Decisions, decisions

My very wise dad used to say, “Life is a series of choices and decisions”. (My very wise friend still says, “Choices and consequences”.) 

In preparing larger paintings while hoping for a show at a local-ish gallery, I have to keep in mind my mission, which is to show off the best parts of Tulare County with my art. One would think that choosing the best scenes would automatically result in sales; one would be wrong. 

It is painting the scenes that people love, scenes that ring a bell, touch their hearts, resonate, remind them of good memories, and doing all this in the most excellent way possible that MIGHT result in sales. (Anyone have a crystal ball that I can borrow?)

There is a scene that draws me back, in any season with water in the creek, and I want to paint it on an 18×36″ canvas. It is Yokohl Creek.

This version isn’t quite it, and won’t fit on 18×36″ format. So, have a look at the cropped version:

Better, so I started on the canvas.

But wait! Spring is the most beautiful time of year!

Shall I try to convert the view I cropped to spring colors? First, let’s crop this view.

This still doesn’t have the same visual pizazz to me as the brown version. What’s a Central California artist to do?

More will be revealed. . . (and I bet you can complete that sentence.)

Mooney Museum Mural, Day 3A

First, the name of the museum is Tulare County Museum, and it is in Mooney Grove. This is a county park. Just wanted to clarify, because the title of my blog posts about this mural make it sound as if the museum is called the “Mooney Museum”. I just like alliteration.

This is how the mural looked when I arrived on Day #3.

The brighter orange is poppies, the lighter orange is fiddleneck, and the lightest yellow is mustard. (You’re welcome – I know you were wondering.)

There were a few details left to add to finish this one.Better.Best.

There is too much to show you on today’s post, so Day 3B will appear tomorrow.

Mooney Museum Mural, Day 2

The mural looked like this in the morning. If you ran past it, it looked finished, but it needed detail.

Those middle hills were a bit confounding, so I just hunkered down in the mud to plant an orange grove. Oh-oh, this is going to be S L O W. Some friends stopped by, and I decided to be like Tom Sawyer. If someone had let me paint on a public wall in a park when I was 8, I would have been paralyzed with doubt, but maybe have just gone for it anyway. I told Justin that it didn’t matter what he did, just make some marks to see what it felt like, and I’d paint over anything that turned out weird.

County Parks Director Neil suggested wildflowers, which OF COURSE I should have thought of myself, and OF COURSE I immediately added in.There are poppies, fiddleneck, and mustard. You might have to see them in person to fully appreciate them.

Next, I will finish the details above the grove – a barn, some non-grove-like trees, a couple of wind machines. Then, I’ll move to the panel on the far right.

Stay tuned!

Mural at Mooney Grove

If you grew up around here, you are probably accustomed to hearing about the county park on the south side of Visalia as “Mooney’s Grove”. When I painted a mural to go inside the Tulare County Historical Museum at Mooney Grove about 10 years ago, I learned that I had been saying the name wrong my entire life. 

I began my 4 part mural there this week on this building, listening to yacking Canada geese all day long. (They aren’t as bad as barking dogs in spite of being louder.)

First, the masking tape to protect the borders.

Getting the sky painted quiets the rude Voice of Incompetence and Insecurity in my head.

Next, I located the mountains, following my photos. (Of course I included Alta Peak with the elephant.)

Then, I got confused. Too many photos, too many viewpoints, too many options. So, I took a break to enjoy my surroundings at Mooney Grove, a park set aside for its Valley Oak trees.

The clock chimes every hour. It is pleasant, a nice alternative to the fire whistle in Exeter which almost knocked me off a scaffolding at noon until I learned to climb down and cover my ears at 11:59 each day while painting there.

The hills continued to confound me, so I just started covering things with paint to sort out later. 

Standing back helps me to see what needs to be adjusted.
Eventually I was able to find some hills and figure out the right colors. The wide band of green on the bottom will become an orange grove.

Not bad for one day’s work! So, I went for a walk around the park. When the mural is finished, I’ll show you a collection of photos of this lovely piece of somewhat cultivated nature on the outskirts of Visalia.

Pencil Reminiscing, Part Four

After my booming (in my own little mind) success with the original set of notecards for Tulare County, Mineral King, and Visalia landmarks, I moved on. My memory is fuzzy about which card sets came next, and at what point I quit my job in the print shop. I worked from our little house in Lemon Cove and supplemented my income with a summer job baking at the Silver City Store, helping out at a friend’s Exeter gift shop for Christmas, and filling in at the printer when they had need. 

The ideas continued to flow. Now it was time for Tulare County Landmarks II, which moved into other towns of the county.

 Since this set included Lindsay, Tulare, Porterville, and Exeter, I found stores in all those little towns to sell the cards. I may have spent as much in gas expenses to drive around calling on the stores as my profits.

(The little circles are holes; these cards were samples for customers to see what was in the variety packages.)

To be continued. . .

Pencil Reminiscing, Part One

This could also be called “Notecard Reminiscing” or even “Back in the Olden Days”. 

