Learning to Oil Paint

Remember in the olden days when I was an oil painter? This was before 2013, the year I drew 180 pencil drawings of Wilsonia cabins.

A number of my drawing students have been pressuring me to teach oil painting. We know one another fairly well so they understand how I teach, and I understand how each one of them learns. Besides, I believe strongly that a person needs to be able to draw before painting. You can read about it here.

There were four students in the first session, and they painted oranges. That is the first thing I  painted when I started learning. They painted from photos, because the light changes way too fast to paint from real life. It is especially tricky when one is mixing from the primaries, which is the way I paint. (Some day I will post about that for you.) With four people painting, I spent the entire time going from easel to easel, with a short lunch break. Every time I finished helping one person, the next person was stuck. It was exciting!

The following week there were eight students! Three were returnees, one had been to my studio for a private lesson and the other four were brand new to oil painting. The new ones were wondering how they’d do, the returnees wanted to finish their oranges, and one ambitious painter wanted to also paint a lemon.

The results of the two days painting sessions were FABULOUS!

Yes, I know. “Drawing with a paintbrush” and a watercolor brush at that! So? She was getting the job done and easing into it with the tools and style that she was comfortable with.

This is a former tole painter who has been learning to draw with me. We were very pleased with her results! (She likes to “draw” with short handled brushes too.)

At last year’s oil painting workshop, this participant painted a pomegranate. Now she has almost an orange to go with it.

This fabulous orange was painted by an advanced drawing student. If she decides to not pursue a career in medicine, she can always become an artist.

Last year a pomegranate, this year an orange AND A LEMON TOO?? In another year, I’ll be taking painting lessons from this woman!

Pretty good, eh? And this is her first oil painting in her entire life!

Sometimes when we are drawing, we turn both the photos and the piece of work upside down. It works for painting too, unless you are painting from real life. This gives our eyes the chance to override our preconceived notions of how a thing is supposed to look. It gives the right side of the brain precedence over the left side. It helps us fix the parts that aren’t correct. It is hard at first, but it is a great way to get better accuracy.

Not finished, but when it is, it will be stunning.

Orange, pomegranate and lemon oil painters, I am proud of you!

 

2013 Calendars Now Available

The first 2 orders of 2013 calendars were all spoken for. Now I have the calendars available for order, right here on my bl0g!

The price including tax and shipping is $21. The earlier price was less because that’s just the way things roll. . . sigh. (Worm, anyone?) If you reserved one by email earlier, I will let you know when the calendars arrive and you can mail me a check.

 

oak grove bridge painting for cover of jana botkin's 2013 calendar




To see the pictures of each month, here is the link to the blog post that showed each  painting.

If you don’t want to click that link right now, here is a summary: Mineral King, Three Rivers, Sequoia, oranges, Yokohl Valley. What else would you expect from a regionalist from Quaintsville, a central California artist?
P.S. The type on this blog post is all in different sizes because sometimes it won’t fix, no matter how many times I try. I give up!

Daily Paintworks

What means this?? (That’s how my niece asked for more information when she was three, and I thought it was so cute that I’ve been saying for 20 years since.)

Daily Paintworks is a wonderful online gallery featuring new paintings from its members every single day. I’ve followed it for a few years, and learned about some fantastic painters.

Recently, my friend and fellow artist Nadi Spencer joined Daily Paintworks. I don’t jump into new things very quickly (still successfully resisting Facebook, Twitter, Kindle and an iPhone), but I trust Nadi. We listen to many of the same podcasts, subscribe to many of the same blogs and often share information about upcoming shows and places to sell our work.

After thinking it over, I finally decided to join Daily Paintworks. It is hard for me to admit this, as a Regionalist from Quaintsville, a Central California artist, a loyal Tulare County artist, but here goes: The art buying public here where I live just isn’t big enough. It is time to reach out for a larger audience.

I began last week with this painting:orange oil painting by Jana Botkin

Orange #115, oil on wrapped canvas, 6×6″, SOLD


Orange You Glad You Live in California (or Sorry That You Don’t)?

group of citrus oil paintings in progress
Morning sun in the summer dries oil paintings quickly.

Orange you glad you live in California? Or perhaps you aren’t so glad – the state is way over its head financially, we have both sales tax and state income tax, our gas is almost the most expensive in the country, and it is stinkin’ hot.

But we can grow oranges, and we can paint them. That’s what California artists do who get calls from realtors who sell lots of citrus orchards. Blessings on you, Oh Realtors of Good Taste.

In case you were wondering, my favorite color isn’t orange. Besides, it looks terrible on me. Not my color. Maybe that is why it is fun to paint.

 

 

 

 

 

 

Squeezing Out Some Citrus (Paintings, that is)

A good customer requested 14 paintings of citrus. He specified a certain number of Tangerines (aka Clementines or Mandarins), Lemons and Navel oranges.

Among the excitement of replacing paintings burned up in a cabin fire and replenishing the stock at the Silver City Store, I’ve been squeezing out these paintings.

Come on! You KNOW that was cute!

