Mineral King Paintings in Progress

Every year summer happens. This is not a surprise. Summer means lots of time in Mineral King. It means paintings of Mineral King get sold at the Silver City Store. This is not a surprise either.

Every year I am just certain that this will be The Year I Paint Ahead. This year I actually am painting ahead, but that’s because the Redbud Festival is next weekend, May 3-4. Then, if Mineral King paintings haven’t sold, I’ll be a little bit ahead for summer in Mineral King.

A painting begins with a flip through my extensive photos of Mineral King to see which ideas float my boat. No matter how many terrific views there are, Farewell Gap with the Crowley Cabin is the most popular. The Honeymoon Cabin is always #2, and Sawtooth is next. After that, no discernible difference. No matter what, always always always have a painting (or two or three) of Farewell Gap on hand, in multiple sizes if possible. (I keep the words “Farewell Gap” on a sign in my painting workshop in case I forget. . . Middle-Aged Mush Brain requires more reminders than Youth.)

I chose the canvas sizes that are most likely to sell (this IS a business), put hardware on the back along with the title and an inventory #.

Sometimes I “draw” the painting with a brush first.

Sometimes I do two paintings at the same level of progress. (I almost wrote “at the same time”, but then you might think I am painting with both hands. Sorry to disappoint you, but I’m not THAT good.)  If I’m going to mix the paint color, I might as well mix enough for two!

These are drying. The top one might need more detail and a signature, the second one needs wildflowers and a signature, and the bottom one may just need a signature.

There is cat hair on my computer keyboard and Perkins is on my lap. It makes it awkward to type, but my boy might know that Mineral King season is coming, and he isn’t invited. We miss each other, and that is the season when I lose cats. Perkins has survived 15 summers while his comrades have been picked off, one by one. It ain’t all roses and lollipops in Three Rivers. . . sigh.

A California Artist Paints (Without Benefit of a Crystal Ball) in Tulare County

The Redbud Festival is coming soon. First weekend in May this year, and at the Memorial Building in Three Rivers, which is a new location.

As usual, I have no idea what to expect in terms of visitation or sales. A crystal ball certainly would be useful.

Oh well. Guess I’ll just paint a combination of what has sold well before and what floats my boat.

The first draft is bright but rough.

Now they are drying in the window sill. The colors look funky because they are wet and reflective.

What is that stack of stuff? I looked through my fruit photos (Phruit Photos? Fruit Fotos?), picked the ones that floated my boat, attached hardware, then wrote titles and inventory numbers on the backs of each canvas.

Now they are almost finished, drying on hooks next to the window. When they are dry enough to handle, I’ll sign them. When that part is dry, I’ll scan them. These are 6×6 wrapped canvases, in oil paint, and will sell for $50 each.

Or not.

I may be a California artist, but Tulare County is the 13th poorest out of 58 counties. And in spite of putting the price next to the painting, people always ask how much. We are also the 3rd least educated county in the state.

Always gotta do things the hard way, eh? Do you think my paintings of fruit would sell in Marin County? I could add another zero, maybe borrow my neighbor’s BMW, have someone dress me so I could pass, and make a run up there.

Nah. They’d see right through me.

Tulare County is where I was born, and it is where I’ll stay and paint. Sometimes I love it here, and sometimes I want to run away. That’s probably how it is with every place in the world.

Why is this Oil Painting Commission So Hard??

As a studio painter, I work from photos. There is a ton of pressure out there in ArtWorld to paint plein air, which might be French for “on location”. There is a ton of embarrassment out there in ArtWorld about painting from photos, because it usually garners a lot of derision and sneering and condescension.

One of my painting mentors (virtual – we have corresponded but never met) Jack White has said, “All realistic painters either work from photos or they lie about it.”

I try to NEVER lie. You can count on finding the truth here, although I do minimize the ugliness as much as possible. This blog is supposed to be fun, informative and entertaining, not edgy, rude or shocking.

Now, let’s move on to the point of this post, which is to discuss the difficulties of a commissioned oil painting of a place I love here in Three Rivers.