Back in the olden days, I worked in a print shop and drew in pencil. Pencil drawings of Tulare County landmarks printed on notecards were my “side hustle”, now the cool way to refer to a second job. It was a hobby to make money, a business that I hoped would outpace my real job. 

Because I have always been a note and letter writer, finding stationery and cards with local art was what I looked for any time I traveled. It came to my attention that there weren’t any for Tulare County in spite of the fact that we have Sequoia National Park, and that we feed the world. From my viewpoint in Ivanhoe, then Visalia, and eventually Lemon Cove, it seemed that we had subjects that were good enough to be proud of and drawn. At that time I was only capable of drawing architectural subjects, so that is all I thought of. (Looking back at my work, I’d now say I was barely capable of such things, but growth is good, unless you are a tumor.)

 

In the past year or so, I pulled the original drawing of the Lemon Cove Women’s Club out of its frame to touch it up. It isn’t too embarrassing, but it did benefit from some tightening up. This was a drawing I just didn’t want to let go of, so it hangs in my dining room.
The original of the Silver City Store also hangs in my dining room.
This one I now use as an example for my drawing students so they can feel better about their own beginning work.

This was back in 1987, and I knew nothing about branding oneself (yikes, as if we are cattle?) or marketing. I loved to draw, and felt lucky to be able to work in a print shop and know people who helped me figure out how to make my idea happen, along with people who owned shops that wanted to sell my merchandise.

There was a distant foggy hope that someday I could be self-employed as an artist, but that was far off in the future, along with having a real studio, owning a home, and being old like a real grown up.

To be continued. . .

Extra Post Today

Today I am here! Will you join me?

If you read this flyer, you will see there is a $3 entry fee. If you buy something from me at the craft fair, I will reimburse your $3.

Building a Store

As we last saw it.

Until I began this painting, I never noticed that the sign above the door is not centered.

Now there are chairs on the porch and geraniums in the window boxes.

And now, it is finished! Next, I’ll sign it, paint the edges, wait for it to dry, scan or photograph it, varnish it, wait for it to dry again, and then mail it.

Getting Started

The commissioned oil painting combining two Tulare County scenes feels like a mini-mural. 18×24″ is HUGE when I am accustomed to 8×10″ or 6×18″.

Often I have pondered why it is that a mural feels sort of easy because of its large size when a large oil painting feels daunting. Is it the number of layers? the level of detail? An oil painting certainly takes longer.

My customer approved of sketch #2.

Sketch #2

She is gracious and told me there is no rush. However, I am a bit of a “precrastinator”, a made-up word that is the opposite of “procrastinator”. It is much better to begin, to act as if there is a deadline, to be ready for contingencies, interruption, opportunities, and other emergencies than to just lollygag along, figuring it will get done when I FEEL like it. And losing momentum is a real risk – a customer can change his mind, or it could get too hot to paint. Besides, the sooner I finish a commissioned job, the sooner I get paid.

(There was a sign in a print shop where I used to work that said, “I work for money, not for fun; I want my money when my work is done.” I work for both.)

First, a little fun with Scout. She is sitting on Samson’s shelf. (He doesn’t need it any more. Sigh.)

Now it is time to get to work.

Such a basic beginning. I just draw the general stuff with my paintbrush.

To be sure of the shapes, sizes, proportions, and angles, it is easier to be objective when everything is upside down. The goal is to get a first layer on the canvas, something that I can correct with each successive layer. 

That’s enough for the first second third fourth step of this commissioned oil painting. (The first was a conversation, the second was an exchange of photos and a sketch, the third was the second sketch with the approval to begin painting).

Further Figuring Out

This is Chapter Two in the story of figuring out how to design one commissioned oil painting of two different Tulare County landmarks. As a Tulare County artist, I am pleased to have been chosen for the task.

The customer requested a different view of Homer’s Nose, and I have 5 photos from that point of view. This is the one we selected:

Homer’s Nose, from the Yokohl curve on Highway 198

She also requested a view of the Oak Grove bridge with more visible rocks (i.e. less water). If you have followed this blog or my art for very long, you know that the Oak Grove bridge is my favorite thing to draw and paint, even when it is a little bit too hard. So, I have plenty of photos to choose from for this very specific request:

Oak Grove Bridge photo by me from the same point of view, lower water so rocks more visible.

I know Spice Bush, but never heard of Mock Orange. Good thing I have friends with great photos who know far more than I do about many things.

Mock Orange, from a friend’s photo, flipped.

And a photo I have of Spice Bush, but will probably take more because it is in bloom right now and is beautiful.

Spice bush bloom

With all these visual aids, I drew this:

Sketch #2

What will my customer say in response to this second sketch? More will be revealed in the fullness of time. . . Tune in tomorrow, same Bat Time, same Bat Channel.

And here are today’s paintings, both commissioned pieces of Homer’s Nose, painted in 2014, each one 6×6″.

Homer’s Nose, oil on canvas, 6×6″, private collection

Homer’s Nose, oil on canvas, 6×6″, private collection