A Tree Grows in Three Rivers

A Tree Grows in Three Rivers? Hokey, I know, and I can’t even remember what A Tree Grows In Brooklyn was about.

This is a commissioned mural inside of a home 2 doors away from me. It recently sold and will become yet another vacation rental in a town and neighborhood that is jammed full of such units. But that is a topic for another day, and probably another forum.

Working indoors is a pleasure – climate control, flat surface to stand on, consistent lighting, tunes or an audio book on my old laptop (why didn’t Apple include a CD slot in their new laptops?? – I get SO TIRED of “upgrades”, but again, a topic for another forum.)

This is what I found when I unlocked the door on Monday a.m. (a week ago). The carpet will be replaced, so no tarp was necessary. Weird.
This is outside the house and will have a human sized chess board, which I might be painting next.
I procrastinated a bit before beginning. Giant blank walls are intimidating.
I measured the height of the ceiling, because inquiring minds need to know. 14′. I climbed up the extension ladder and dropped a vertical so I could begin building the oak tree around it. It is the same method I use when drawing trees with pencil on paper (not with blue chalk – just a light pencil line).
The extension ladder was a bit cumbersome, so I went home for my own ladders.
After a bit of staring and thinking, I gave myself some more blue chalk guidelines.
A normal way to paint a mural is from the top down, but trees grow in the opposite direction.
There never is the perfect photo of the perfect tree, so I used all my oak tree photos to remind myself of the bark texture and the branching patterns. It is slow, thinky work.
This was a stroke of brilliance!
The raised hearth is helpful in boosting short ladders.

At the end of day one, this is what 

Gekkos in Three Rivers, Finished?

Is my mural, “Gekkos in Three Rivers” finished? A job isn’t finished until I hear from the customer that she is happy. As of the writing of this blog post, I haven’t heard.

The gekko on the left was the next one to be painted. These are the colors I chose. You can see the striking difference from the colored pencil version to the painted one – colored pencils make such wimpy-looking art! (unless you bear down with a zillion layers. . .)

I finished the remaining one – my current favorite color combination of blue with brown (a teal sort of blue with a pinkish grayish brown is really my favorite, but let’s not quibble here).

This is all 3 pairs. I studied them from a distance and then touched up this, that and the other thing. . . a little wider tail here, a few more spots there, painted “fingernails” in a few places, a wider body. . . 

And here you can see them all together.

What a lovely place to work this has been. . . happy sigh of gratefulness for nice weather and a really full river.

Let’s step back and see it in on the gazebo. Don’t you just want to hang out here?

And finally, as it appears from the road. 

It sort of looks like a (wobbly) banner. You can see there is something on it, but don’t know what it might be. Lots of colors, but which ones? Hmmm, maybe it will make people drive more slowly on North Fork.

 

Gekkos in Three Rivers

My decision is made: gekko is correct.

Here is how the first set of transferred and redrawn gekkos looked on Day Two in the shade. Still hard to see, but not invisible. 

After applying more blue chalk to the back side of the tissue pattern, I transferred 2 more sets of gekkos to the board, and then went over the top of the chalk with a pencil. (I’m always most comfortable with a pencil in my hand.)

The surface of the board is very rough, so it was with trepidation that I applied paint. I knew the brush would just bounce over the surface and make lumpy edges, so I did not put on my magnifying glasses. If I can’t see the lumpy edges, they don’t exist. 

See? no lumpy edges! The colored pencil version of the first pair is taped alongside so I can match the colors.

It seemed prudent to step back and see how things look from a distance. The first gekko matches the sycamore leaves in the background exactly.

Don’t be chicken and cower with nothing but familiar green paint . . . pick another color and get on with it.

This is how it looked after 3-1/2 hours of painting. It was fun to mix up so many different colors instead of painting miles of trees in 3 versions of dark green. The sun was creeping closer and closer, and although the board was still in the shade, the painter was not. So, I loaded my supplies into the car, stepped back for another photo, and then headed back to the studio for other work. (In case you were wondering, I LOVE the variety in my job/career/business/occupation!)

I can see that some of these little guys need fattening, and it is possible that I will ask Customer if I can add some things in the open spaces around the edges and corners. I’m thinking sycamore leaves might be nice. . . sycamores are native to Three Rivers; gekkos are not. But, Customer is in charge of the content of her mural, so again, more will be revealed. . . .

Gecko/Gekko Mural, Day One

Customer approved the colors and arrangement of the geckos with interlocking tails, so I packed up my supplies and drove to the river gazebo. The board is a good height for painting, the river is roaring, and there is great shade in the morning. I’m going to enjoy this job!

Where is this place? So glad you asked! It is in Three Rivers, on the North Fork of the Kaweah River, next door to the Arts Center, and it is called “The Bridge House” on VRBO. Here is the link: The Bridge House The gazebo is across the street, and was built on a patio overlooking the river, incorporating bridge abutments from the bridge that washed out in the flood of ’55.

First, the board needed to be painted. I had a partially used gallon of “High Hiding White”, which sounded just right.

I put a coat of white on the board, then went home with some specific measurements so I could figure out how to get the design from 8-1/2×11″ paper onto a 20″x 10′ board. It took a fair amount of measuring and math, tracing and transferring, but eventually I had it on tissue paper, the appropriate size.

When I returned to the gazebo, I saw it needed a second coat of High Hiding White to hide the first coat. This gave me time to think about how to transfer the image from tissue to the board. 

I used blue chalk on the back side of the tissue, taped the pattern to the board in the center, and rubbed it with my finger.