I did a commissioned oil painting for my amazing friend Barbara. It was a composite of several photos – her house, all the lavender in bloom, and hills behind. There is no place to stand to see this actual view, so I worked from several photos.

 Being the generous and thoughtful person that she is, Barbara gave away this painting. Then she asked me for another just like it.

Instead of looking at my computer screen and attempting to copy this painting, I pulled out my photos again. This is because I don’t think the computer reproduction is very accurate, and because I like to work from the original source. And, I hope I paint better now so will be able to do an improved version of this. (Ever hopeful, always wanting to improve, ever optimistic, this California artist!)

Either I’ve lost some of my photos, or I’ve lost my ability to paint from them or I’m losing my mind.

This is one of the hardest things I’ve attempted in awhile! I’ve been messing around with the proportions, studying the photos, staring at the painting, looking at the version on the computer, and not making any progress.

Why is this so hard?? What is my problem??

Finally, after wasting an inordinate amount of time just staring and thinking, I decided to go outside and look at the actual hills.

I took my camera for a walk so I could fully see the end of the house that we want in this painting. I need to see the proportions of the windows to the shutters to the wall space on either end and in the middle. 

Nothing is solved, but now I have even more pictures to study.

Sold!

The Studio Tour was a success in many ways. I found 2 new drawing students, saw old friends and students, met new friends, made contact with folks that I’d only talked to on the phone before, and lots of other important things.

And, these are some of the paintings that sold.

Meadow Fence, 10×10, oil painting on wrapped canvas, a Sequoia National Park oil painting

Vandever-Mineral King, 10×10, oil on wrapped canvas, a Mineral King oil painting

Peach on Tree, 6×6, oil on wrapped canvas

North Fork of the Kaweah, 11×14, oil on wrapped canvas, a Three Rivers oil painting

Painting a Post Office

One of the most popular subjects for painting, drawing and photography in Three Rivers is the tiny Kaweah Post Office about 3 miles up North Fork Drive.

I’ve drawn it more times than I can remember and painted it 10 times. The reason I remember how many paintings is because I have called them Kaweah Post Office I, Kaweah Post Office II, Kaweah Post Office III, Kaweah Post Office IV. . . et cetera. Clever, no?

Here is #10, AKA Kaweah Post Office X in 2 stages. You may have to attend the Studio Tour this coming weekend to see it finished.

In order to keep each painting a little different, I paint it different sizes, from different angles, at different times of the year, and with different details. Sometimes I layer it (called “glazing” in Artspeak) and sometimes I try for alla prima (which means to finish all in one session).

This one is 10×10″, so it is slightly stretched out, and it will contain the historical marker, a new thing for me when painting. I thought the rocks looked fun – all those different grays to mix! Don’t know yet if they are fun, because I haven’t gotten to them at the time of this posting.

Painting the Sequoias

Sequoias, AKA “big trees”, are something I really love to paint (and draw). On my doors, on canvas, (or on paper.)

I liked the painting on my door so much that I decided to do the same scene on canvas.

First step – draw it vaguely with a paintbrush.

Second step, get the base coat on.

Third step, begin the background and add layers to everything else.

Fourth step, photograph it inside the painting workshop with the sequoia doors open.

Fifth step, photograph it with the other two doors of redwoods.

Seventh step, photograph it while it is drying.

(Sixth step was to finish painting it. Did you think I messed up on counting? Wouldn’t have been the first time!)

2008 Wasn’t All Bad

You know how everyone refers to 2008 as the year that the economy went south? (How insulting to our Southern friends that “going south” is a euphemism for going bad – it means going downward, oh Gentle Southern Reader.)

In Three Rivers, California, 2008 was the Year The Poppies Were Incredibly Abundant and Shockingly Beautiful.

Great Poppy Year, 16×20″, oil on wrapped canvas, $375, available here

A new show, Sierra Wonders, opens today at Arts Visalia, 214 East Oak Street in Visalia, California. It features the art and writing in the book Sierra Wonders. That means this painting and one other of mine.

Join me at the reception, Friday, March 7, 6-8 p.m. 214 East Oak Street, Visalia, California. I might even bring Trail Guy with me, maybe my Mom too! Feels really important. It is important to me and to all the artists in Sierra Wonders.

