Cabin Life, Chapter Twenty-two (Finale)

Cabin Life: Final Thoughts

Someone’s Colorado cabin –definitely not small, rustic or rude

This is a backcountry cabin somewhere in Montana.

This rest of this post features drawings of Wilsonia cabins, where I spent 4 summers learning about that cabin community and discovering many common themes to the Mineral King community.

There are three distinct parts to cabin-ness:

  1. The building itself – small, rustic, basic, simple, often without electronic amenities. (But wait! What about the cabin pictured above?)
  2. The setting – rural, semi-secluded, in the mountains, taking an effort to get to (But wait! Have you ever been up Highway 180 to Wilsonia? And do these cabins look semi-secluded to you?)

     

A Wilsonia road

 

 

 

A Wilsonia neighborhood

The culture—slower, focused on people instead of technology; a place to play, recreate and relax, mostly outside; a place where meals and fireplaces become events in and of themselves; returning to nostalgic pastimes either of our youth or of some idealized youth of our parents and grandparents.

 

Outdoor dining is a big part of cabin life.

 

Napping is a regular method of relaxing at a cabin.

 

See? Outdoor dining area

 

Even outdoor cooking!

Fireplaces are a huge part of cabin culture.

 

Eat and run??

It seems that the culture part is the strongest determining factor of cabin life. Some of our cabin neighbors gathered in another location for several summers, due to illness of one of their group. One of them told me, “We do Mineral King things in Seattle, and Mineral King is present with us there.” (I probably paraphrased it beyond all recognition – Forgive me, Sawtooth Six!)

Thus, we conclude our 2023 series on Cabin Life. (unless I think of something else)

P.S. Most of the drawings in this post are part of the book The Cabins of Wilsonia, available here.

P.P.S. I can draw your cabin because. . .

. . . using pencils, oil paints, and murals, I make art you can understand, of places and things you love, for prices that won’t scare you.

Another Interruption, This Time for Drawing

 

Once again, we interrupt our broadcast for this drawing.

Ever notice the annoyance of the English language, where a noun and a verb can be exactly the same word? And I didn’t actually mean “broadcast”, because we are in a series of posts about cabin life. This drawing fits the category of cabin life but it isn’t about cabin life; it’s about pencil drawing.

Get on with it, will ya??

An old friend (that seems to be where most of my work comes from, but new friends and young friends are welcome to commission me; even friends I haven’t met yet are welcome here) expressed an interest in a drawing from The Cabins of Wilsonia. 

Alas, it was gone.

We had a few options: 1. Oh well, sorry; 2. Buy another book, Sir, and rip out the page; 3. I can draw it for you again.

My wise friend chose option #3.

Have a look at the original photo that I used.

As always, working from a photo isn’t straightforward copying. Every photo has its indiscernible parts, because real life is messy. 

Because my friend was wanting the drawing from the book, I used that old drawing to help me make decisions. (I didn’t lie: although the original is gone, it’s still on my laptop.)

Then, I thought about it a bit more and decided that I ought to be able to do a better job now. That was 10 years ago, and I was cranking out those 272 (was that really the number??) drawings at a rapid pace. This time, there was no deadline. My friend’s only requirement was specific dimensions to go with another drawing, like a matched set.

Here is the other drawing.

And here is its new partner.

(The difference in darkness has something to do with the computer reproduction, not a change in pencils or pressure on the paper.)

This picnic table appears in the chapter called “Brewer”, which is the name of the road in Wilsonia depicted in that chapter. (I got clever that way.) The funny part is that I could not remember where this photo actually was, and I just put it on Brewer because I thought it looked good with the chaise lounge. 

Apparently my friend thought the same. He has actually had a strong influence over my art career, so this makes sense.

Thank you, DB!

Final Final Cabin Thoughts, Maybe

Someone’s Colorado cabin –definitely not small, rustic or rude

There are three distinct parts to cabin-ness:

  1. The building itself – small, rustic, basic, simple, often without electronic amenities. (But wait! What about the cabin pictured above?)
  2. The setting – rural, semi-secluded, in the mountains, taking an effort to get to (But wait! Have you ever been up Highway 180 to Wilsonia? And do these cabins look semi-secluded to you?)

    A Wilsonia road

    A Wilsonia neighborhood
  3. The culture – slower, focused on people instead of technology; a place to play, recreate and relax, mostly outside; a place where meals and fireplaces become events in and of themselves; returning to nostalgic pastimes either of our youth or of some idealized youth of our parents and grandparents.

Outdoor dining is a big part of cabin life.

Napping is a big part of relaxing at a cabin

See? Outdoor dining

Even outdoor cooking!

