Indoor Mural, Day 2

This California artist has completed Phase One of her indoor mural of Giant Sequoias/Redwoods/Big Trees for some exceptional people of fine taste. They have a particular fondness for these trees, and sell fabulous chairs made from some of the fallen ones (from private land – don’t gitchur knickers in a twist!). You can find them on eBay: Redwood Adirondack Chairs.

One more thing about this mural – it comes with a promise to retouch it if a grandchild goes nutso with a crayon or marker!

Superlatives!

Tulare County is a place of superlatives. Sadly, we rank highest in the nation in being fat, uneducated, diabetic, poor; we make more teenage moms, have terrible unemployment and the dirtiest air. Ready to run away screaming yet? I don’t know all the specific statistics, only that we are either the “best” at those terrible things or close to it.

That’s the bad news. Perhaps it isn’t all that bad if it prevents our population from booming like that of Orange County, but that is a stretch of “glass half full” thinking.

The good news is that we have the largest trees (Sequoia Gigantea), the oldest trees (valley oaks), highest point (Mt. Whitney), smallest operating Post Office (don’t worry, we have normal sized ones too!), produce more dairy than Wisconsin,  we produce prodigious amounts of citrus and we feed the world. No kidding! Tulare County, my home.

Sunny Sequoias IXX, 8×8″, oil on wrapped canvas, $75

Worth It!, oil, sold

Sold (yes, I know this isn’t a Valley Oak, but I haven’t painted one of those yet!)

Kaweah Post Office, sold, another one on the easel, stay tuned!

Oranges 83 – 11×14 on canvas in black wooden frame, $250

South Fork

Maybe March is my favorite month instead of February. It is so green and the redbud are in bloom, along with lupine, poppies and a great variety of other wildflowers. Michael and I drove up South Fork Road, which follows the South Fork of the Kaweah River (hence, the name). Something that always just twists my sense of geography is the clear view of Homer’s Nose from the upper end of that road.

We stopped 4 miles from the end of the road and unloaded our bicycles. It was a long slow pull to the campground, but oh so very pretty.

There were lots of choices.

We stashed our bikes and headed toward the water.

Clough’s Cave is on the other side of the river and used to be open to the public. I had never seen it, and Michael had described its location to me at some time in the past. We followed our noses (and a trail of litter), which led to getting sort of bluffed-up and no cave. We slid back down, thought it out, and found the abandoned trail to the cave. It is slippery with oak leaves and acorns, and several places made me question the wisdom of following it to a closed-off cave. A few cave-wreckers have caused the Park to seal the cave off from the public.

If you climb some rocks and then lie on the ground, this is what is visible. If you turn around, this is what you see:

Lots of textures, snow on the peaks, the canyon winding its way upward, and even a belt of black oaks still without leaves. Tulare County is so large in acreage, so vast in its variety of terrains, with far more to explore than I have days off!

Working from Photos

It isn’t popular in the artworld to admit that one works from photos. In fact, the closest you’ll get to reading that someone works from photos is “I use them for reference”. Brings to mind something Jack White, my painting inspiration/guru/mentor said – “All realistic painters either work from photos or they lie about it”. Me? I TOTALLY work from photos – if I just use them for reference, it is because the scene was so complicated that I just started making things up!

The other JB and I visited the Buckeye campground in Sequoia National Park over the weekend. There is a mellow little trail that leads to a picturesque footbridge over the main fork of the Kaweah River. (You can read about it in the  January 17 blog post.) When JB saw the view, she burst forth with the declaration, “If you paint that, I will buy it!” Being a hard-nosed business tycoon (snort, guffaw), I said, “Okay, I will show you some sketches first so you can see if you like it and after I paint it, I won’t hold you to buying it.” (Jack White would not be pleased with me for that!)

Here is the main view that JB was so taken with; you can barely see the bridge in the photo! This is why I will have to sketch things in advance of painting – how large can I make the bridge without distorting reality? How much rock, if any, in the foreground is actually necessary? Can I “grow” the river, because in our memories, it is The Main Event?

All these photos will be useful to create a small (“thumbnail” in Artspeak) sketch that will determine what size and where each part should be in proportion to the other parts. If I was carrying a backpack that day, a sketchbook would have been a helpful item. But I am a modern chick who uses a digital camera with tremendous gratitude for the technology.

