Navels in the Orchard is actually just navels on canvas, another oil painting of Tulare County citrus.
I painted the details working from the back to the front, which means first I painted the items which are the farthest away from the viewer.
Usually I wait until the painting is dry to photograph it. But look at the weather —the sun wasn’t shining, making the wet parts sparkle.
Since Exeter’s Mural Gallery (121 South E Street) is reopening (TODAY!), I have a renewed interest in painting oranges.
The painting on the left is untitled, so for now I will call it The Painting Formerly Known As Turning Leaf. (I thought that Turning Leaf was a good painting, but apparently I was alone in my opinion.) The painting on the right is also untitled, currently known as The Painting Formerly Known As An Unsold Pomegranate. (Ditto my thoughts on that pomegranate painting.)
Easel place swap!
Not good enough yet.
Better, but photographed with an unsightly wet shine.
Therefore, I did not photograph The Painting Formerly Known as a Pomegranate.
Instead, I started a new painting. Painting oranges reignited my enjoyment of the subject, so this time I really started whooping it up with a 10×10″ canvas.
I’m going to really like this painting (until I change my mind and retouch it.)
P.S. These won’t be in the Mural Gallery just yet. They need to get finished, dry, titled, and scanned.
Orange groves, foothills, and mountains remain my favorite subject to paint. (It used to be the Oak Grove Bridge, and who knows what it will be next?)
I painted this to hang in my dining area, but put it on my website and then, lo and behold, it sold! (off the website—I didn’t open my front door to customers)
No problemo—I just started another painting.
Then, I just left it on the easel for months.
After starting all those small paintings for Kaweah Arts, I finally went back to this painting. If I don’t get it finished soon, suddenly it will be October and then it will go to the solo show and then it will sell without ever hanging in my house first! The urgency. . . !!
Details, details. All those close trees needed details. Of course, once I’ve put all those leaves on, the oranges will need more color or shaping. Then I’ll decide to add blossoms. After that, the ground will need some debris. Next, I’ll decide to put cows on Wutchumna (the hill). Maybe all the distant rows will need refining, the hills reshaped, the mountains improved. . .
Never mind. How about starting another one?
I do love me some orange groves in the foothills with the Sierra in the distance. These subjects are a real benefit of life in Tulare County. (But DON’T move here. It is in California, where people are leaving in droves. Wait—what is a “drove”?? Aren’t people leaving in U-Hauls?)
Obviously, I could use a little help with titles here.
“Oranges in a Blue Bowl” is too obvious; maybe I can think of a title that has to do with the fact that orange and blue are complementary colors. This means they are opposite one another on the color wheel—”complementary”, not “complimentary” such as “Oh my goodness, you are looking gorgeous today!”
Normally we think of ducks being in a row (WHY??), but I could call this “Citrus in a Row”. Nope, too obvious. “Citrus Variety” is boring.
Any ideas for me??
I know these aren’t just generic fruits, but the alliteration was too big of a temptation to resist.
All these orange oil paintings are for sale at the Mural Gallery in Exeter, whose address might be 121 South E Street, and hours might begin at 11 a.m. but not on Tuesday, possibly not on Wednesday. Maybe you’d better call 559-592-3160 before just showing up, because clearly, I do not have solid information other than the fact that there is a boatload of great art in that tiny building.
Phew. Take a breath, Central California Artist.
These have more detail and are larger than the 4 small orange paintings I showed you last Friday.
That one is almost finished. It could be considered finished, but I don’t think it is as good as it could be. I’ll need to contemplate it for awhile.
This one will require quite a bit of drawing with my paintbrushes. I like to draw with pencils, and I like to draw with my paintbrushes when they cooperate.
It helps to see the shapes more accurately when things are upside down. This is not an option when painting from real life. Thank goodness I am a studio painter.
The blue bowl and its reflection will be a good challenge. I am really liking this one so far.
5×7″ oil paintings of navel oranges on panels, sitting on a mini wooden easel have been selling well at Exeter’s Mural Gallery. One sold, the buyer requested another, and the gallery asked for 2 more. Those sold immediately, and the gallery requested more.
You can see the beginnings here on this post from earlier in November.
I painted five more, moved them into the house to dry, and forgot about them! They were on a piece of cardboard on top of a cabinet that was above my eye level. They were certainly dry enough to scan when I remembered them.
These sell for $60 each at Exeter’s Mural Gallery. They look better in person, because in spite of a good scanner, the colors are never quite right on the computer screen. (You might have heard that here before.)
2023, Mineral King HIKES, still available here: Calendars
To see the back of the calendar, you will need to click on the link.
There has been a request for a print of this drawing. I will order 2, unless other people tell me that they would like them too. I don’t know the price, but it should be lin the neighborhood of $35-50 apiece. After I hear how many people are interested, I will ask the printer for a price. The original is 11×14″, but I could get them printed as 8×10″ instead.
Interested?
What’s my point? Not the point of my pencil. The point of all this careful drawing and explaining is to make everything in this custom pencil drawing believable.
I have added a ladder to the wind machine, smoothed the sky, and begun the lower leaves and oranges on the bottom left.
Have a look at the 2 little girls, the way I see them under the giant lighted magnifying glass. They truly are almost impossible to draw and hardly show up. But they will have color on them at the end, so they will be more visually significant.
Building up the foliage is tedious; some might say “restful”; others might call it “zen”. The tedium is alleviated by the continual need to check the sizes of the leaves and fruit, thinking about where they are landing on the rows of diminishing sizes. 
I also worked on the ground a bit. I want it to look real and as always, believable. Usually within an orchard, there are many dead leaves, broken sticks, and dropped fruit. So, I will put some of this in but be careful to not have it too noticeable, because it isn’t the point. What is the point??
Believability!
This is a commissioned pencil drawing, custom art, a specific job as requested by a customer. (All that is in case you are only tuning in right now and missed the previous posts leading up to this).
The most difficult part of this drawing is the children. I found photos of children walking from the back, and then put together various elements from these photos to depict something that doesn’t actually exist. The youngest child that this drawing is supposed to represent is not yet walking. By the time she is walking, the other child will be older (duh) than she currently is. Hence, by guess and by golly.
I started here because if this is impossible, there is no point in continuing.
The customer said it was fine. No, that’s not what he said, but I decided that is what he meant.
Then I photographed it with a pencil so the size could be understood.
After that, the mountains, and beginning the distant trees.
All this was done at the dining table in the house. I started this on the snow day, because the wood stove puts out better heat than the little wall propane heater in the studio.
Lighting was a bit of a challenge, so toward the end of the drawing session I turned on the flashlight in the phone to use as a spotlight. This made it possible to work close and make precise leaves and oranges in the upper right corner.
P.S. The customer’s wife weighed in at the end of the day and had a very valid and helpful suggestion to make the smallest girl look younger. I believe this will be a lengthy series of blog posts as I bumble along in new territory of drawing little people without benefit of photos in a size that is ridiculously small. It will all be worth it, because this drawing will be ridiculously perfectly darlingly cute, a brilliant idea! (Plus, there will be some added color)