Commissioned Oil Paintings With Far Away Customers

Commissions are an important component of earning a living with art. Some artists love them, some do them while figuratively holding their noses, and some artists flat out refuse. I fall somewhere between the first 2 types of artists, because it depends on both the idea and the customer.

While I worked with Lisa on her commissioned oil painting of the Lake House last fall, I did some thinking about commissions. It is so tricky to work long distance, using photos, email and an occasional phone call. Words mean things, and relying on words to explain an unseen thing is tricky.

Three Rivers commissioned oil painting

There are several elements at work in this type of art-making endeavor:

The Ideas: Those who know what they want, and those who are not sure, and those who keep editing.

The Customers: Those who can communicate and those who cannot.

Hmmm, that makes 3 x 2 = 6 possible commission customers

1. Knows what she wants and can explain it – The easiest!

2. Not sure what she wants but can explain as she figures it out. . . keep talking, because eventually we will arrive. (Hi Lisa! We did it!!)

3. Keeps editing and can explain each new idea – keep talking, but my prices are really too low for this type of continual editing and changing. Construction companies call these “Change Orders” which means they charge each time a customer orders a change.

4. Knows and cannot communicate – yikes.

5. Isn’t sure and cannot communicate – Sorry, Toots, I am unable to be of any assistance here.

6. Doesn’t have an idea and cannot communicate – Fuhgeddaboutit.

It all comes down to communication.

The painting above was painted for a customer in the #1 category, except that she isn’t far away. She wants another just like it. That will be fun, and I will add the personal challenge of just like it only better.

P.S. I see it is time to update my commissioned oil painting page because I have put commissioned paintings on the sold page instead of where they belong! Where are My People? I need People for this stuff!

Kaweah Post Office and Big Girl Pants

Dabbling, thinking it might be good to finish this before it gets hot again when I’d rather be in the drawing studio with its A/C unit instead of in the painting studio with its swamp cooler. Dabbling, deciding, doodling. . .

Has anything even changed from yesterday?

Get going – drink some coffee or eat some chocolate!

Here’s the problem: I’ve been concentrating so hard and long on the upcoming book, The Cabins of Wilsonia, just drawing like a pencil machine, that I’ve gotten nervous about my painting abilities.

This is a commission, I’ve been paid, and the customer is waiting. Put on your big girl pants and get busy.

Wow. That created a sense of urgency. Stay tuned. . . more will be revealed.

 

Painting the Kaweah Post Office Again

Commissions are good! They mean I get to paint something that has a definite buyer. They are the opposite of speculation painting.

Contractors build “spec houses”. It means they build a house like the Field of Dreams philosophy, in anticipation of a buyer. (“Spec” is short for speculation, not specifications.)

Very few artists admit to “spec paintings”. However, isn’t that what we are doing when we paint what we want and then schlep it around to various web sites, galleries, shows and shops?

This new painting of the Kaweah Post Office will only be schlepped to the post office to be mailed to a really nice lady from New Jersey.

Kaweah Post Office in progress

An oil painting begins its life in a rough manner.

When folks in Tulare County, particularly Three Rivers, have guests, we love to show them our sweet little Post Office up North Fork Drive. It is possibly the smallest operating P.O. in the United States, but that factoid depends on whom is being asked.

Anyhoo, we are proud of our cool little Post Office, even though it is technically in Kaweah and not in Three Rivers.

And thank you for being polite about how sloppy my painting looks when it is young.

More about lavender

My amazing friend Barbara grows lavender. She opens her lavender gardens (or is it a farm?) to the public each June when the lavender is at its peak. People can harvest bunches of lavender.

English lavender in bloom

The dates of this event are a little squishy, because the bloom is dependent on the weather.

This year, it is possibly Saturday June 15. This happens here in Three Rivers, and you just sort of have to pay attention to the paper and to people who might know.

Barbara and I like to collaborate on art projects. She had me paint lavenders on saltillo tiles for her garden and to sell during the Hidden Gardens Tour. These sold well, so I have painted more for her Lavender Harvest Event.

In addition, I have finished 2 new paintings based on her beautiful lavender. The hope was to have them printed into blank books to be useful as journals. More will be revealed in the fullness of time. . .

Livingston Lavender, oil painting, 8×10″, private collection

I know I said 2 paintings. Guess you’ll have to come back tomorrow.

2013 Calendars Now Available

The first 2 orders of 2013 calendars were all spoken for. Now I have the calendars available for order, right here on my bl0g!

The price including tax and shipping is $21. The earlier price was less because that’s just the way things roll. . . sigh. (Worm, anyone?) If you reserved one by email earlier, I will let you know when the calendars arrive and you can mail me a check.

 

oak grove bridge painting for cover of jana botkin's 2013 calendar




To see the pictures of each month, here is the link to the blog post that showed each  painting.