On The Wall (not Off The Wall)

But wait, there is more besides poppies on my easel. Not really on the easel, but there are other paintings drying on the wall behind my easel. A painter’s gotta paint, especially when there is a Studio Tour on its way in Three Rivers. March 21, 22, 23, in case you were wondering.

That lemon and pear have been hanging around for awhile. I keep fiddling with them, and now I think they can dry. The little painting of Timber Gap isn’t faded – it is just the way the light comes through the windows that are CLEAN FOR THE FIRST TIME IN OVER 15 YEARS!

Excuse me for shouting. I had given up on those windows, thinking it would take way too much time to scrape them clear of putty and paint and who knows what. Turns out that Trail Guy had the time and the skill and the tools and the patience.

WOW!! Thank you, Trail Guy!!!

Oh, the grapes may finally be finished after 49 layers. I am exaggerating, but they have been plaguing and nagging me for many months. The apple and the peach are new. I think they are looking mighty edible. They need a bit more detail in the leaves and a signature before I scan them to show you.

They might be available during Studio Tour, or they might be at Colors.

Painting Mineral King

and Crescent Meadow.

The top painting shows the Mineral King valley from up on the Monarch Lake Trail as it appeared last September.

If I am hiking to Monarch Lake, it is the Monarch Lake Trail. If I am hiking to Crystal Lake, it is the Crystal Lake Trail. If I am walking to Timber Gap (walking because that one can be done without a pack, lunch or water if you hustle your bustle), it is called the Timber Gap Trail. If I am hiking to Sawtooth. . .

Never mind. I don’t hike to Sawtooth. But, I got off track there a bit (or off trail?)

The painting might be finished. I thought maybe I could get away with a quickly done painting as long as I used juiced up colors.

But Noooooo, I had to detail it to pieces.

Same with Crescent Meadow. This is how it looks after a second pass over the canvas:

Crescent Meadow is in Sequoia National Park, near Giant Forest and Moro Rock. The painting looks a little weird because it is wet and reflective. When it is detailed to pieces, dry and scanned, it’ll not only be not weird, it will be beautiful.

I hope.

I Love Tulare County

For some reason, it embarrasses me to admit this. So, I put it as the title of this post – practice saying it, feel it, face it. (Say it loud, say it proud?) I am a California Artist and I love Tulare County! (Is it warm in here or is it just me?)

Oranges #121, 8×10″, oil on wrapped canvas, $90, available here

My cousins visited from Northern California. She is from the Chicago area and he grew up  near Buffalo. (They are married so I consider him to be my cousin too.)

We spent part of a day in Sequoia. This is where they met while working for The Park’s concessionaire. (Here in Three Rivers we refer to Sequoia National Park as “The Park”.)

Sunny Sequoias XVIII, 8×8″, oil on wrapped canvas, $75, available here

Girl Cousin has inherited a portion of an orange grove where I spend the first 11 years of my life. (Don’t worry – we lived in a house, not under a tree.) So, we visited the grove. City folks say “ranch” and Citrus folks say “orchard” or “grove”.

Oranges #121, 8×10″, oil on wrapped canvas, $90, available here

 

Several thoughts:

  1. I expected that the day in The Park would be the most fun part of the time together, but
  2. The time in the citrus grove was the most fun.
  3. Perhaps this is because it was cold and wet and foggy in the Park and intermittently sunny in the grove.
  4. Or maybe it is because I had my eyes opened to how special it is to have grown up as the daughter, granddaughter and niece of citrus growers.
  5. Being a “tour guide” to Girl Cousin and Mr. Girl Cousin (sorry Bob – but you gotta laugh at that!) caused me to realize that I do know quite a bit about my county and about citrus. I was amazed by how much I had to say about it all. (I’m sure The Cousins were too.)
  6. In the course of these days together, it occurred to me that I do love Tulare County. We are poor, uneducated, fat and have very bad air* BUT we have Sequoia and we have citrus. So there.

P.S. Three Rivers might still be the best place to live in Tulare County, but my second choice is in an orange grove at the edge of the foothills.

*I have to point these things out so you all won’t move here.