Fireplaces are a huge part of cabin culture.

Eat and run??

It seems that the culture part is the strongest determining factor of cabin life. Some of our cabin neighbors gathered in another location for several summers, due to illness of one of their group. One of them told me, “We do Mineral King things in Seattle, and Mineral King is present with us there.” (I probably paraphrased it beyond all recognition – Forgive me, Sawtooth Six!)

P.S. Most of the drawings in this post are part of the book The Cabins of Wilsonia, available here.

Did You Know I Have Another Blog?

Join me at the table in Wilsonia (figuratively speaking, of course.)

I have another blog. It is called The Cabins of Wilsonia, because that is the title of a book I wrote/designed/drew/published in 2014. Here is the link to the blog, and it will open in another tab. (Thank you, Sharon!)

While I was working on the book from 2011 until it was completed in 2014, I regularly posted about the process and progress. Then the website stopped working, as tech is wont to do. (Isn’t “wont” a weird word??)

After a few years of ignoring the site, it got repaired, but I didn’t have much to say. The book was published, and I stopped spending time in Wilsonia. (I have my own place in Mineral King, and my husband actually likes me and wants me to be with him there.)

Then I had a chance encounter with some Wilsonia folks, so unexpected and delightful that I felt compelled to write about it. Hint: it happened on the Mineral King Road. (You can read about it here.)

After that, the ideas and words began flowing again. I don’t know how long this little writing spurt will last, but you are welcome to visit my other blog and even subscribe. (I promise it won’t be five days a week of posting.)

P.S. The Cabins of Wilsonia is available for sale here. It used to be $80 and is now $50, because book prices are wont to price drops several years after publication. 

P.P.S. STOP WITH THE “WONT” TALK ALREADY!

P.P.P.S. Your Central California artist is wont to sometimes obsess about words.

2 Items, One Personal, One Business

I love lists. Today’s contains one personal item and one business item.

  1. Today we have 2 kittens coming from Tulare. An employee of Sequoia National Park will be delivering them on her way to work. One is all black; one is a tuxedo. They are already named, but perhaps we will choose other monikers. (Isn’t that a great word for “name”?) We cannot stand the state of catlessness for another day. If the Tulare person can catch the other 2 litter mates, we’ll take them also. If the place where Perkins and Samson came from produces more kittens, we’ll take them too.
  2. My other blog, The Cabins of Wilsonia, was in a coma for several years. I let it lie there, wounded and neglected. Who wants to make the sorts of phone calls it takes to figure out such things? Not this Central California artist, nosirreeBob. Then, I got some weird emails about the site, the type of emails that are “phishing” for information, so I finally made the call. Now the website has awakened, awoken, woken up and I wrote a new post. I’ll start posting there again, but this time just once a week, the way the Internet Smart People suggest. I might even try to promote it on Instagram and Pinterest. . . nah. Prolly not. To celebrate the return of The Cabins of Wilsonia, let’s have a Wilsonia cabin drawing!

This is a commissioned drawing that I did after the book was published.

What am I talking about? The Cabins of Wilsonia is a book I published in 2014. It took 4 years and ton of learning. They are still available on Amazon, here on my site, and tomorrow at Anne Lang’s Emporium from 10 a.m – 4 pm. I’ll be there for First Saturday Three Rivers. My friend Sam the Gourdist will be the featured artist, at the Three Rivers Arts Center! Go, Sammy-Sue!!

Pencil Drawing Finished?

The pencil drawing commission might be finished. I often run things by my drawing students, telling them to be as “mean” to me as I am to them. It gives them an opportunity to practice the skills of looking very critically, and articulating clearly if they see any weak areas of a drawing.

Here it is the first time. It was originally drawn to be printed in The Cabins of Wilsonia.

And here it is in its second iteration:I am more confident that the roof angles are closer to reality this time, and I think it has tighter detail. I’m guessing that the shocking difference in darkness is due to the computer preparations required for printing in the book. It wasn’t that dark in person because my pencils aren’t that dark. It almost looks like ink to me! (Nope, not participating in Inktober.)

Drawing Architecture in Pencil

Drawing architecture in pencil is my favorite thing. Since this drawing is gone, I get to redraw it. Second chances, opportunities to improve, do-overs–all good things.

This is how it looks after about three short sessions with my pencils. Cabin closing, oil painting, teaching drawing lessons, taking inventory and planning for shows, editing, book design, blogging, these things all cut into time to do my favorite thing. But, pencil drawings don’t take up a lot of room, there is no palette to secure or brushes to clean. (More reasons why pencil drawing is my favorite thing.)

