The Ornament Story, chapter 4

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This is the crowd shuffling back down the hall as the party was over. The conversations were so much fun. I heard people going on about the bathrooms (“Fine facilities!” in a very Southern accent), talking about how many paper napkins with the White House emblem that they stuffed in their purses, and the cameras never stopped snapping. (In 2007, people took photos with cameras, not phones. I still do.)

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We were very reluctant to leave, as were most of the guests. It was all such a beautiful fantasy, and  it was hard to believe it was over so quickly.  While I changed from my useless high heels to a pair of walking shoes, Michael made friends with Jeff, a Secret Service guy:

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He showed him the photos of meeting the President in Sequoia in 2001 and referred to him as “Dubya”. I said, horrified,  “Michael! They probably don’t call him that here!!” Jeff said, “Actually, we call him Forty-three”.  Isn’t that a hoot?

There are many many layers of security around the White House, several different fences and gates to pass through before emerging onto Pennsylvania Avenue. Here is one last glance back:

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I think I stood on a bench for this one. (It was safe – my high heels were in my oh-so-dorky-with-dress-up-clothes trusty red backpack). There was a fence separating us from the White House and another fence separating us from outside the White House.

Our next mission was to locate a Metro Station and figure out how to get back to Alexandria, where we had a 19 block walk back to Janey’s (see why I brought normal shoes with me?) Michael was a little uneasy with this, but since I had just been in China, I knew this would be a piece of cake. Why? Because everyone spoke English here AND we could read the signs. So, that is my story of the ornament. One last thing: have a look at the little item that gave me this adventure!

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You used to be able to view all the ornaments but that webpage has expired. It is interesting to note that no where were the artists mentioned, only the National Parks that we represented. And we were instructed to not use our designs commercially—no reproductions, no advertising saying “as designed for the White House”. Since then,I have made more ornaments, although none identical. Besides, I paint better now.

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1 Comment

  1. Wow, what an interesting opportunity, dear Jana! Those window decorations are sooooo hideous, though.

    Your work on Christmas ball is lovely, and you should of course be named as the artist. Artists’ moral rights, written into US copyright laws and the Berne Convention, include the right of attribution. You have a right to be identified as the artist and the White House has a legal responsibility to post the names of the artists with their work.


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