Tangerine oil painting by Jana Botkin
Tangerine, oil painting on wrapped canvas, 6×6″, private collection
Tangerine oil painting
Tangerine, oil painting on wrapped canvas, 6×6″, private collection
Lemon oil painting
Lemon, oil painting on wrapped canvas, 6×6″, private collection
Lemon oil painting by Jana Botkin
Lemon, oil painting on wrapped canvas, 6×6″, private collection

Orange You Glad I Can Paint Citrus?

Tulare County grows, sells and eats a ton of citrus. Probably several million tons. I learned to oil paint by using the subject of oranges over and over and over. When an orange would sell, I’d paint another. The last one was #103, I think. There were also a handful that I didn’t title or number in the beginning, so who really knows?

 oil paintings of tangerines and lemons photo by Jana Botkin

Tangerines and Lemons

A few years ago I was at some art thing with my dear friend D. I introduced her to another friend, one who sells ag real estate. D said, “Oh my goodness, you should be buying Jana’s orange paintings to give to your clients!” (She has been a great supporter and encourager to me in the 13 years we’ve been friends, always looking for ways to promote my work.)

Mr. Real Estate said, “That’s a great idea!” Now he and his partner have placed 3 or 4 orders for 6×6 and 8×10 paintings of citrus since then – mostly navel oranges, and some tangerines/mandarins/Clementines and some lemons. It is fun to do these – bright, simple, not too difficult. (I am THRILLED to paint simple things after Put-My-Parents-In-The Painting, THRILLED, I say.)

What else would you expect from a central California artist, daughter, granddaughter and niece of citrus farmers?

Four Benefits of Learning to Draw Before Learning to Paint

As a self-confessed color junkie, I’ve pondered the question of why pencil? Was I just a chicken? That’s all water under the bridge, and now I am just accepting the fact of 13 years of drawing with a late start to oil and mural painting.

It ain’t all bad!

Drawing in pencil helped me develop several areas of skill. The subject has been covered very thoroughly here and here. Since I like lists, here is a list of the benefits of learning to draw well before learning to paint.

  1. Drawing teaches perspective. That is how things look distant or close.
  2. Drawing teaches proportion. That is how one size relates to another.
  3. Drawing forces an understanding of values. That is the darks and lights.
  4. Drawing teaches composition. That is the way things are arranged on a page or canvas

If I hadn’t learned to draw first, it would have taken me much longer to learn how to paint. Not saying I know how to paint well, just saying that I’m grateful to have had all those years of drawing first!

If you would like to learn about drawing lessons, you can read this blog post or check the lessons page on my website. Or both.

Meanwhile, have a look at this California artist’s pencil and oil renderings of oranges. You can see that the pencil picture has more precision and detail – needs it, because there is no color. Someone said recently “Values do all the work, but color gets all the credit!” True, but I think detail does a ton of work too.

Washington Navels, graphite, sold

One of the 100+ oil paintings of oranges so far, sold

California Art

(Tomorrow I will have a guest post on Brendon Wilson’s blog. It will probably cause you to think “Who is this preachy chick and where is Jana The California Artist?” The subject is gossip. . . not related to my blog at all, but a subject that really triggered many thoughts in my pea-brain.)

Our interviewer got annoyed with me, so today’s blog entry will be unassisted.

The redwood boards are slats that will serve as the backs to Adirondack chairs. You may recall my throne, or even want to see the chairs as sold on eBay. The furniture maker and I enjoy working together and are figuring out a way to dress the chairs up a bit more.

Meanwhile, I do know how to paint oranges, poppies and Sequoia trees/Big trees/Redwoods on canvas. After all, I am a California artist!

Paintings In Situ

“In situ” is Latin for “in position”. My brain is full of these helpful pieces of information, and I have no earthly idea how they got there.

These paintings, however, got to their location with great intentionality. My good friend and neighbor wanted to repaint her kitchen. She wasn’t sure how to pick the color, so I suggested that she show me some colors she was considering, and I would mix a small sample for her to try.

One Sunday afternoon I took my paints over, and together we put patches of various shades all over her kitchen walls. When she saw a certain orange that just made her feel happy, with great laughter we dubbed the color “Orange Blossom Special”.

Once her kitchen was all painted, I came over to see it. (Just call me “The Blister”  because I showed up after all the hard work was done.) The kitchen was looking happy, but it lacked some art.

We hustled back to my studio, loaded up a box with paintings that might work and tried multiple combinations until we found the right blend (just like mixing the paint!) Of course, she is only graciously storing them for me until the next show (and the next and the next, ad infinitum, which is Latin for “to infinity” or until they find another happy home).

Spring and fall, both represented here. ( California poppies by a California artist, Mr. Google!)

P.S. You are welcome for the Latin lessons.

P.P.S. It was great fun to mix paint colors and help her choose! Should I add this to my list of art services provided? (Stop thinking I should just lend out my art! She is doing me a favor by modeling the paintings AND storing them!)

P.P.P.S She said “Not to be mean, but I hope they don’t sell!”