Can you see it?

Neither can I. This will have to be continued on another day when the shade has returned.

Disconnected Observations of Life in Three Rivers

Thoughts collect in my brain, camera and computer that are disconnected from art but seem worth mentioning.

  1. Last week I waited for a mess of RVs to pass before I pulled out onto the highway. As I went around the lake, I picked off 7 identical RVs through the 3 passing lanes. When I got below the dam, I could see 7 more identical RVs in front of me. There’s a story here that I probably will never learn.
  2. On the way home, I was struck in my heart by the signs that said spring is almost over. They are the fire danger sign, the brown hills, and the Farewell-to-Spring flowers. 
  3. At the Redbud Festival, I had two conversations with different people about specific trees they love. One told me of a Redwood tree somewhere in the backcountry; the other told me of a sycamore somewhere near Conley Creek and the South Fork of the Kaweah. I tried to find the sycamore, but there are several, so I just took some photos of the river, in case I want to draw more water.
  4. Samson is too interested in the nests of some scrub jays outside one of the living room windows.

Redbud Wrap-up

Another successful Three Rivers Redbud Festival in the can!

This is how my booth looked upon arrival on Saturday morning.

The large wet bridge painting seemed too fragile to ride in the back of the Botmobile, so I walked it down to the Memorial Building. Perhaps that helped to speed the drying process.

Nikki Crain, Handweaver Extraordinaire, was my next-booth neighbor. We like to do shows together, and have been for about 25 years or so. She took drawing lessons from me for several years, and we know how to cover for one another and help one another through the various ups and downs of events.

These paintings sold (the sizes are not in correct proportion to one another here: real sizes top down — 6×18, 8×10, 6×6, 6×6, 10×10)

I met a future student, reconnected with old friends, met some friendly people from Australia (either there are no grumpy people on that continent, or maybe the grumps don’t travel to the US), worked out a trade deal with another vendor, and met a bunch of new folks that I probably won’t remember. I hate that forgetting thing, but people are always nice about it. As a bonus, I collected another peculiar sight for the blog when I looked out the window on Sunday afternoon.

Spring Walk in Three Rivers

About a mile from my home in Three Rivers there is an extensive area of BLM land. There are several ways to get there, all of them a little ambiguous, but the place is still well-used and loved by mountain bikers, casual walkers, hard-core walkers, photographers, and horse-back riders. The place is called “BLM”, “Salt Creek”, and “Case Mountain”. I tend to call it “top of Skyline”. Sometimes, just walking to the opening gate is enough exercise for me, so when I want to get far out on the trails, I drive to the beginning.

Enjoy some photos from a recent excursion, where I went farther than I have for a year or two. (To a view of the second waterfall!)

Hmmm, I seem to have a pattern of photographing animals as they stick out their tongues.

After Hours

On breaks from the studio, during my “commute” to the studio, after hours, and on weekends, this is a glimpse into what inspires me, fills my time, keeps me interested in marching on.

Ethan, a boy from Three Rivers, sells beautiful eggs, and there may be some paintings soon.

This type of iris is my favorite. The colors are never quite as good in the photos as real life, but sometimes I have done okay with oil paint in capturing these. (It’s been a few years since I painted any.) See that shadow through the lace? That is a Peeping Sam(son). Making mosaic items –stepping stones, a few table-tops, a bowling ball, drinking fountain and light pole – is a striking change from drawing in pencil. These were done with tiles I found at garage sales and a few left-over pieces from when I was slamming these out by the dozens. The big box stores don’t carry bright colors or pretty designs any more, so I think the era of easy tile buying has ended. We planted tomatoes and stepping stones. Trail Guy built this fortress against deer, gophers and birds. Guess we’ll still have to deal with the bugs. The herb garden is my place of refuge. The various fence pieces are all salvaged. It won’t keep out the deer, but it will slow them down a bit. It looks a little hokey but I get satisfaction from using what we have available (or “upcycling” in the current vernacular). And sometimes I just sit, read, knit, pick the catkins out of my hair from the mulberry branches overhead, and smell the lilacs.

Little Break From Repainting Mineral King Mural

I wasn’t able to paint on Wednesday, due to life’s other commitments that make me thankful to be self-employed.

Have you been missing Samson? He is semi-civilized now, although better behaved for Trail Guy than for me. It might just be a male-bonding issue, or perhaps it is that Trail Guy is around more.

The first photos show our redbud tree in bloom. In the last photo, you can also see the tail end of the bloom on the flowering quince.

Just an average spring morning in Three Rivers . . .

Spring in Three Rivers is almost worth the long hot dry smoggy crowded summers. No, it IS worth it (but I doubt if you would like to move here – remember, we are all fat, poor, uneducated, have diabetes, get pregnant as teens, and have bad air. Besides, there is no Trader Joe’s or Whole Foods.)

 

 

Spring in Three Rivers

Yesterday I didn’t paint on the Mineral King mural because it was a drawing lessons day.

In the spring, it almost causes me physical pain to leave Three Rivers, even to go to a place as mellow as Exeter, even to do a job as exciting as repainting the Mineral King mural or teaching people I care about to draw.

Life’s hard; put on your big girl pants and deal with it.

Sometimes I walk by this in the mornings (unless I’m commuting to Exeter).

If you could work here, would you drive somewhere else? 

Flowering quince is still in bloom in my yard.

If you had this guy sitting on a table outside your office, would you want to leave him?

And this is the flowering pear tree outside the studio.