece of artwork to My Good Cause?

And then it is followed by something like “You can write it off on your taxes” or “It will bring great exposure”.

The answers to the follow-ups are “Only the cost of the materials” and “People die of exposure”.

If a good Cause needs items for raffles and auctions, it would behoove both parties (the Cause and the artist) to buy the items. 

All those causes are good. One year, I donated more than I sold. It didn’t bring me more business; it brought me more requests for more donations.

A Cause can spend some of its resources on an item and then sell the item for more than it paid. It will make a profit. If it doesn’t make a profit, it can write off its expenses.

An artist who gets asked to donate her individually produced items depletes her inventory, can only write off the cost of the materials but not her time or the value of the item, and gets worn out.

An artist who gets worn out begins donating items of lesser quality, items that haven’t sold, items that aren’t her best work. (Honestly, I had an artist friend say to me one time, “Just give them your junky stuff that hasn’t sold – that’s what I do!”)

In a small community like Three Rivers or even anywhere in Tulare County, word gets out that you can either buy a piece of art for full price or you can just wait for the next fund raiser for The Good Cause. Then, Mr. Good Taste who spent money on art, sees that someone got a similar piece for 1/3 of the price, and the artist’s credibility goes down.

So, I don’t give my art away anymore. If your Good Cause would like to buy a piece, call me or email me. Perhaps we can work out some sort of a discount. When you truly value my art, I may be more likely to value your event.

Hint: if you have never bought any art from an artist, how do you have the chutzpah to ask for a gift??

There are a few Causes I choose to donate to, because they are part of my life. One of them is the mural project in Exeter, which was started by me and an awesome group of volunteers in 1996. Someone called me for a piece for their upcoming Garden Party fund raiser (a very nice event on May 5 this year); I explained my point of view because I’m teachy like that, and then I offered a painting.

Because it hasn’t sold in spite of the fact that I really like it (Obviously, my opinion does not causes pieces to sell), I took a hard look at it.

I paint better now.

Before

After (New and Improved!!)

If you don’t think it is improved, just be polite, ‘k?

I wrote about this a few months ago and called the post “Donations Bloviations”.