Hospital Rock: A lesson in choosing photographs for art

In what passes for winter in Tulare County, sometimes it gets cold and gray. Count on it in the flatlands. Moan and complain about it in Three Rivers. If you’re smart, you’ll just drive up a ways and voila! Sunshine! That is what Michael and I did on Saturday. Ever been to Hospital Rock? I had, but only to the upper parts and not to the river. The interesting thing is this: I recognized the rocks because I have drawn them! As always, I was looking for light but seriously distracted by the lovely old rockwork. Under the photos, I will put my opinion of how each photo would be useful to an artist.

There was a bridge across the river (middle fork of the Kaweah) until it washed out in the ’55 flood and a wall was added for a viewing platform. This has the clear detail necessary for a pencil drawing, but probably not the best choice of subjects because it is sort of an odd structure. Those sorts of things make sense in photos but cause an art viewer to wonder what the heck it is!

There are inexplicable stairs all around. Clearly this was constructed in an earlier era before evidence of humanity was forbidden (except signs with cautions and warnings.) This has good clear detail for a pencil drawing, but not a great one because there is no visible sunlight. The person could be included or left out, depending on how much fiddly detail one wanted to do. If the face was showing, I’d say FORGET IT – NO FACES SMALLER THAN AN EGG! (ok, I might not shout, but I’d be very adamant on this point.)

I recognized this little waterfall – it had my friend’s parents standing to the left in the picture that I drew. This would make a nice pencil drawing –  great contrast but not enough color for a painting.

Would the Park allow a trail to be built beneath a rock like this now?? Would they even allow the rock to remain? There are no warning signs – amazing! This photo is good for documentation only – the subject is too weird for art.

This is the kind of light I look for. It would make an excellent painting. Also good for drawing but it would be hard to render the textures unless artist is very experienced.

The Paradise Bridge was replaced in the early ’90s (Michael worked on that project) and it washed out in the ’97 flood, which was only about 1/4 of the water experienced in the flood of ’55! I wasn’t born yet. (Just had to throw that in in case you were wondering.) This would make a drawing and maybe a painting but I’d have to think about what to do with that heavy-looking tree leaning out to the right.

Hard to imagine it washing out. This photo is good for documentation only.Too much texture and the main subject is too small for a good drawing. In case you are wondering, I learned this the hard way. 

Rockwork, light, this would make a nice pencil drawing. Maybe even colored pencil. Maybe a combo! I’d mess with the composition a tad to get the edge of the wall off dead-center.

What do you think?

Sequoia Paintings

Because my website is still non-functional and there are folks who might want to see which paintings are available, this posting will consist entirely of paintings of The Big Trees, Sequoia Gigantea, Redwoods.

Just the facts: A few little tidbits about all the names:  “The Big Trees” was how we referred to them when I was growing up in the flatlands of Tulare County. When I attended Redwood High School, our newspaper was called “The Sequoia Gigantea”. The coastal redwoods of California are also Sequoias, but their last name is Sempervirens and they are the tallest trees; the Gigantea are the largest by volume.

Viewing info: These are just thumbnail-sized photos so that your ‘puter doesn’t get overwhelmed – click on each picture to make it grow.

Shopping info: You can see the Paypal Buy Now buttons beneath each painting. if you live close by, I will refund the shipping. If you live far, shipping on the Generals Highway is free as an added incentive.

Sunny Sequoias XVI – 8×10″ – oil on wrapped canvas – $90


Sunny Sequoias XV– 10×8″ – oil on wrapped canvas – $90


Sunny Sequoias XVII – 16×12″ – oil on wrapped canvas – $225


Sunny Sequoias IIXX – 10×10″ – oil on wrapped canvas – $120


Tunnel Log III – 10×10″ – oil on wrapped canvas – $120


Generals Highway – 16×20″ – oil on canvas in rustic wooden frame – $350


Growth, part two (Cards & Commissions)

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I used to draw pictures that fit nicely into sets of notecards, which then sold very well both retail and wholesale. I still do a few cards, but the market just isn’t as big. In fact, it is microscopic. Tell me, how many cards, thank yous and little notes do you send a year? How many do you receive? Hmmmm, really have to think about that one.  Cards do sell, but not very many anymore. (Despite the handiness of communicating via computer, the truth is, no one ever cherished an email, so there.)

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In addition, I drew cabins and homes on a commission basis. (still do!) That was the sum total of my abilities in the early years, and it kept me quite busy.

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