Would you believe these roofs all belong to the same structure? This cabin in Wilsonia contains some of the most interesting architectural oddities and details of any of the cabins. I hope to see it up close and personal next summer!

Do-Over

I get another chance at a do-over!

A customer asked to buy three of the original pencil drawings from The Cabins of Wilsonia. One of them is gone, so I offered to redraw it for him. He agreed.

The one he wants redrawn isn’t one I felt very proud of. Maybe I got sloppy in the midst of 272 drawings (can’t remember the actual number). Maybe I draw better now. Maybe it didn’t reproduce as well as I had hoped. Maybe I did a poor job prepping it for printing. Maybe my standards have been raised or tastes have changed.

Maybe it is all in my head. 

Here it is:

I can’t wait to redo this! (Have I told you how much I love to draw, especially architectural scenes?)

Gathering Visual Information

Visual information is necessary to an artist. In the olden days, artist did sketches. Cameras came along and made things easier. Digital cameras showed up, and now the visual information is quick, easy and abundant.

I am working on a coloring book for Sequoia and Kings Canyon National Parks, to be titled Heart of the Park. Those of us with ready access to these places call them “The Park”. It is 2 parks that overlap in several areas and are administered by the largest employer in Three Rivers. (That would be SEKI, AKA The Park, AKA National Park Service.)

My friend and I took a field trip so I could get the final photos needed. These were all in Kings Canyon, so we went through Sequoia to get there. I’ve spent quite a bit of time there, but most of it was in Wilsonia, working on The Cabins of Wilsonia. My photos were inadequate for the task at hand.

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Version A of Panoramic Point?

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Or Version B? (that is Hume Lake, not in the Park, but in the line of sight to the canyons and peaks beyond).

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The Gamlin Cabin is behind the General Grant Tree.

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I may have learned about these types of corners in one of Laura Ingalls Wilder’s books.

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The view from the back wins because of the Giant Sequoia behind it (not the General) and because of the stone chimney.

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I didn’t know there was a Big Stump Trail. It was recommended as a possible source of coloring book pictures.

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The trail was fun for this group of visitors from France.

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I need to see the stump without all the people, and since it is no longer wasting film to take many photos, I take as many as I want.24,000 may be a bit of a load on my laptop, but I keep reminding myself that I don’t download movies or games, so it will be fine.

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This vertical version of the view would work in the coloring book, but I don’t like it. It could be a nice meadow with deer and wildflowers, but I don’t like it. It’s sort of like a graveyard, and I don’t like it.

 

kingsCynPanoramicJana2004s
Documentation of documentation. (Thanks, GEP!)

And More Designing a Book

I offered to design a book for an author friend. Let’s call her “Louise”, because that is her name.

Louise discussed it with the 3 people who commissioned her to write their story, and they gratefully accepted my offer.

I read up on book design, learning most of what I needed from The Book Designer‘s website. I had paid him for consultation to be sure I wasn’t messing up The Cabins of Wilsonia. He charged more for one hour than I often earn in a week, but he was worth every dollar. He is a fount of helpful information.

I bought a template from him to use with InDesign, thinking this would be simple and easy and fast and how awesome to just slam this thing out with all my previous experience and knowledge.

Fall down laughing. . .

Look at some of the work:

  1. Learn how to change the template so the chapter titles appear as running heads instead of the author’s name by emailing the Book Designer for help, several times because, well, because it is complicated.
  2. Change the master template page things to have chapter titles in the space where Louise’s name would have appeared.
  3. Find that in normal books, the chapter titles are on the right page, not the left. If you have the author’s name on every spread, the title goes on the right. If you have the chapter titles on each spread, the title goes on the left.
  4. Change the master template page things again to accommodate this new information.
  5. Realize I have the power to eliminate many of the hyphenated words at the end of lines, and go through all 300 pages to fix as many as possible.
  6. See that changing the hyphenation caused some of the photos to land in the middle of paragraphs, so go back through the 300 pages to scoot them.
  7. Louise and I decide that a plain divider line looked too plain, so design a fancier, but not too fancy divider line.
  8. Replace the divider line with the pretty one.
  9. Go back through the 300 pages and see that I missed some.
  10. Find that there is a spell check on InDesign and decide it can’t hurt to run it in spite of the facts that I used spellcheck on Word,  Louise and I have proofed it many many times, as have the 3 people
  11. Find a few typos.

Fall down laughing with exhaustion. . .

This pencil drawing of a Wilsonia cabin invites me to sit on the porch and contemplate a life without InDesign.
This pencil drawing of a Wilsonia cabin invites me to sit on the porch and contemplate a life without InDesign.