If you don’t want to click that link right now, here is a summary: Mineral King, Three Rivers, Sequoia, oranges, Yokohl Valley. What else would you expect from a regionalist from Quaintsville, a central California artist?
P.S. The type on this blog post is all in different sizes because sometimes it won’t fix, no matter how many times I try. I give up!

Why Artists Choose Three Rivers, a rerun

Because I just began year 5 of blogging, I decided to repost some of my earlier blogs for my newer readers.

When my art studio was in Exeter and I lived in Lemon Cove, people assumed I lived in Three Rivers. I’m guessing this was because of my occupation of pencil artist. (Given the choices of of towns in Tulare County, this is a reasonable assumption.) Now that I actually do live here and have become a painter, I recognize a multitude of reasons that any artist would want to reside in Three Rivers.

We are surrounded by beauty that takes no effort to see. There are incomparable views from my yard, studio, mailbox, and even from in my neighbor’s pool. The beauty continues as we go to the post office, the Memorial Building, the golf course, or maybe even from the dentist’s office!

Then there is the beauty that might require a little more effort to take in: the North Fork, the South Fork, Kaweah River Drive, and the Salt Creek area of BLM land come to mind. If you are able to walk, there is so much more that becomes visible.

Another great enticement to living in Three Rivers is the shorter drive to Sequoia and to Mineral King. In less than an hour you can be among the big trees and in a little longer than an hour, you can be in a valley that I have heard resembles the Swiss Alps.

Everywhere I look there are subjects to paint. The wildflowers could keep my brush flying for several seasons. The gates alone could occupy my pencils for a year. I could produce an entire series of drawings and paintings simply of loading chutes. Curves in the road, bends in the river, the autumn leaves, light on the rocks, Moro Rock from every possible angle, Alta Peak from every attainable viewpoint, sycamores all around town, the grand oak trees of every variety, the assortment of fence styles – every one of these subjects could be depicted in pencil or paint.

It is true that there is beauty in almost any location if one learns to recognize it. I certainly had plenty of subjects available in my former locations.  Now, the accessibility of paintable scenes is almost overwhelming!

The Kaweah Post Office V, oil on wrapped canvas, sold

Committing Commissions

 

This is not a commission. It is a do-over. I painted this when I was new to oil painting, and recently I figured out how to do it better. I painted right over the top, so I didn’t have to figure out any shapes or placement.  (Three Rivers is gorgeous in the spring. I know I keep saying that. But, really, the unemployment is terribly high, the air is nasty in the fall, and we are all fat, so don’t move here, ‘kay?)

This sequoia oil painting has better detail than the previous view. Why am I painting a sequoia in the snow when it is spring? Because CS wants it! And this California artist accepts commissions in oil. Pencil too.

Why I Make Art, #6

This is the final posting of this series, Why I Make Art. READER WARNING: I will talk about God in this so if it bores/irritates/offends you, skip this post.


I am made in the image of the Creator. He, the Ultimate Creator, created me to be like Him, which includes the desire to create. (No, no, no, I don’t think of myself as Godlike!!)

Clearly I do not have the ability to speak things into existence, nor the ability to make something entirely original. “What was will be again, what happened will happen again. There’s nothing new on this earth. Year after year it’s the same old thing.” Ecclesiastes 1:9-10, The Message

I also do not have the unlimited ability to make millions of variations of the same item, nor endless items.

My work is imitative, derivative,  just a way I have of reflecting back a little glory to God. It is my way of expressing the joy I find in light, shadow, shape, color, texture, scenes, and gratitude for ordinary daily gifts.

(Clearly I am missing the cooler temperatures, brighter colors and higher water of Springtime!)

Daily Painting

This is a movement, or perhaps a trend, or maybe even a fad in the Artworld. I’ve considered it for several years, but seem to have too much work to be slamming out extras. And I would be “slamming them out’, because layered and detailed is my preferred way of painting. But, I can and often do paint daily among the tasks of blogging, updating my website, drawing, paying bills, tending the studio garden, teaching drawing lessons, returning phone calls and emails, bookkeeping, running to the Post Office, designing murals, bidding jobs, framing drawings, keeping up with inventory, photographing my work, et cetera. (Notice this list does not include Facebook. I am still resisting, but feeling the pressure and beginning to weaken.)

“Scuse me. I got distracted with that list. Had to go lie down for a bit, revive my spirits with a bit of chocolate.

It occurred to me that I don’t have to pay a fee to join a daily painting site. Nor do I have to announce that I am going to do FIFTY PAINTINGS IN FIFTY DAYS or whatever grand scheme I might concoct by staying up too late at night, consuming too much chocolate, stewing over ideas to generate interest and create sales.

Nope, all I have to do is show you one painting every day. In fact, I am going to do that for 5 days in a row. Maybe even 6 days. Aren’t you excited??

This was a painting done from the Hidden Garden Tour. I did 8 different paintings, of which 5 sold, including this one. It has a certain glow to it, and might have been the best one of the lot. Of course, taste is an individual matter.